Industry

  • April 30, 2007

    Film company exhibition tracks

    How does the track system begin and change over time with movie theaters?

    Does a theater chain sign a contract with a distributor to play its product at a specific list of movie theaters? How does this change over time? Was looking at microfilm ads and noticed one former Century theater ( New Rochelle, NY) had switched from running steady United Artists and MGM films to Universal and 20th Century Fox in the early 1970’s.

    Aside from Jason Squires book “The Movie Business” are there any others that were written about distribution and exhibition patterns, etc??

    Thanks much

  • April 12, 2007

    Trailer Park comes to Myspace

    With studios looking for every which way to market their films, the introduction of a part of Myspace just for movie trailers seems like the predictable next step.

    Social networking site Website Myspace, together with independent entertainment studio Lionsgate, has unveiled MySpace Trailer Park, an online community devoted to theatrical trailers of new film releases. Trailers will be featured 3 to 6 months before the actual movie release.

    “We expect millions of Americans will come to Trailer Park to check out the industry’s best movie trailers. The demand on MySpace for premium video content is off the charts and we expect Trailer Park to speak to users who want to discover and virally share these videos,” said MySpace CEO Chris DeWolfe, in a press release.

    Read more at TMC Net.

  • April 6, 2007

    A force in touring hits the end of the road

    In an interesting but not entirely surprising move, Live Nation is leaving the theater business.

    “As part of our strategy to focus on our core global music business,” read Live Nation’s quarterly statement last month, “we have launched a process to divest the majority of our North American theatrical business assets.”

    With that, the end was in sight of one of the most high-profile attempts to align Broadway and Wall Street.

    For the full story, go to the New York Times.

  • March 14, 2007

    Do HDTV owners prefer movie theaters?

    Despite having the technology at home, HDTV owners still made it out to movie theaters in record numbers in 2006, according to the MPAA.

    According to the MPAA, owners of big-screen HDTVs, Digital Video Recorders and other high-tech gadgets, went to the movie theater 10.5 times in 2006 compared to 7.1 visits for non-tekkies.

    The MPAA didn’t offer an explanation for why the tech-savvy would be more likely to leave home, although they may have a high-def set and surround sound system at home that can offer a theater-like experience (and perhaps a better picture).

    For more, go to TV Predictions.

  • March 12, 2007

    Travolta steps up for film causes

    OCALA, FL — For the opening of his new film ‘WILD HOGS’ John Travolta wanted to do something to help his community. There were over 200 tickets sold to a VIP event at Club Blue adjacent to the Hollywood 16 theaters in Ocala, Florida. Proceeds went to the Florida Tornado Victims, The Historic Marion Theatre, and to the Film Commission of real Florida.

    John Travolta presented a check to Mayor Max Pullen, of Lady Lake Florida, for $15,000 from the event and to top it off he also matched it with a personal check for $15,000. Proceeds also went to help restore the historic Marion Theatre in downtown Ocala. The building has been under construction since October of 2006 and is slated to finish June of 2007. This was a wonderful event and it helped causes that the Travoltas are passionate about.
    Congratulations!

  • March 8, 2007

    Indie theater fights clearance

    WEST BOYLSTON, MA — Having to now wait almost half a year sometimes to get a popular studio film, one theater is fighting back to get the state senate to repeal the clearance measures that allow big chains to hold back certain product. Legislation will be presented to the state senate.

    Theater owners Kevin and Carrie Broderick would have liked to show the movie months ago, but a contentious industry practice known as “clearance” denied them the chance.

    Film distributors will allow exhibitors in a given region to claim exclusive rights to titles within competitive zones. For West Boylston, Showcase Cinemas North in Worcester has claimed those rights to most first-run features, according to the Brodericks. If Showcase is showing a film, they said, that theater will ask distributors not to give it to West Boylston.

    “It’s not fair competition,” Ms. Broderick said in a recent interview. “The consumer is not benefiting from us being left out of the ability to play first-run pictures. All we’re asking for is a level playing field.”

    For more, go to the Worcester Telegram and Gazette News.

  • February 28, 2007

    MoPix system could revolutionize theater experience for some

    FORT WAYNE, IN — A student at Indiana University has created a new in-theater system to assist those hearing and visually impaired. With components including a rear captioning system and headphones, it could completely change the way people see films.

    One component of MoPix is The Rear Window Captioning System, and it’s an amazingly simple concept. An LED screen mounted at the rear of an auditorium displays captions, but displays them backward.

    A patron who wants to make use of the system carries a transparent acrylic panel to their seats and mounts it in the cupholder or attaches it to the armrest.

    Another component of MoPix is DVS Theatrical which allows visually impaired patrons to access narration via headphones that describes what is happening on the screen without drowning out dialogue.

    For more, read the Journal Gazette.

  • February 16, 2007

    Screenvision lives at Clearview… for now

    Check this link out from Mediaweek regarding Screenvision’s renewal to show in-theater ads at the Clearview Cinemas chain.

    Screenvision announced Tuesday it had expanded its relationship with Clearview Cinemas, a subsidiary of Cablevision Systems Corp. Under the new long-term contract, Screenvision retains the exclusive rights to sell the advertising on Clearview’s 258 screens.

    The cinema rep firm also gains the rights to sell advertising on Clearview’s in-lobby plasma screens and in-lobby promotional programs. Screenvision will also install and operate its high-definition digital network on all Clearview screens.

    For more, go to Mediaweek.

  • February 14, 2007

    Larry King (of the blurbs)

    Ever notice how many movies Larry King seems to like? (His quotes have been appearing on a ton of movie trailers and posters.)

    Well, the Los Angeles Times has a funny piece about CNN host Larry King’s prolific movie reviews.

    King sees movies every week, often catching a noon flick before heading over to CNN to do his show. It must keep him young. At 73, he’s slim and trim, almost boyishly petite. His hair, once gray, is now a dry brown, like the trunk of a palm tree, with gray at the temples. He seems to see everything, describing the movies in blurb-like bursts, from “Letters From Iwo Jima” (“Loved every minute of it!”) to a film about Turkish genocide called “Screamers” (“Very well done!”).

    “I know they’re only looking for a catchphrase,” he explained the other day, ensconced at his favorite table at the Regent Beverly Wilshire, where he orders a spartan salad for lunch (“Don’t give me any eggs!”). “If I like the movie, I give ‘em a quote. If I don’t like something, I’m not gonna rap it. Sometimes they don’t even use it. I gave Clint a big rave for his movie and they didn’t even need it.”

    While King could probably take a break from reviewing movies for a while, the article mentions that the CNN anchor oftens sees a film before heading into the studio each day.

    And there’s a nice story about why movies mean so much to him.

  • February 8, 2007

    European cinema companies revolt over the Hollywood rush to DVD

    European theaters are revolting against American studios that insist on releasing DVD’s of recent films sooner and sooner. Chains protested by refusing to show “Eragon” and now they’re doing the same for the recent hit, “Night at the Museum.”

    The global dispute is about the future of a longstanding film distribution system in which movies are released in timed “windows” beginning with theaters, and then home videos, pay-per-view and, ultimately, television.

    In many cases, as in Germany and Britain, these rituals were based on informal agreements with Hollywood film distributors, although in France a law bans DVD sales until six months after the initial appearance in a theater.

    For more, go to the International Herald Tribune.