LuisV’s statement about that few if any “big” films
open in limited release is quite true. even after
the studios discontinued the roadshow policy for their
“big” films they still would open such films in
one maybe two theaters where it would play for weeks
or months before going to neighborhood theaters.
the advent of t.v. in almost every home was the death
nell for many grand old movie theaters and the
multiplex era where a film opens in 2,000-3,000
on the same day was the death nell for many of the
grand old movie theaters that remained. i love going
to the Ziegfeld and am constantly amazed its still
standing.
i think pc is haunted,either that or i
need new glasses. yesterday when i looked i
did not see a Astor Theater listing for New
York, New York. but there it is today. no one’s
perfect. :–)
as always I thank you for your reply. I was always
under the impression that Ben-Hur opened at the Astor.
so the fact it opened at the Cohan is a perfect
reason for The Big Parade’s quite long run at the
Astor.
to answer your question. since we have communicated
a great deal on this page that’s why I posted my
question on this page. also under what name is the
Astor listed. if you type in Astor Theater in the
subject search box office on the home page the theater
which existed at the nw corner of Bway & 44 St. does
not show up.
you have always been helpful so i have a
question for you- do you know of a website that
lists how long the exclusive 1st run engagements
of prominent silent films were? the reason i
ask is simple. last month in the Sunday Times
they had a review of The Big Parade blu-ray
disc. in said review they mention the initial
roadshow run at the Astor lasted almost 2 years.
but i am positive Ben-Hur which opened Dec.
1925 opened at the Astor. so how could The Big
Parade have played there almost two years.
again thanks for your reply. a quick two part
follow up question.
*since IAMMMMW has a direct link to this theater
having been its premiere attraction I have a
question for you. with the Criterion Blu-ray
coming out in January would you prefer the longest
version possible with actual footage approximating
the original roadshow cut or do you not mind
stills taking the place of lost footage.
*at the end of your last post you said-“while
Cleopatra bankrupted many a theater it was a
grand and glorious time”. how did Cleopatra
bankrupt many a theater? in played its roadshow
run in L.A. and Manhattan for just over year.
I can’t imagine a premiere 1st run theater
keeping a roadshow engagement for a year let alone
over a year if it wasn’t doing reasonable
business. also I wish people would stop referring
to the film as a flop, bomb etc…… as corny
and hokey as it is its still one of the best
historical epics in film history. the only reason
people have referred to it as flop, bomb etc… is
because it cost to frigging much for the dollar
value of the day, in this case June 1963.
many thanks for your follow up e-mail. if I might repeat
myself-when roadshow runs finished films would then go
to “continuous performances at popular prices” in one
of the many 1st run theaters in Manhattan.in most cases
the films were shortened by simply cutting out the
overture, intermission, entr'acte and exit music. then
went the films went to neighborhood theaters around
NYC the films themselves would be tweaked. to which i
don’t understand why films would be tweaked in their
roadshow runs. wasn’t the whole point of the roadshow
policy to have 2 shows a day? so why did it matter
how long the film was?
unfortunately IAMMMMW was one of the films that was
tweaked when it was still in its quite popular road-
show run. something I don’t understand since again it
only had 2 shows a day anyway.
other films that opened on 2 a day roadshow run that
were unfortunately tweaked shortly after they premiered
were Cleopatra and Lawrence of Arabia. again something
I don’t get. fortunately in the case of Cleopatra the
footage that was cut within weeks from the premiere
roadshow print of 4hrs. 6 mins. was properly preserved
so the recently released stunning blu-ray disc is the original premiere roadshow cut. sad to say this isn’t
the case with any of the home video versions released to date of IAMMMMW.
its interesting most 2001 devotees probably don’t know
that Kubrick’s original cut was 20mins. longer. what
i’m not sure about is if the longer cut was ever actually used in the premiere roadshow run at Loew’s
Capitol. if the 20mins was cut out say the day before
the film’s premiere was it preserved or just tossed?
one last thought and its about an interesting fact you point out. The Sound of Music was one of the very few
roadshow films that played its second run continuous
performance engagements and its neighborhood theater
runs with the exact same cut that played the Rivoli
for a year and a half. the only difference being the
film played straight thru without an intermission.
thanks for your reply but I am still a bit confused.
I understand the studio’s mindset of tweaking a film
when it finished its roadshow run and went to a 2nd run theater. then when it went to the neighborhood theaters
around NYC being tweaked further. but i don’t understand
tweaking a film when it was still in its roadshow
run. at that stage it only had 2 shows a day anyway
so what was the point? making a film 15mins. shorter
say seems bizarre if they still only had 2 shows
a day.
thanks for the info about roadshow run of IAMMMMW.
you seem quite knowledgeable so I have a question
for you. in the prime roadshow period of Oct. 1955
thru Dec. 1972 it was common practice to tweak a film
after it finished its initial roadshow run and opened
on a popular prices continuous performance run at
another theater. this was done in many cases by simply
deleting the overture, intermission and exit music.
then when a film went to neighborhood runs around NYC
they would actually tweak the film itself to get in
more performances per day. this is where my question
comes in- what in God’s name was the point of tweaking
a film when it was still in its quite popular
roadshow run? there were only 2 shows a day anyway.
this was also done to “Lawrence of Arabia” and
“Cleopatra”. makes absolutely no sense to me.
also on this page a fellow poster noted that this
coming January 2014 the Criterion Collection was
going to release a Blu-ray of the film in the
longest version available that approximates the
original roadshow cut. Amazon will often list an
upcoming blu-ray disc long before the release date,
sometimes 3 to 4 months. but they have no listing
for a Criterion Collection blu-ray disc of IAMMMMW
at all let alone one with a January date.
thanks for your reply of Oct.11.. while i’m guessing
a decent number of the countless upon countless grand
old movie theaters/palaces that were built in the
prime building period of 1914-1941 still exist many
don’t qualify. for instance the Castro and Balboa in
San Francisco were built from the get go as 2nd or
3rd run neighborhood theaters. i’m looking for theaters
that were built from the get go as 1st run venues
have continued to operate as such since the day they
opened. as i said in my original post the Chinese is
the only one I have found so far on this site. I did
the search you suggested on both Yahoo and Google
but it didn’t help. it would be sad if the Chinese
was the only grand old movie theater/palace built in
the prime 1914-1941 period from the get go as a 1st
run venue that as continued to operate as such since
the day it opened.
it seems MGM was better at keeping their complete
roadshow prints in first rate condition than other
companies. my point being if the showing of IAMMMMW
is the general release print which is like 40mins.?
shorter than the original roadshow cut why bother?
from reading the intro on the theaters CT’s page
and reading the Guardian article i am unsure about
a)if the Eden was built from the ground up as a
cinema or b)it was an already exiting theater
building that was used by the Lumiere Bros. to
exhibit their films. if its b) that what is the
world’s oldest still existing cinema build from
the ground up as a cinema?
this a question I asked sometime ago so I would
appreciate any further info my fellow posters might
have. the building boom period for grand old movie
theaters/palaces was approx. 1914-1941. now many
of the theaters built during this period are alive
and well and have been in continual operation since
the day they opened- the Castro Theater in San
Francisco as an example. but that theater was built
from the get go as a 2nd/3rd run neighborhood
theater. which brings me to the Chinese. I have
been browsing this website to see how many such
theaters I could find that opened from the get go
as 1st run venues and have continued to operate as
such since the day they opened. the only one I have
found so far is the Chinese. is it really possible
that of all the grand old movie theaters/palaces
built in the boom period of 1914-1941 from the get
go as 1st run venues the Chinese is the only one in
continual operation as such since the day is opened?
i saw Gravity in the IMAX Theater this past Sat.
at the 11:15 a.m. show and thoroughly enjoyed the
sites and sounds of the film. so my question has
to do with the theater itself. I am a frequent
patron at the Lincoln Square’s regular theaters.
now the last time I was in the IMAX theater was
February of 2000 when they debuted Disney’s
Fantasia 2000. I won’t bet my next paycheck but
I am like 99.9% sure that at that visit Fantasia
2000 occupied the entire screen. yet while
watching Gravity only the middle say 60% of the
screen was being used. now I didn’t take a ruler
and measure but the amount of the screen the
film occupied seemed no bigger than the screen of
the main Loew’s auditorium downstairs or the one
at the Zeigfeld. so since it didn’t occupy the
entire screen how is it IMAX?
i will be seeing Gravity tomorrow at the
Loew’s Lincoln Square IMAX auditorium which
has reserved seating. when i purchased my
ticket and the screen comes up with the seating
plan i noticed all the seats in the middle
had been taken which was fine by me. i’m tall
and have no idea what the leg room space is
between seats. i chose an aisle seat on the
right with no seat in front of it which is
great since i have long legs. in terms of
overall size if the Lincoln Square screen is
a 10 what’s the Chinese screen?
also do theaters in L.A. still have the
discount before 5p.m. they still did when
i was last out in Spring 2004. all AMC
theaters have a discount before 12p.m. on
weekends so i got that discount plus a
senior discount so the ticket cost $15.
thanks for the info about the price for a 3-D IMAX
film at Lincoln Square. most good old regular 2-D
films aren’t worth the price theaters in Manhattan
are asking so I doubt the vast majority of 3-D IMAX
films are worth the hyped up price. “Avatar” released
Dec. of 2009 was the juggernaut for the current
stampede of 3-D films. here’s the kicker- since
“Avatar” countless 3-D films have been released
and in a grand total of exactly 2 count ‘em two films
has the 3-D actually furthed the storytelling
process- “Hugo” and “Life of Pi”.
I read in one of the first comments posted after the
theater re-opened that the people showing you to
your seats were a bit overwhelmed by the crowd. what’s
wrong with the good old fashioned first come first
served policy? good old regular 2-D movies are
rather expensive at least in Manhattan. 3-d films are
are that much more expensive and IMAX 3-D films are
additionally more expensive. so no matter how good
the film might be are reserved seat IMAX 3-D films
really worth what i’m guessing is a really expensive
ticket?
aside from the hoopla about the Chinese re-opening
has there been much talk in the press about the 3-D
IMAX The Wizard of Oz? the film opened last Fri.9/20
at 2 of the 3 IMAX screens in Manhattan with no
publicity whatsoever.
as I said in my last post I haven’t been out to
L.A. in approx. 7 years so i’m intrigued by the
comments on 3-D films at the Cinerama Dome. to
which my question-what essentially is the problem?
is the large curved screen not optimum for
showing films in 3-D or are the films just not
shown correctly? when Arclight built its multiplex
adjacent to the Dome didn’t they fully restore
the Dome as well?
I haven’t been out to L.A. in approx. 7 years so
though this question might be silly to ask at this
point i’ll ask it anyway. I am assuming the reason
the new owners of the Chinese went thru the time
and expense of IMAX-ing the Chinese’s auditorium
is that there are no other IMAX theaters anywhere
close to the Chinese.
as always thank for the info. i have another
question that i find just as fascinating. my
parents took me to see the roadshow engagements
of both The Wonderful World of the Brothers
Grimm and How The West Was Won at this theater.
i always assumed they had healthy roadshow
runs. to which i was quite surprised to find out
TWWOTBG’s lasted only 33 weeks and HTWWW’s lasted
only 39 weeks. i can see MGM having to pull
TWWOTBG even if it was still doing good box
office to open HTWWW. but why was HTWWW pulled
after only 39 weeks? the roadshow run of HTWWW
in both L.A.and San Francisco lasted a lot
longer than 39 weeks if i am not mistaken. so
what gives?
i knew Liz and Dick did not attend the premiere
at this theater but i had not known there was a
protest by an African-American church in Harlem
for casting a white actress in the title role.
the interesting part of that protest is simple-
regardless of what Cleopatra looked like physically
ethnically/culturally she was like 99% Greek.
thanks for your reply. five seconds after clicking
on add comment it dawned on me that as well as the
film was still doing MGM had to pull it to open
their big year end “in Cinerama” film Ice Station
Zebra. so while it may not have been “in Cinerama”
or on a 2 a day roadshow policy did the film at
least move to another theater for an exclusive
run in 70MM? the reason i ask is simple.
The Sound of Music ran at the Rivoli on a 2 a day
roadshow policy in Todd-AO from i believe the first
week of March 1965 to the last week of Sept. 1966.
normally it would have then gone to the prominent
theaters in the other boroughs that traditionally
played 20th Century Fox Films after their big 1st
runs in Manhattan. but that didn’t happen. the
film then moved to the Cinema Rendevous on 57th St.
on a continuous performance policy of 3 shows a day
and played there i believe 6 months.
Hello-
LuisV’s statement about that few if any “big” films open in limited release is quite true. even after the studios discontinued the roadshow policy for their “big” films they still would open such films in one maybe two theaters where it would play for weeks or months before going to neighborhood theaters.
the advent of t.v. in almost every home was the death nell for many grand old movie theaters and the multiplex era where a film opens in 2,000-3,000 on the same day was the death nell for many of the grand old movie theaters that remained. i love going to the Ziegfeld and am constantly amazed its still standing.
to Ed S.–
i think pc is haunted,either that or i need new glasses. yesterday when i looked i did not see a Astor Theater listing for New York, New York. but there it is today. no one’s perfect. :–)
to Ed S.–
as always I thank you for your reply. I was always under the impression that Ben-Hur opened at the Astor. so the fact it opened at the Cohan is a perfect reason for The Big Parade’s quite long run at the Astor.
to answer your question. since we have communicated a great deal on this page that’s why I posted my question on this page. also under what name is the Astor listed. if you type in Astor Theater in the subject search box office on the home page the theater which existed at the nw corner of Bway & 44 St. does not show up.
to Ed S.–
you have always been helpful so i have a question for you- do you know of a website that lists how long the exclusive 1st run engagements of prominent silent films were? the reason i ask is simple. last month in the Sunday Times they had a review of The Big Parade blu-ray disc. in said review they mention the initial roadshow run at the Astor lasted almost 2 years. but i am positive Ben-Hur which opened Dec. 1925 opened at the Astor. so how could The Big Parade have played there almost two years.
to RogerA-
again thanks for your reply. a quick two part follow up question.
*since IAMMMMW has a direct link to this theater having been its premiere attraction I have a question for you. with the Criterion Blu-ray coming out in January would you prefer the longest version possible with actual footage approximating the original roadshow cut or do you not mind stills taking the place of lost footage.
*at the end of your last post you said-“while Cleopatra bankrupted many a theater it was a grand and glorious time”. how did Cleopatra bankrupt many a theater? in played its roadshow run in L.A. and Manhattan for just over year. I can’t imagine a premiere 1st run theater keeping a roadshow engagement for a year let alone over a year if it wasn’t doing reasonable business. also I wish people would stop referring to the film as a flop, bomb etc…… as corny
and hokey as it is its still one of the best historical epics in film history. the only reason people have referred to it as flop, bomb etc… is because it cost to frigging much for the dollar value of the day, in this case June 1963.
Hello to RogerA.–
many thanks for your follow up e-mail. if I might repeat myself-when roadshow runs finished films would then go to “continuous performances at popular prices” in one of the many 1st run theaters in Manhattan.in most cases the films were shortened by simply cutting out the overture, intermission, entr'acte and exit music. then went the films went to neighborhood theaters around NYC the films themselves would be tweaked. to which i don’t understand why films would be tweaked in their roadshow runs. wasn’t the whole point of the roadshow policy to have 2 shows a day? so why did it matter how long the film was?
unfortunately IAMMMMW was one of the films that was tweaked when it was still in its quite popular road- show run. something I don’t understand since again it only had 2 shows a day anyway.
other films that opened on 2 a day roadshow run that were unfortunately tweaked shortly after they premiered were Cleopatra and Lawrence of Arabia. again something I don’t get. fortunately in the case of Cleopatra the footage that was cut within weeks from the premiere roadshow print of 4hrs. 6 mins. was properly preserved so the recently released stunning blu-ray disc is the original premiere roadshow cut. sad to say this isn’t the case with any of the home video versions released to date of IAMMMMW.
its interesting most 2001 devotees probably don’t know that Kubrick’s original cut was 20mins. longer. what i’m not sure about is if the longer cut was ever actually used in the premiere roadshow run at Loew’s Capitol. if the 20mins was cut out say the day before the film’s premiere was it preserved or just tossed?
one last thought and its about an interesting fact you point out. The Sound of Music was one of the very few roadshow films that played its second run continuous performance engagements and its neighborhood theater runs with the exact same cut that played the Rivoli for a year and a half. the only difference being the film played straight thru without an intermission.
to RogerA-
thanks for your reply but I am still a bit confused. I understand the studio’s mindset of tweaking a film when it finished its roadshow run and went to a 2nd run theater. then when it went to the neighborhood theaters around NYC being tweaked further. but i don’t understand tweaking a film when it was still in its roadshow run. at that stage it only had 2 shows a day anyway so what was the point? making a film 15mins. shorter say seems bizarre if they still only had 2 shows a day.
to Peter A.–
thanks for the info about roadshow run of IAMMMMW. you seem quite knowledgeable so I have a question for you. in the prime roadshow period of Oct. 1955 thru Dec. 1972 it was common practice to tweak a film after it finished its initial roadshow run and opened on a popular prices continuous performance run at another theater. this was done in many cases by simply deleting the overture, intermission and exit music. then when a film went to neighborhood runs around NYC they would actually tweak the film itself to get in more performances per day. this is where my question comes in- what in God’s name was the point of tweaking a film when it was still in its quite popular roadshow run? there were only 2 shows a day anyway. this was also done to “Lawrence of Arabia” and “Cleopatra”. makes absolutely no sense to me.
also on this page a fellow poster noted that this coming January 2014 the Criterion Collection was going to release a Blu-ray of the film in the longest version available that approximates the original roadshow cut. Amazon will often list an upcoming blu-ray disc long before the release date, sometimes 3 to 4 months. but they have no listing for a Criterion Collection blu-ray disc of IAMMMMW at all let alone one with a January date.
to RogerA-
thanks for your reply of Oct.11.. while i’m guessing a decent number of the countless upon countless grand old movie theaters/palaces that were built in the prime building period of 1914-1941 still exist many don’t qualify. for instance the Castro and Balboa in San Francisco were built from the get go as 2nd or 3rd run neighborhood theaters. i’m looking for theaters that were built from the get go as 1st run venues have continued to operate as such since the day they opened. as i said in my original post the Chinese is the only one I have found so far on this site. I did the search you suggested on both Yahoo and Google but it didn’t help. it would be sad if the Chinese was the only grand old movie theater/palace built in the prime 1914-1941 period from the get go as a 1st run venue that as continued to operate as such since the day it opened.
Hello-
it seems MGM was better at keeping their complete roadshow prints in first rate condition than other companies. my point being if the showing of IAMMMMW is the general release print which is like 40mins.? shorter than the original roadshow cut why bother?
Hello-
what version of IAMMMMW is being shown? the general release print or the closest approximation to the original roadshow cut?
Hello-
from reading the intro on the theaters CT’s page and reading the Guardian article i am unsure about a)if the Eden was built from the ground up as a cinema or b)it was an already exiting theater building that was used by the Lumiere Bros. to exhibit their films. if its b) that what is the world’s oldest still existing cinema build from the ground up as a cinema?
Hello From NYC-
this a question I asked sometime ago so I would appreciate any further info my fellow posters might have. the building boom period for grand old movie theaters/palaces was approx. 1914-1941. now many of the theaters built during this period are alive and well and have been in continual operation since the day they opened- the Castro Theater in San Francisco as an example. but that theater was built from the get go as a 2nd/3rd run neighborhood theater. which brings me to the Chinese. I have been browsing this website to see how many such theaters I could find that opened from the get go as 1st run venues and have continued to operate as such since the day they opened. the only one I have found so far is the Chinese. is it really possible that of all the grand old movie theaters/palaces built in the boom period of 1914-1941 from the get go as 1st run venues the Chinese is the only one in continual operation as such since the day is opened?
Hello-
i saw Gravity in the IMAX Theater this past Sat. at the 11:15 a.m. show and thoroughly enjoyed the sites and sounds of the film. so my question has to do with the theater itself. I am a frequent patron at the Lincoln Square’s regular theaters. now the last time I was in the IMAX theater was February of 2000 when they debuted Disney’s Fantasia 2000. I won’t bet my next paycheck but I am like 99.9% sure that at that visit Fantasia 2000 occupied the entire screen. yet while watching Gravity only the middle say 60% of the screen was being used. now I didn’t take a ruler and measure but the amount of the screen the film occupied seemed no bigger than the screen of the main Loew’s auditorium downstairs or the one at the Zeigfeld. so since it didn’t occupy the entire screen how is it IMAX?
Hello From NYC-
i will be seeing Gravity tomorrow at the Loew’s Lincoln Square IMAX auditorium which has reserved seating. when i purchased my ticket and the screen comes up with the seating plan i noticed all the seats in the middle had been taken which was fine by me. i’m tall and have no idea what the leg room space is between seats. i chose an aisle seat on the right with no seat in front of it which is great since i have long legs. in terms of overall size if the Lincoln Square screen is a 10 what’s the Chinese screen?
also do theaters in L.A. still have the discount before 5p.m. they still did when i was last out in Spring 2004. all AMC theaters have a discount before 12p.m. on weekends so i got that discount plus a senior discount so the ticket cost $15.
Hello Again-
thanks for the info about the price for a 3-D IMAX film at Lincoln Square. most good old regular 2-D films aren’t worth the price theaters in Manhattan are asking so I doubt the vast majority of 3-D IMAX films are worth the hyped up price. “Avatar” released Dec. of 2009 was the juggernaut for the current stampede of 3-D films. here’s the kicker- since “Avatar” countless 3-D films have been released and in a grand total of exactly 2 count ‘em two films has the 3-D actually furthed the storytelling process- “Hugo” and “Life of Pi”.
Hello From NYC-
I read in one of the first comments posted after the theater re-opened that the people showing you to your seats were a bit overwhelmed by the crowd. what’s wrong with the good old fashioned first come first served policy? good old regular 2-D movies are rather expensive at least in Manhattan. 3-d films are are that much more expensive and IMAX 3-D films are additionally more expensive. so no matter how good the film might be are reserved seat IMAX 3-D films really worth what i’m guessing is a really expensive ticket?
Hello-
how much are reserved seats for a 3-D IMAX film
at Lincoln Square?
Hello From NYC-
aside from the hoopla about the Chinese re-opening has there been much talk in the press about the 3-D IMAX The Wizard of Oz? the film opened last Fri.9/20 at 2 of the 3 IMAX screens in Manhattan with no publicity whatsoever.
Hello-
as I said in my last post I haven’t been out to L.A. in approx. 7 years so i’m intrigued by the comments on 3-D films at the Cinerama Dome. to which my question-what essentially is the problem? is the large curved screen not optimum for showing films in 3-D or are the films just not shown correctly? when Arclight built its multiplex adjacent to the Dome didn’t they fully restore the Dome as well?
Hello From NYC-
I haven’t been out to L.A. in approx. 7 years so though this question might be silly to ask at this point i’ll ask it anyway. I am assuming the reason the new owners of the Chinese went thru the time and expense of IMAX-ing the Chinese’s auditorium is that there are no other IMAX theaters anywhere close to the Chinese.
Hello to Al A.–
as always thank for the info. i have another question that i find just as fascinating. my parents took me to see the roadshow engagements of both The Wonderful World of the Brothers Grimm and How The West Was Won at this theater. i always assumed they had healthy roadshow runs. to which i was quite surprised to find out TWWOTBG’s lasted only 33 weeks and HTWWW’s lasted only 39 weeks. i can see MGM having to pull TWWOTBG even if it was still doing good box office to open HTWWW. but why was HTWWW pulled after only 39 weeks? the roadshow run of HTWWW in both L.A.and San Francisco lasted a lot longer than 39 weeks if i am not mistaken. so what gives?
Hello-
I second Chris U.’s comment. its a rather unobstrusive sign that i’m betting most people won’t notice.
to Tinseltoes-
i knew Liz and Dick did not attend the premiere at this theater but i had not known there was a protest by an African-American church in Harlem for casting a white actress in the title role. the interesting part of that protest is simple- regardless of what Cleopatra looked like physically ethnically/culturally she was like 99% Greek.
to Bill H.–
thanks for your reply. five seconds after clicking on add comment it dawned on me that as well as the film was still doing MGM had to pull it to open their big year end “in Cinerama” film Ice Station Zebra. so while it may not have been “in Cinerama” or on a 2 a day roadshow policy did the film at least move to another theater for an exclusive run in 70MM? the reason i ask is simple.
The Sound of Music ran at the Rivoli on a 2 a day roadshow policy in Todd-AO from i believe the first week of March 1965 to the last week of Sept. 1966. normally it would have then gone to the prominent theaters in the other boroughs that traditionally played 20th Century Fox Films after their big 1st runs in Manhattan. but that didn’t happen. the film then moved to the Cinema Rendevous on 57th St. on a continuous performance policy of 3 shows a day and played there i believe 6 months.