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The strip screen you refer to was not unique to the Cooper but was essential to proper showing of the original Cinerama films; such screens were installed in all of the original theaters that showed 3-projector Cinerama and in many that showed so-called single lens Cinerama. The angled strips prevent light from bouncing off the left side of the screen to the right (thus partially washing out the image)and vice versa; it did not have anything to with screen bowing. A fine discussion of this phenomena can be found at:
where the original Cinerama souvenir book is reproduced; there is a picture of a man behind the screen taken from an angle that reveals the strips. There is also a (sad) picture at:
showing the tattered remains of the strip screen that was at Chicago’s Cinestage Theatre (nee Selwyn) which was Chicago’s third Cinerama house as well as a link to another picture that shows the anchoring plates and the precise angle at which each strip had to be set.
When the Cinerama Dome in Hollywood was restored and remodeled, many of us Cinerama purists were disappointed that the decision was made by Pacific Theaters not to restore the original strip screen. If you ever have the chance compare seeing “How the West Was Won” at the Dome versus seeing it at the restored Cinerama theatre in Seattle, you will see the difference. They are both great places to see a film though.
I lived in in Cleveland when the Shore was demolished, and I am rather certain the Shore was not demolished to allow for the expansion of of the Lake Theater (now the Lakeshore 7). The Lake and the Shore were not really next to each other. Several years intervened between the demolition of the Shore and the expansion of the Lake. They both fronted on Lakeshore Boulevard but were separated by a number of stores. The site of the Shore is now occupied by a bank and by an entrance to the parking area behind the stores and the parking behind the Lakeshore 7; previously, the only entrance to the parking was off the road that ran behind both theaters.
The Lake was first triplexed by building two smaller cinemas left and right within the original
auditorium, with the center doors leading into what remained of that auditorium; its big screen is intact. Later, four cinemas were built alongside the original theater building in the early 1990’s, with an entrance hall (I just can’t call it a lobby) leading in from the back parking lot. The expansion was accomplished by capturing an alleyway and demolishing one or two of the stores that stood between the original Lake and the Shore.
The lobby of the Lakeshore 7 is essentially the original Lake lobby which has some Art Deco touches remaining though the lavender and maroon paint job is certainly not original.
There may very well have been. I recall quite clearly that there was a large stairway leading down in the outer lobby (before one entered the theatre) on the Euclid Avenue side which was the grander entrance.
If memory serves, it was marble faced, with brass railings. There were signs above. I can’t recall what they said, but there were
certainly some shops down there. It’s possible that shops might have replaced the bowling alley.
I found both of these comments interesting, but as a former English teacher I think Bryan M is possibly closer to the usage and derivation; the term strand appears frequently in English literature as an equivalent to “shore” or “beach"or "waterside” as in “He was walking on the strand”. Logically then, “Strand” (and there are many theaters called The Strand in Britain) could have been originally the rough equivalent of the Beach or Shore or Riverside theater and the meaning got lost when applied to theaters here in the US that copied British theater names as many Strand Theaters in the US that are nowhere near water.