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What irks me is that Mann added this pit to their roster, but is getting rid of the National, one of the best theatres in LA. If I were King, Pacific would take over the National and give it the Arclight treatment just like they did the dome.
Last week the National shared Poseidon with the Bruin. Right now it is sharing The Da Vinci Code with the Festival. Next week’s schedule shows the National holding DaVinci, The Bruin getting The DaVince moved up from the Festival, which gets a Poseidon downgrade.
The Rialto has gone with Summer Blockbuster programming with the opening of “The Da Vinci Code” this last Friday. Perhaps it is the only way it can survive with so many Laemmle screens in the area showing art house fare. The Landmark ad announced “New Digital Sound System”. I guess this means that Landmark intends to keep the theatre going…
Perhaps someone with resources could do it with The National in Westwood when/if Mann gives up its lease. Where is Paul Allen when you need him (restored the Cinerama in Seattle).
Although we get our fair share of 70mm revivals here in Los Angles at the Cinematheque’s Egyptian and Aero theatres and the Arclight Cinemas among others, my dream would be to have a screen devoted to 70mm presentations. With the overscreening of many booking zones, it seems like an aging multiplex could do well to devote a screen for fans of 70mm in LA. Would probably do a heck of a letter better business than a second run movie at first run prices with 5 people in the audience. Do you know how well a 70mm revival of Raiders or Star Trek II would do in this town?
Anyone know what changes or upgrades have been done by Mann if any. It reopened very quickly…
Photos posted here:
Taken a few months prior to closing. I counted a whopping 67 seats in that small auditorium.
Interesting. Anyone know what happened to the 14th Screen? Perhaps a wall was broken through because the largest house had well over 200 as well as the 2nd largest (the 2 screens on the 9th floor, both with balconies).
Probably just a misprint…
In LA AMC got rid of most of its GCC acquisitions pretty quickly:
Sherman Oaks 1 & 2
Sherman Oaks 3-7
They kept the Avco in Westwood and Redondo Beach Galleria
In Seattle Area they closed Everett Mall 1-3, and 4-10
They kept the Renton Village, Cinerama, and Pacific Place 11
Ironically, they closed their only last remaining AMC build in the Seattle area, Seatac North 6, soon after acquiring GCC, thus making all the theatres listed in the AMC ads in Seattle papers as ex-GCC.
This makes me wonder what AMC really gained out of acquiring GCC?
I think the theatre has been razed.
on IMDB today: “ ‘Brokeback’ Reaches Top of the Mountain
To sum it up: it was the #1 film not only per screen but in receipts on Tuesday after the Golden Globes.
I agree with Paul. Any Loews Cineplex that I have been to on the west coast could seem to only benefit under AMC management. AMC has some first-rate locations with recent builds. I am not a big fan of their older theaters, but even those are well maintained. I have never seen a plastic bag over a broken seat at an AMC theater…
Visited The Tower this evening during a prep for a film shoot. The theatre is very narrow indeed. I wonder if any 2.35:1 scope films ever played there, because the area where the screen would have been is narrow as well. Does anyone have any idea what the presentation was like after the theatre was remodeled in the ‘60’s?
Check out the screen size at the Beverly Center in relation to the exit door here:
The are bigger home screening rooms….
Does anyone know the fate of the Rialto? Lately it seems it has been playing an odd mix of films that are veering away from Landmark’s usual art fare (King Kong, Syriana, Charlie and the Chocolate Factory). Is this in response to the city of South Pasadena wanting more mainstream fare at the theatre? Also, how is the Rialto holding up to over-saturation of screens in Pasadena, including both mainstream and art cinemas?
The Fine Arts and the Beverly Connection, right? Too bad the Beverly Connection was shuttered instead of the Beverly Center.
Landmark is a specialty chain that shows mostly independent and foreign films, yet lately they seem to have running a lot of mainstream Disney/Touchstone fare at the Regent. The Westside Pavillion, which Landmark operates a couple of miles away, still books independent and foreign films on its four screens. It is too bad they can’t book some of these at the Regent. The Westside Pavillion is small with small screens (especially for scope pictures!). The Regent has been wonderfully remodeled with all the motifs of an art house (old foreign fim posters, flyers for festivals, etc.) yet is showing Disney’s latest underdog basketball movie… What Gives? I used to like going to this theatre!
Interesting comment above about AMC not playing indies and foreign films. What will become of the Uptown triplex in Seattle that Loews has been running as an art house? Here’s hoping Landmark takes over operations…
Does anyone think AMC will stamp their badge on the Beverly Center 13?
Very interesting. Anyone know the complete different assotment of brand builds that will now be under AMC? Here are the ones I know from living on the west coast:
SRO (Sterling Recreation Organization)
feel free to keep adding…
Anyone know who might take over the Meridian 16 in Seattle that Loews must divest?
Never thought this site would get so political!
Here is another shining example of how the “righteous” will discriminate against a love story if it doesn’t conform to their codes of decency, yet allow allow gratuitous violence and mayhem to be shown without a problem. Is violence and killing more acceptable in today’s society? Megaplex Theatres seems to think so. They pull “Brokeback Mountain” from their theatre (clearly not a “business decision” evidenced by it’s stellar per-screen average around the country INCLUDING Salt Lake City) and yet have no problem showing “Hostel” which, according to the MPAA, features: “Brutal Scenes of Torture and Violence, Strong Sexual Content, Language and Drug Use”. What would you rather show your kids? If Jesus stepped up to the Box Office, which film would he rather see? It is not just this theatre. The MPAA has clearly been more lenient toward violence than sexual content for years. We can watch human beings be mowed down in bloody mayhem in an R-Rated (or even PG13-rated film) and yet “Henry and June” received an NC17 rating. Looking at the state of the world today, isn’t it better that the public be allowed to see a love story (albeit different and unconventional) rather than a grisly film whose sole purpose is to show carnage for a thrill? Personally, I think both should get screen time, I am just tired of the hypocrisy.
It was torn down a month or two ago. Pacific did not pick those 2 screens up when they took over operations from AMC.