Showing 626 - 650 of 985 comments
I had a good time watching the ‘return of a great adventure’, to borrow a variation of the ad used for the Raiders films. True, we had no 70mm or even DP in our market. It seems the all DP venues got it..great for them. I happened to catch my first viewing at Baltimore’s Senator where they were able to get a select EK Vision Premier print of the movie.
As great as the presentation was, with opening and opening curtains and a personal intro by the theater’s owner, there was one part of the film that already showed signs of scratching/blotching and at the very, very end of the movie there was a horrible loud screeching and ripping sound. I hope they didn’t ruin the print they got. It was disturbing nonetheless.
I wouldn’t say that DP has dropped. Maybe in your market it has but in the DC area, I’d say they’ve increased with the increasing number of DP installations. The theaters that do have it are showing DP movies and it seems its all Narnia, as of now and I surmise that it was supposed to be the sure thing. I was disappointed we didn’t get Indy in DP but it seems that most of the all DP venues got it. I’d surmise that a big chain like Regal is putting at least one DP install in each plex but they don’t do much in promoting it as of yet.
I saw one of the Star Trek movies here many years ago when it was hitting the second run circuit. I’m guessing it was 3, maybe 4. Don’t recall if the theater was even stereo equipped, but the screen was decently sized and the seats raked in such a way as to give a good view of the screen. In a way, I’m glad its still in use showing movies, albeit Bollywood ones. :) I wish they had kept the Laurel Twin intact.
In DC, our Uptown and its super wide 70' screen will have it but no 70mm. As for digital, the DLP site has yet to be updated. I bet Spielberg is still tweaking the movie as we speak, though the ticket sites have it clocked in at 2 hours 4 minutes.
Did anyone see Harrison Ford on Leno last Friday? They didn’t even have any CLIPS. They should have had at least something. I hope this last minute rush in editing doesn’t mean the film is going to be bad. With the disappointing results of “Speed Racer”, this past weekend, I hope its not a hint of things to come with Indy.
This sucks. I was planning on being in SF for the Castro’s 70mm festival, the week prior. I’m hesitant to change plans now that this tour is going to take place.
Thanks, Steve. What of the 4K DP installs that Landmark and AMC are reportedly using? Are they appreciably “brighter” than the 2K units?
I remember watching the restored Vertigo in 70mm DTS. It was so perfect that it looked like it was shot yesterday.
Re: 70mm. Reportedly, the new Batman had some sequences filmed in 65mm and the director who brought us Baraka is working on a sequel, again in to be released in 70mm. In70mm reports a possible 70mm print of the latest Indiana Jones, but there has been no word on that being a reality.
San Francisco’s Castro Theater is having a 70mm retrospective the first week of July. They had one last fall, too. Its a shame the Uptown can’t have at least one of these during the slow periods. I’m contemplating a visit there as long as I can still use my NWA miles. :)
Giles, thanks for saving me a trip. I was about to see the film there but opted for DP at my local Regal, which was SUPERB. Maybe its time for the Uptown to get an DC Cinema install. It should get the newest and best to make the most of its screen.
If AMC were to see the light and have 2001 here to celebrate its 40th anniversary, I’d be happy to revisit this venue.
Steve, maybe that’s what I was referring to. Remember when the Uptown showed a so-called “virgin” print there…not sure if it was 1990 or before but that is/was my first and best experience of that film to date. There was no color degradation, perfect sound and there was some mmmmmmmm during the Stargate corridor sequence. Sitting in that sweet spot and being engulfed in the sound and picture made one feel as if he was in the show.
Trying to keep on topic about the Silver though, it would be nice to get the 70mm movies that Hollywood locales such as the Astro, Academy, Egyptian and even their own sister AFI Arclight get for retrospectives. Again, the Silver seems to show only Lawrence and 2001. Heck, even the Castro gets some decent 70mm bookings of the older films.
Last night, I caught the last showing of 2001. The print was slightly better than the one I saw last year. No annoying soundtrack ticks but there were print annoyances such as appearing ‘butterfly’ during the “Dawn of Man” sequence and some ghostly film images in the middle. I’m not sure if its just me but the film seemed to be less of an ‘experience’ than in previous times. I believe there was more of subwoofer mmmmmmm during the Stargate Corridor sequence.
Overall, it was nice to visit this classic. Its just seems to be less than what I remember. In the Main News section of the site, they report an Academy screening for the 40th anniversary, perhaps they got a better print than what AFI got?
I wrote DLP and they tell me that there WILL be a “wide release” of Indiana Jones in DP.
So no 70mm? I guess Lucas' clout and Producer status outweighs Spielberg’s desire at exclusive film presentation of this movie. This is sad. I was reading Entertainment Weekly’s interview with the two and read that Spielberg is quite a film purist. He and his long time editor, Kahn, used a moviola to edit the movie. Talk about old fashioned! And they can’t manage to get at least few 70mm prints made after all that effort? If I were so stubborn (and rich) about doing things like that, I’d spend my own money for the prints. :)
I wrote to Paramount’s East Coast distribution and received no response. I’m trying their group sales to see if that yields any information for either DP or 70mm. I’ll post once I receive a response.
I imagine the July rollouts, in the DC area, will just be in time for the Batman movie. I wonder if the three IMAX screens are all the same size as far as screen and capacity are concerned?
Columbia isn’t a bad venue, but it has a very large teen crowd. The last time I was there, there was a shooting in front of the theater complex, which is a rarity for that area, but still unnerving, nonetheless.
Hoffman is a good venue and right on the Metro line. Since I drive and live across the bridge, its easier for me but parking has been tight given the construction. Perhaps they’ll have enough parking by the time of the IMAX opening. :)
White Marsh was a favorite destination point of mine for moviegoing. When they opened, they were originally Loews Cineplex and all their auditoriums were THX certified. Like Columbia, they have a large teen crowd on weekends and sometimes, if they are in a group, can be disruptive. The last time I was there, we saw 1408 someone let off a stink bomb in the auditorium.
Tysons Corner is the newest AMC venue to open in the DC area. I love their huge wall-to-wall screens though I wish they did a better job with projection and sound. I’m tired of the scratched up presentations, previews and endless pre-show ads.
If film is supposed to be so much better than DP, why do the film’s in the plexes look so awful then? The DP movies I’ve seen over the years looked brighter, sharper and with more contrast than the same films at your local multiplex. No dust, grain, scratches, degradation. Maybe in an optimal setting film is better but in the real world and in our local movie houses, they are not (except maybe AFI and the independents).
2001 at the Uptown would be such a great experience. The screen is 2x larger and more user engulfing for that ‘ultimate trip.’
According to the IMAX website, this location won’t get the IMAX screen until November. The Hoffman 22 and Columbia 14 will precede this install in July. :) If I’m wrong, all the better. I like Tysons better as a shopping destination than Columbia.
They always book 2001. I hope its not the print with the annoying tick that they showed the last time I saw it here. They should book its sequel, 2010, in 70mm, too.
Its not Indy4, its any film worthy of the format. Now, if we’re talking Norbit 2: The Next Generation, then I’d take a pass.
The only reason we’re latching on to this is because of the blurb on 70mm.com. I’d probably feel the same about the new Batman since part of it was supposedly filmed in 65mm.
All right. There should be someone in the know, who peruses this board, or a member, who knows SOMEBODY at Paramount, or Lucasfilm, or otherwise is a distant relative, friend or aquaintance, who knows about 70mm prints for Indy4. If so, someone, please share info, if there may be 70mm prints out there for the release. There are worthy venues out there who would do it justice and I don’t mean any lousy multiplex.. :)
Since Paramount is distributing, my bet is that its going to have big Hollywood premiere, most likely at the Chinese Theater. If its 70mm or DP, the house can handle either format. Then they’ll probably take over the Kodak Theater or back to the Paramount lot for a big, big Indy-era themed party.
So, forget about it landing at your favorite theater in Mayberry, USA.
Now, if they do a later east coast ‘premiere’, my guess is yes, do it at the Ziegfeld. Of course our own DC’s Uptown would be a far more worthy auditorium since we have a superior 70' wrap around screen that would far and away convey a better cinematic experience in 70mm hands down, than the Ziggy. If it is DP, they did premiere “The Guardian” there with a big $2M theme opening.
Why wouldn’t it be great to see Star Wars & LOTR in 3D Digital? Imagine being smack right in the ‘middle’ of either the battles in space of SW or the battle at Helms Deep in LOTR?
Let’s not be cynical here. If it works and brings people to the movies, then more will come. As posted earlier, Hanna Montana did terrific business and you can bet your dollar that there will be more 3D concerts to come.
Congratulations on the promotion. I’m a regular patron of your venues in Annapolis MD and have welcomed the new policy of no on screen advertisements. You’ve got one of the better run plexes in the DC Metro area with consistently decent projection and sound since opening in ‘00 or so. Keep up the good job!
We should remember that no matter what the technology, if the story isn’t engaging, it won’t sell. Remember a few years back when Zemeckis' “Polar Express” in IMAX 3D was the BIG thing with its state-of-the-art motion capture techniques? The movie was a bore and the characters behaved not much more than animated zombies. It wasn’t much of a box office or critical success.
Perhaps the often discussed Digital 3D versions of older films such as “Star Wars” saga, the “LOTR” trilogy, etc, etc would bring in new fans and breathe new life into them.
Giles, do you know if their DP system in 1 is the often rumored Sony 4K system? Judging by your comments, I imagine so.
If the theater closed in ‘94…14 years ago, that’s hardly “decades ago” and plus, that would age me beyond reason! The last time I drove by the spot, it had already been built over and assimilated by a new building. Its gone. As fond as my memories of movie experiences go, I’d prefer the old MacArthur to come back. The building and space is still there even though CVS occupies a small part of it.
I saw 10000 BC in DP and thoroughly enjoyed the story and presentation, even though it was at a Regal multiplex. It wasn’t the 50' squared off presentation that the Uptown could present in DP, but a decent movie, nonetheless.
To clarify my previous post, I don’t think DP projects on the curve like the way Uptown’s screen is set up. If I’m wrong, I’m sure one of projectionist experts will clarify for us.
And, again correct me if I’m wrong, but I don’t think AMC has booked 70mm anything since it took over this venue.
Thanks, Howard. An interesting read. I think its fair to say that most of the multiplexes run their films dark. The independents do a better job. Maybe thats why I gravitate to movies digitally exhibited. Its doubtful the movie chains will be able to ensure quality film presentations given the hands that get involved that could ruin it. So, DP is a safer, albeit a compromise for a presentation quality that is consistent given its tech roots.
Back to the Uptown. Even if they can’t project on the curve, I’d settle for a 50ft squared off presentation. Its more than a lot of other venues and with DP can still draw the viewer in to experiencing movies better than most can do now.