Criterion Theatre
1514 Broadway,
New York,
NY
10036
1514 Broadway,
New York,
NY
10036
27 people
favorited this theater
Showing 51 - 75 of 606 comments
A 20-week run is considered short?
AlAlvarez explained why this hit roadshow film had such a short run at the Criterion. Had it had a regular run I would have been able to see it here. Frustrating.
Second to last successful roadshow film. Clicking on the My Fair Lady article brings you to a beautiful picture of the Criterion at night playing the film which had to be early ‘65 because no Oscar yet and it looks like a Jan or Feb snow fall. What you of course you cannot tell is the marquee had lights which I believe went on and off from left to right. I saw it very long ago online. On you tube there is a very nice Pathe film of the premiere in London. In black and white with sound. There is also some silent color footage. Beaton writes in his diaries the response was disappointingly not enthusiastic. Well he didn’t think it was very good anyway. I wish as much had survived of the NY premiere. I can’t even remember who the host was. And with typical NY courtesy on one of the professionally most exciting nights of her life he confronts Hepburn about who did her singing in the film. She should have hauled off and flattened him but doesn’t even flinch and responds graciously.
“Patton” premiered here at the Criterion 50 years ago today. And here is a new retro article celebrating the film which includes (North American) roadshow chronology and historian Q&A.
Criterion in 1971 among other in below link.
https://www.flickr.com/photos/21612362@N05/sets/72157629137226648/with/6948877089/?fbclid=IwAR1yqOGPN-v1_cRyUSinKoWV4hCX4HXAmeEfPLKcRvwAq8Q2QU9sBzMfxZk
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in the case of Star Wars and Reds I’m guessing the souvenir programs might have been sold only at the Loews Astor Plaza. I saw both films again at other 1st run theaters in Manhattan and don’t remember the programs being sold.
also there were films that had exclusive 1st runs at the Ziegfeld after Cabaret that had souvenir programs- The Rose which opened Nov. 1979 and Gandhi which opened Dec. 1982.
the last two souvenir programs I purchased at a theater when I saw the film were The Lion King(June'94) at RCMH and Hercules(June'97)at the New Amsterdam. both were special 2 week engagements were stage shows that played at the theaters noted before the films opened wide. the souvenir program for The Lion King which was beautifully designed is one of the great film souvenir programs ever.
Reds had a souvenir program? Didn’t even know Star Wars had one when it opened. In fact last one I remember seeing on sale at a counter was Cabaret at the Ziegfeld.
Let’s see ‘em…
Star Wars and Reds are among the several souvenir programs I still have in my possession.
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to vindanpar- I compliment you on your Oct. 23 post.
speaking of souvenir programs. I went to see Star Wars 1st screening opening day May25, 1977 at the Loews Astor Plaza. programs were kind of on the way out but I hoped they’d have one anyway. when i entered theater and didn’t see anyone at a table hawking the program i went “ohm well”. as I approached the refreshment stand what did i see but a huge stack of programs on a counter behind the stand.
interestingly four and a half years later at the 1st screening opening day of Reds they had a person at a table hawking the souvenir program.
Such is the way with many of the fussier CT members, it seems. They are extraordinarily thin skinned, and when taken to task on how the game should be played, they take their ball and run home!
A 10 year member with only two comments, and that critique was one of them. And now the photo posted and profile have disappeared…
May I add that you have given us a wonderful shot of the world premiere of this film in front of the Criterion. May you post many more but without the tart observations which definitely put a crimp in your contributions. I may not like a crude trashy racist graphic exploitation film like Mandingo which turned the Criterion into a sleazy 42nd street grind house a couple of blocks north but as a gentleman I simply stay clear of discussing it.
DEFG Let me put you straight. You clearly have missed quite a bit. On this site we discuss many things. Not only the theaters, but the movies that played there, the memorabilia that was sold in the theater and how the movies are presented to us in the present day. Sometimes we go off on tangents but that is because we all find ourselves on the same page and the thought of one film that played here might bring us to a film that played at a theater close by. But if you switched to that theater no one would know you had written a response.
In case you are unaware these theaters sold such important memorabilia as souvenir books. I had remarked that when I saw Nick and Alex at this theater the book was not available and found it strange as it exists. This brought us to a discussion of the film itself and I was informed by bigjoe that it was available on bluray. Sadly I missed it as it sold out but he is now informing me of what he found to be an excellent bluray of Anne. If he had informed me of this on the Plaza page I very probably would have missed it.
The Criterion stopped being a treasure in 1980 when it was sliced and diced which is now 40 years ago. There are precious few of us left who can offer our experiences of what it was like to enter into these magical places to see films.
Earlier in the month I talked about Marni Nixon dubbing in the film of My Fair Lady. My Fair Lady had its world premiere at this theater in Oct of ‘64. This started a discussion of dubbing in films. Now we couldn’t go jumping about to all the theaters that featured movies in which actors were dubbed could we?
I hope you can join us in these somewhat wandering nostalgic threads as longtime contributors are inevitably joining the Roxy and Carthay Circle in the sky. But lay off Funny Girl. It is a Criterion Theater classic and its last hit roadshow film. If you feel a deep need to trash it go to Amazon where your type are welcomed though admittedly by very few.
Hello-
to vindanpar- since you missed out on Twilight Time’s A+ blu-ray disc of Nicholas and Alexandra they recently issued Anne of the Thousand Days on blu-ray. in terms of the richness of the colors and the crispness, clarity and sharpness of both the picture image and the multi-channel audio tracks its everything a blu-ray disc of a large scale historical drama should be.
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in recent comments I mentioned I had 140 movie souvenir programs/brochures. of those 140 14 are hardcover-
Around the World in 80 Days South Pacific Windjammer Ben-Hur The Alamo Spartacus Kings of Kings El Cid The Wonderful World of the Brothers Grimm Mutiny on the Bounty How THE West Was Won My Fair Lady The Greatest Story Ever Told Hawaii
does anyone remember any other movie programs/brochures that were hardcover?
Sarita Montiel, one of the icons of 60’s Spanish musical cinema was also dubbed in her early films. She was typecast as an indigeneous Mexican in Westerns by Hollywood until her career as a white European musical star was revived back home in Spain.
I have seen Ava Gardner’s vocals synced back with the footage, and it’s lovely, but I can see why Arthur Freed may have wanted a stronger voice in the film; Julie does have a couple of important numbers to sing. I guess it was some consolation to Gardner that they did use her vocal tracks on the soundtrack album.
Rita Hayworth never got to do her own. The studio would give her lessons. There’s the whole story about Ava Gardner and Showboat. A couple of Debbie Reynolds notes were enhanced in Singing in the Rain which is funny because in the movie she was the ghost singer for the Jean Hagen character.
Rosalind Russell had the chops having done Wonderful Town on Broadway.
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I thought Russell did a rather nice job. but like Hepburn she couldn’t hit the high notes well so her vocals were enhanced by Kirk who assisted with the high notes.
How is Russell? Could they have kept her tracks in? I heard Kirk sing some of Gypsy in a tribute to Styne at Avery Fisher. Unfortunately I forget what exactly.
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to vindanpar- I had a feeling she had to have known. on the 50th Anniversary blu-ray disc they included Wouldn’t It Be Lovely and Show Me as Hepburn shot them. even better is on the soundtrack cd they should have included the songs as she shot them as a bonus. a few years ago they released a nicely remastered cd of the Gypsy soundtrack album. what made it special was simple- in addition to including all the soundtrack LP tracks they also included as a bonus all of Russell’s song as she shot them before her vocal’s were enhanced by Lisa Kirk I think it was.
I believe she knew. It caused quite the kerfluffle before the film opened. Nixon claimed Previn blamed her for spilling the beans. Though how could anyone not know Hepburn did not have a trained voice after Funny Face and Breakfast? I think there is also a clip of the red carpet interviewer asking Hepburn about it as she stops to talk at the entrance of the Criterion going into the world premiere. Why such a shrewd experienced actress like her did not have it in her contract that she would do her own singing I do not understand. The way she was led on caused her great embarrassment. Watch her give the Oscar to Rex on youtube. This lady was beyond classy.
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i should have said the reprise of Just You Wait as Eliza is kneeling front of the fireplace looking for the ring is all Hepburn but that the original rendition of the song was mostly Hepburn with an assist from Nixon.
also I have heard as well that till the premiere of MFL at this theater that Hepburn had no idea her vocals had almost totally been replaced. is it really possible she had no idea whatsoever?
Didn’t even know Chips made it to cd let alone a 3 cd set. Those prices are quite the sucker punch. Big joe did you grab it when it came out? The middle part of Just You Wait is Nixon. You can hear the voice change when it begins One day I’ll be famous, then Hepburn starts again with And they’ll march you Henry Higgins. I always wondered if Nixon got a % of the lp sales and how much because it was a huge bestseller. She was refused WSS so Bernstein gave her a small part of his. Which probably ended up being a ton of money.
My understanding is that Audrey Hepburn recorded all the songs for “FAIR LADY” only to discover she was dubbed at the premiere, but we only heard Marni Nixon. Peter O'Toole’s voice was so awful on the “CHIPS” recordings they had to bring someone else in to replace his songs. I have never been able to find that “CHIPS” CD soundtrack at a resonable price.