Showing 51 - 72 of 72 comments
Thanks for the information, William. Cineplex Odeon bought most of our union theatres in Richmond, Virginia, and we had a great contract with them. They even gave us a nice bonus when they sold the theatres. When Regal took over, we got a two-year contract, then they refused to negotiate another contract. We took them to court and won a big settlement, but we didn’t return to work. That was the end of Local 370. I’m sorry to hear that the Westwood theatres no longer have projectionists, as I always enjoyed going to them because of their high-quality presentations. The Regent is the only Westwood theatre where the presentation was below par on my visits.
I hope it is only a temporary closing. I make an effort see a movie at the Crest or other single-screen houses whenever I visit Los Angeles. When I was there in August, it looked perfect in every way. I don’t see where it needs any renovations, unless it is for something that isn’t visible, such as the roof, or the plumbing.
I am a retired union projectionist, and on my travels around the country I seek out single-screen theaters. I visited the Gardena a few years ago and liked it very much, except for the fact that they didn’t have a CinemaScope screen. Everything was shown in 1.85:1, which resulted in the edges being cut off on a scope picture.
In the 1958 movie “The Colossus of New York”, there is a street view and the Crotona Theatre can clearly be seen. It is near the beginning of the movie. It was still operating as a theater at the time.
I saw “One Day” at the Regent at the 4:35 matinee, and it drew a pretty good crowd. I noticed that the past two times I have been to the Regent, the picture was a little out of focus? Don’t they have a projectionist, or do they share him with the Village and Bruin? I was a union projectionist in Virginia for 30 years, and I checked my focus constantly and fine-tuned it when necessary. Apparently, they just turn it on and walk away from it. If I report it, the employee looks in at the picture and says it looks okay to them.
I was there on Sunday for the 1:30 showing of “Rise of the Planet of the Apes”, which drew a very big crowd for a matinee. The theater is beautiful and the projection was perfect. I like the fact that they have screen curtains. Last time I went there, about ten years ago, they didn’t. The only minus is that the curtains look too modern for that theatre. A shiny gold curtain flooded with red lights would look better with the classic decor. By the way, I live in Virginia, and whenever I travel I make it a point to visit single screen theaters. On this trip west, I visited the Vista, the Crest, and the Regent.
I was there last week, and it is still a beautiful theater. The red screen curtains still say Majestic Crest, and they still use a Carmike policy trailer. I saw “Fright Night” on its opening day, and there were only 5 patrons at the 1:00 show. Sad.
I just visited this theater last week, and I was really impressed. The auditorium I was in had a curtain flooded in green and red light. Finding a multiplex with screen curtains is very rare these days.
I saw my first scary movies at the Regent when I was 8. They were a double feature of “Creature with the Atom Brain” and “It Came from Beneath the Sea” on November 12, 1955. I dreamed about the creature for a long time afterward.
The Regent was a beautiful theater where I developed the movie-going habit and my love for theaters. I started going during the 1955 Summer Vacation Movies when I was 8. This was a series of 12 movies and the season ticket was $1.00. There was one movie per week, except for the first two weeks when there were two. Up through 1958, this series played at the Century, Regent, and Beacon. After the Regent closed in 1959, the series was moved to the original Bluebird, which closed in September 1959. Then they played at the Century in 1960 and the New Bluebird in 1961.
Here is the list of Summer Vacation Movies for 1955 at the Regent:
6/30 Abbott and Costello Meet Captain Kidd
7/5 Last of the Mohicans
7/7 Big Leaguer
7/14 I Love Melvin
7/21 Plymouth Adverture
7/28 Rebecca of Sunnybrook Farm
8/4 Son of Paleface
8/11 Jack and the Beanstalk (Abbott and Costello)
8/18 Poor Little Rich Girl
8/25 Here Come the Nelsons
The Beacon closed for the first time on June 30, 1962. It reopened under new ownership several months later. Hopewell didn’t support it, however, and it closed and reopened several times until it closed permanently. Before it closed for the last time, its name had been changed to the Town.
The Century closed in the fall of 1970. Its last picture was “Good Morning and Goodbye”.
The Rex Theatre opened in 1938. It closed for the first time on June 8, 1958. It’s last show was “Slaughter On 10th Avenue”. It reopened the day after the Palace closed, as a replacement for the Palace, on Sept. 24, 1959, with a double feature of “Thunder Road” and “God’s Little Acre”. It closed permanently a year later, on Oct. 30, 1960, with a double feature of “The Last Blitzkrieg” and “Gunman from Laredo”.
Instead of reopening as the Palace, it opened as the New Bluebird.
If you click on the photo link at the top, you’ll see opening and closing ads for the Regent.
I took this picture in 1966.
The Regent Theatre is now the Colonial Heights post office. The theatre building was partially demolished and the post office was built around it. Part of the original theatre building is visible around back.
The Regent closed in 1959. Its last movie was “The Perfect Furlough”.
I visited this theatre on Nov. 17, and saw “Due Date” in Cinema 1. I was rather disappointed in the presentation. First of all, it was a scope picture, but the screen doesn’t have movable masking and everything is shown in the 1.85:1 aspect ratio. So on a scope picture, the edges are cropped off. Second, the right side of the screen was out of focus. Third, the CinemaScope lens was not properly set, resulting in a slanted picture. The green scratches in the picture were not straight up and down, but slanted, as were the end credits. It seems that the projectionist is one of those who just turns the projector on, and doesn’t stick around to fine-tune the focus or make other adjustments.
Are all the cinemas the same size? Cinema 1 seemed pretty small considering the size of the building and that there are three auditoriums in it.