Showing 51 - 75 of 1,255 comments
As you can see, telliott, it now is. But the last name used it not always the case on CT, for whatever reason.
And, remember, they did a major reno on the St. George which is just down the road and has parking and access to Manhattan via the ferry.
Re my May comment. Two unique films on the same subject.
Also, while doing research on the Unique Theatre in Patchogue came upon a reference that the 400 seat Unique Theatre opened in Sayville on July 29, 1913 under the management of Walter Smith. Oddly enough the theatre was just north of the Crescent at the intersection of Gillette and Main. Sayville historical never heard of it.
As seen in the news for the funeral service of Tracey Morgan’s associate. Surprised to see the seating isn’t all that large since it has a very broad street presence.
I would have thought it was named because of the proximity to the park rather than any actual relationship. Always remember looking towards it while waiting to get on some of the rides in the park.
It’s interesting that this building survived over a hundred years until it was demolished for the condo project, but it’s successor was subjected to three fires over the years and only rebuilt twice.
The absence of patrons is often the topic on the Long Island Theatres. Not all of them have made the conversion to digital which is not a good sign.
Just recently saw an old Century Theatres ad from 1931. At that time is was part of that chain.
Approximately a year after he opened the Patchogue Theatre in May, 1913 Mike Glynne acquired the Unique from Nathan Goldstein for a reported $65,000. The theatre was to be named the Rialto and would operate 6 days a week from May to October, Fridays and Saturdays the balance of the year.
As is currently the case when a new theatre opens an old one closes. When Mike Glynne opened his $250,000 Patchogue Theatre on May 23,1913 it spelled he end to the Palace which closed eight weeks later. At that time the Palace and the Unique(later Rialto) were operated by Nathan Goldstein. The following March Goldstein sold the Unique to Glynne and it was renamed Rialto.
I recently posted information that the manager of the original Babylon Theatre (Babylon, NY) had been arrested when he tried to exhibit a five reel film on white slavery entitled “Traffic in Souls” in March 1914.
Yet, in May 1914 the Crescent was showing a five reel exposure of white slavery called “Trapped in the Great Metropolis”. Really? Two five reel features on the same subject in 1914? Renamed?
In a very poor picture obtained from the Babylon Historical Society one can see that this is a one story building, the name “Babylon” on the facade and an arcade entrance.
In March 1914 Manager Polley incurred the wrath of Babylon Village President Edward S. Alley when he wanted to exhibit a five reel film entitled “Traffic in Souls” which depicted methods of white slave traffic. A private showing with the film representative and members of clergy was scheduled so Polley could present his case. Alley stormed out. When Polley tried to show the film he was arrested. He subsequently brought a $10,000 suit for damages against Alley which was eventually settled out of court for several hundred.
On November 7, 1935 there was a breakin at the theater.
Thieves didn’t get much but they used lighted newspapers as a light source, the charred remains of which were found. Fortunately no fire resulted.
The exterior walls and signage are all up. Just need to complete a bit of the facade, the parking lot and the interior. I would think CVS will open by July 4th.
Cineplex Odeon ran all their Long Island properties into the ground. They have always been a leader —-in pushing the price point.
The January 24, 1913 article in the South Side Signal (Babylon) from which I extracted information for the creation of this theatre specifically said the lot was at the corner of Deer Park Avenue and George Street. And, latterly, that it was adjacent to Sprague’s Garage (see reference above).
In the day South Country Road was called Main Street.
Are you sure about that Orlando? I thought some of the original structure was retained.
A two year lease was taken on the, at then, Novelty by William D. Eccleston, who was building a chain of theatres, on December 20, 1920. The owner, Henry Kost, tried to break the lease in September 1921 because of late payment of the August rent of $125. Eccleston wanted Kost to take the payment from the receipts of his Comet Theatre in Bellport which Kost managed for him. The rent was paid in court and Eccleston said he would now personally manage the Comet. Kost said that he would take measures to have Eccleston ousted from the Novelty. To be continued.
Other than a notice that the Comet opened in May 1919 I have, to date, found no other references to it other than the court cas.
According to one article the height of the theatre and the building materials used were chosen to resemble the features of the adjacent Sprague Garage. Presumably the garage was on George Street rather than Deer Park Avenue because of the 1919 article about the adjacent 38 foot frontage on Deer Park Avenue.
Under Polley' management a stage was added for a weekly talent night. It was, subsequent, extensively used for other theatrical experience according to news articles.
In December 1917 an ad proclaimed that “The heating plant has been overhauled and enlarged assuring warmth and comfort at all times.”
Polley announced plans to build an Airdrome seating about 800 next to the theatre for the summer of 1914. There is no indication that this ever happened.
In 1919, Eccleston, who leased the theatre purchased the building and an adjacent lot with a 38 foot frontage on Deer Park Avenue with the intention of building a new theatre at an estimated cost of $40,000. There is no indication that the latter occurred.
Doing research on something else I came upon an article indicating that, in 1917, the Regent was in receivership but would be reopening under the management of Nathan Goldstein who operated the Unique and Star in Patchogue. It was subsequently operated by W.D Eccleston until it was acquired by Mike Glynne in 1926. At some point in time it became a Prudential theater.
Notice the parallels of movie exhibitors and banks? Always changing ownership and, sometimes, names.
At one point in 1920 I found a joint ad for the Carlton and Regent under the management of Fitzgibbons. However in 1926 “Mike” Glynne obtained these and others for his circuit. Plans were to do a major rebuild of the Carlton to double it’s capacity and equip it for Broadway type productions. He also purchased land in Bay Shore for a large theatre, which I presume was the Bay Shore from the location given as to the proximity to the Catholic church.