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wait I’m confused did Paramount change their minds and are releasing Indy 4 in DLP.
nevermind I should always remember to read the top intro of the theatre at the top of the webpage- there’s a “soundproof nursey” – ohhhh (my bad)
there’s a crying room ? I thought the Senator enforced a “no one under 5 years old admission”. I should go back at some point in the Summer, I saw “Immortal Beloved” in glorious Sony Dynamic Digital Sound – and it was an extremely impressive presentation.
but even the independent’s seem to have problems with the prints they get – Landmark E Street I’ve seen four movies there so far this year, where the 35mm prints are hideous looking, not to mention ‘There Will Be Blood’ being flipped upside down at one point, with a reel change – those are the times, when you know DP wouldn’t have problems like these.
I asked while I was there last Friday regarding ‘Blade Runner’ and the projectionist said it will be 35mm not DLP (which the main auditorium incidently does have)
the tick on the print there, but at least it’s only during the first part of the film and not the ones in space. The sound of the other hand – Wow, let me repeat theat Wow!
sorry that last statement from me was referring to Jeff S' comment.
hence why we’re seeing 4k transfers and digital projection screenings of not only these Bond films, but prior presentations like ‘Blade Runner’, ‘El Cid’, ‘Troy’ (DC) (Arclight Dome), ‘Dr. Strangelove’ (Landmark LA)
I know for a fact the restoration and transfers were 4K, but I’m not sure if the Ziegfeld’s system can project 4K – anyone care to confirm. In what I’ve read, 4K not 2K can better replicate the look of film.
someone refresh my memory: I remember seeing a reissue of ‘2001’ at the Uptown that was part of a showcase of other classic films
the other two I remember seeing then were:
'West Side Story’
does this ring a bell, were their other films. I assume there were (?) I think this was in the 90’s (I think).
while I agree the Uptown is larger and more engulfing – I have a problem with the surround sound channels firing directly into the balcony area – if you’re on the first floor it’s fine, but the balcony sound configurement is not ideal. For the record, The AFI main theatre is also THX certified.
even though I didn’t see ‘Spiderwick Chronicles’ at Udvar Hazy – the DMR transfer to IMAX didn’t impress me in the slightest – for a conversion of 35mm to 65mm – the image looked way too soft and unremarkable. (for the record I saw this at Raleigh’s Marble’s Kid Museum – the screening of the 3D Grand Canyon feature on the other hand (which I saw the same day) looked far superior, since it was shot in native IMAX 65mm resolution.
I do know that the Udvar Hazy IMAX screen is getting the non-digital ‘film’ versions of ‘Kung Fu Panda’ and ‘The Dark Knight’ since they are featured as such on the Smithsonian’s website.
I just don’t like the fact, that the screenings at times can and evidently will get cancelled at the drop of a hat.
oh… :( if that’s true that’s really annoying… looking at AMC’s Tyson’s website, one theatre is not accounted for, suggesting that the conversion is happening… if it isn’t til November that bites – it just means trekking over to Hoffman. Do you have a link to IMAX’s news regarding Tysons Jodar? I’m not finding it on their website.
I am so itchin' for the July opening of the IMAX digital screen – I’m assuming it’s on one of the theatre’s largest screens. I saw ‘Zathura’ on Screen 3 (the one directly behind the concession stand/wall) and at an aspect ratio of 1.85:1 – the image was jawdropping – wall to wall, ceiling to floor (the sound was also was amazing – it took on a pseudo IMAX experience)
I must miss it by accident everytime. I know ‘Lawrence of Arabia’ is a continual favourite. This engagement will be the first time I will have seen it at the Silver, the prior time I saw 2001 in 70mm was a mini-festival of 70mm films over at the Uptown.
‘Blade Runner: The Final Cut’ begins on the 2nd of May – no word yet if it’s 35mm or a DLP presentation.
‘2001’ (in 70mm !!!)
April 25 – May 1
BLADE RUNNER and DR. STRANGELOVE were both projected in 4K on Landmark’s Sony system.
sorry, correction, I had forgotten that it was two initially and a third screen was added. In it’s current configuration, the space is now just one auditorium with raked seating. Too bad, no films are being presented for this year’s Filmfest at the Greenberg.
Question: was it the release of SCHINDLER’S LIST that the Avalon’s sound system got converted to DTS? As I recall I remember seeing it opening weekend and the studio got the theatre not to sell concessions, due to the thematic and serious nature of the film.
The Avalon also saw the brief and only installation of Sony Dynamic Digital Sound for the release of the director’s cut of DAS BOOT in 1997.
The Tenley theatre had a 70mm system when LITTLE SHOP OF HORRORS (Frank Oz remake) opened in December of 1986. Question: was the theatre always set up with three auditoriums? or was it just one theatre initially?
are the Bond films being shown in 4K DLP since they were mastered that way – I know the Ziegfeld has a NEC system, but wasn’t sure if it was outfitted as such to playback 4K.
so NEC units can playback 4K files – correct? From the literature I’ve seen on the systems that’s my understanding.
it’s no different than recent films getting DMR’d for IMAX, most of those films are 35mm to begin with and the masters then converted to IMAX specs, the audiomix might differ, but it’s the same process when films in the past received 70mm engagements that were'nt shot in 70mm.