Showing 751 - 775 of 1,000 comments
Also, while the sign on the building may remain as “Loew’s Paradise Theatre”, any other advertising will probably just refer to it as “The Paradise Theatre”.
As long as the place doesn’t become a porno house I don’t think that the Loews Cineplex Entertainment Corporation would make a fuss about it — they don’t bother the theatre in Jersey City – doing so would generate bad publicity for them. They are aware of the landmarking, and since it will be primarily a live performance venue and no longer a general-release movie house it is not competing with LCE. Besides, the Paradise is “Loew’s” and the LCE chain is now “Loews” (no apostrophe). If the company was to use poor judgement and make an issue out of it, the Paradise could simply reverse the E and W on the sign and make it “Lowe’s Paradise”.
Someone should point out to Sloan-Kettering that in case they haven’t noticed, there is no shortage in the area of block-fronts that are completely occupied by dilapidated ancient tenament buildings that are, quite frankly, a dime a dozen in New York City. Razing them to put up a new building would improve the neighborhood. But S-K is taking the easy way out – by taking the Beekman, a 1-story commercial building, they don’t have to jump through the legal hoops and suffer the adverse publicity associated with getting residential tenants out of apartments.
That’s surprising – I thought the “haven’t got a clue” executives at City Cinemas would have turned this place into a sh—house like the others.
What kind of condition is the Village East in these days? Have they let it go to hell in a handbasket like their other ones? They better make it last – they’re stuck in a 99 year lease there – 13 down – only 86 to go…
The exterior of the Pitkin looks very similar to the 175th Street in Manhattan….
Magic Johnson/Loews was originally negotiating for this site, but somewhere along the way talks broke off, National Amusements then got involved and they closed the deal.
As the 57th Street Playhouse there were 586 seats.
Chris K.: No, sorry, I have no contacts at Belkin Productions. I just know when I lived there up to the early 80s, all the big (and not so big) rock concerts that came through town were Belkin Productions.
Does the ad you found say anything like “so-and-so presents…” or list the producer in small print?
Roger Stewart: The Belkin brothers/Belkin Productions were the big promoters in town in the sixties and seventies, were they around in the fifties? If not, perhaps Chris Kennedy could contact them and they might know who the promoters were in those days. Just a thought…
I think their hayday was just briefly in the early 1970s – none of them lasted very long, at least not with the JL name. His original idea was to play only G and PG rated family-type films. In those days there were more R rated films produced than anything else. With product that met his criteria scarce, the operation went bust. Many of them became porno joints.
As I recall, they were all franchise operations – the McDonald’s of the movie theatre business, though hardly as successful…..
The Brunswick Cinema in suburban Cleveland Ohio was originally a Jerry Lewis Cinema, and there was one on McKnight Road in the northern burbs of Pittsburgh. Someone told me the the theatre where Pee-Wee Herman had his ‘big adventure’ <grin> in Florida had been a Jerry Lewis Cinema.
The name of the theatre is Loews Metreon, the name Metreon alone is the name of the Sony facility of which it is part.
According to the October 2004 Loews Directory, seating capacities of the Loews Metreon are: 106, 125, 125, 122, 134, 156, 282, 253, 266, 259, 300, 301, 589, 369, 415, and the IMAX seats 614 for a total of 4416 seats.
Due to it’s location under the plaza, there were constant water problems – at least in the Rugoff/Cinema 5 years. When it would rain, the front of the auditorium, the lowest point, would fill up with rain water. The landlord of the G+W Building was either unable or unwilling to repair it.
The little hatbox-shaped entry kiosk on the plaza had a digital sign surrounding the cornice (though it was done in hundreds of small light bulbs in those pre-LED days) that never worked correctly. Eventually, Loews put up a couple of conventional back-lit sign that used standard Zip Change letters for the picture titles.
What are they replacing it with? Is the building being knocked down, or just the interior being ripped out and reconfigured for some other use? The Parmatown Cinema, mentioned above and opening at the same time, is also being gutted, along with several ajoining stores, to be reconfigured into a sporting goods store.
The seating capacities of the Loews Meadow 6 are: 784, 784, 584, 584, 370, 370 – total of 3476 seats.
Seating capacities at the Loews Plaza 8 are: 520, 521, 333, 321, 336, 338, 222, 221 – Total of 2812 seats.
I had submitted the Roxy, and stated that it did show movies, but was told it didn’t qualify for this site since it was primarily a burlesque house.
The Guild had a cat on duty to take care of those situations – however, when the show was running ‘Morris’ could be found relaxing in the projection booth, confined there so that he didn’t upset the customers while patroling the auditorium in the dark.
The architect of the Central Plaza Cinema was William Riseman Associates of Boston. The decor was changed when General Cinema was updating their older theatres, and they went to the darker colors. The “opulent” red carpet used in all GCC’s houses was actually cheap nylon that got flat real fast, and in that lobby, with floor-to-ceiling windows on two sides probably faded real fast also.
The murder of the manager had nothing to do with the theatre, like a robbery or something like that – he was involved with the drug trade and apparently screwed someone over in some sort of transaction – they came to the theatre to settle the score, which resulted in Willie assuming room temperature.
I was told by people who worked there that in the end days of the Kenmore, when the concession stand was closed up for the night they had to put razor-wire on it to prevent it from being looted by the patrons exiting from the last show of the evening.
I remember seeing a memo from Stan Werthman with a date of 1967 or 68, that stated, in part, “…We have seen a dramatic increase in soft drink sales in theatres where the patrons are allowed to take their drink into the auditorium. Effective immediately, ALL theatres are to allow the patrons to take their drink to their seat…” – up until that time, if you bought a soda at the concession stand or from the vending machine, you had to stand in the lobby and drink it.