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The upcoming weekend of September 23rd and 24th, The Landmark Loews Jersey Theatre, the tri-state area’s favorite venue for classic films located on Journal Square in Jersey City, New Jersey, starts its 11th consecutive year of classic film screenings.
For September, three classic crime caper classics.
The theatre is located directly across from the PATH subway station connecting Manhattan with Jersey City, it is also easy to reach from most area highways. Secure discounted parking is located directly behind the theatre. Have your parking ticket validated at the theatre’s boxoffice.
Unlike Some Other Classic Motion Picture Venues, All Our Show Are Still Presented Exclusively From High Resolution 35mm Motion Picture Film With Genuine Carbon Arc Projection, On Our Giant 50 Foot Wide Screen.
Friday September 23rd at 8:00pm – The Thomas Crown Affair (1968)
Starring Steve McQueen and Faye Dunaway
Directed by Norman Jewison. (102 minutes, Color)
He was young, handsome, a millionaire – and he’d just pulled off the perfect crime! She was young, beautiful, a super sleuth – sent to investigate it!
Saturday September 24th at 6:15pm – Take The Money And Run (1969)
Starring and Directed by Woody Allen (85 minutes, Color)
He robbed 16 banks. He got caught 16 times. His record is perfect…
Saturday September 24th at 8:15pm – The Sting (1973)
Starring Paul Newman, Robert Redford, Robert Shaw
Directed by George Roy Hill. (129 minutes, Color)
All it takes is a little Confidence…
Visit The Landmark Loews Jersey web site at for details.
A belated Happy Birthday to the Oritani. If it had survived, it would have been 85 years old back on May 6, 2011.
This is NOT a theatre. There is no screen room environment. This is a restaurant only. The website list above is invalid. The correct website for this restaurant is realitybites.com
The theatre was heavily damaged in a flood in June 2011, and reportedly will not be re-opening.
For the weekend of June 10th and 11th, The Landmark Loews Jersey Theatre located on Journal Square in Jersey City, New Jersey, continues its 10th consecutive year of classic film screenings with a 3 film tribute to composer Bernard Herrmann.
As Always, All Our Show Are Presented Exclusively From High Resolution 35mm Motion Picture Film With Genuine Carbon Arc Projection, On Our Giant 50 Foot Wide Screen.
Friday June 10th at 8:00pm, Cape Fear (1962)
Starring Gregory Peck, Robert Mitchum, Polly Bergen.
Directed by J. Lee Thompson. (106 minutes, B&W)
Gregory Peck, playing the straight-laced hero as usual, is the perfect counter-point to Robert Mitchum in what becomes a psychotic game of cat and mouse. Peck’s growing frustration and terror at his utter helplessness, both legally and physically, to head off what Mitchum is so relentlessly doing is devastatingly palpable. The supporting cast is excellent. And Bernard Herrmann’s haunting score is literally pitch-perfect.
Saturday June 11th at 6:00pm, The 7th Voyage Of Sinbad (1958)
Starring Kerwin Mathews, Kathryn Grant, Richard Eyer & Torin Thatcher.
Special Effects by Ray Harryhausen.
Directed by Nathan Juran. (94 minutes, Color)
One of Ray Harryhausen’s best work is The 7th Voyage of Sinbad, an Arabian Night-inspired tale of Sinbad as he sails the seas, forms an uneasy alliance with an evil magician and battles a Cyclops, a two-headed Roc and a magically resurrected skeleton. The action starts right away and continues throughout the film, and Bernard Herrmann’s score is the perfect companion, adding mood that enhances the visual effects. Herrmann went on to score three more Harryhausen films.
Saturday June 11th at 8:10pm – The Man Who Knew Too Much (1956)
Starring James Stewart & Doris Day.
Directed by Alfred Hitchock. (120 minutess, Color)
American tourists Jimmy Stewart and Doris Day witness the killing of a Frenchman they’ve recently befriended. Just before dying, the man whispers a secret to Stewart; a political assassination will occur during a concert at London’s Albert Hall. But Stewart soon finds out that he dare not go to the police, because foreign agents have kidnapped his son to insure his silence.
Visit The Landmark Loews Jersey web site at http://www.loewsjersey.org for details.
Is there any way to get the comments to display oldest to newest like this thread and the old site? Reading comments in reverse order is somewhat confusing.
The old site displayed comments with our “display name”. The new site always uses our username, along with a display name if we provide one. It would be nice to go back to only the the display name. When I registered at the old site, I believe it indicated that my username would not be public.
[size=4][color=red]The Landmark Loews Jersey â€" The Wonder Theatre Of New Jersey[/color][/size]
For the weekend of May 20th and 21th), The Landmark Loews Jersey Theatre located on Journal Square in Jersey City, New Jersey, continues its 10th consecutive year of classic films with three visually striking films that showcase cinema as an art form.
Friday May 20th at 7:45pm â€" Barry Lyndon (1975)
Starring Ryan Oâ€™Neal, Marisa Berenson, Patrick Magee.
Directed by Stanley Kubrick. (184 minutes. Rated PG)
To recreate both the aesthetic style of 18th century paintings and the physical look of the period, Stanley Kubrick, cinematographer John Alcott and production designer Ken Adam used authentic antique props and costumes to brilliant effect, and they lit their scenes with only natural sunlight or candles, for a look that no other movie has ever touched. The result is a film of singular visual style and beauty, and one of the richest and most evocative period pieces ever made.
Saturday May 21th at 6:00pm â€" Days Of Heaven (1978)
Starring Richard Gere, Brooke Adams, Sam Shepard, Linda Manz.
Directed by Terrence Malick. (95 minutes. Rated PG)
Terrence Malick’s follow-up to his acclaimed 1973 debut Badlands confirmed his reputation as a visual poet and narrative iconoclast. Inspired by the work of silent master F.W. Murnau, and shot in natural light primarily during the “magic hour” before sunset, Malick’s spectacular imagery largely takes the place of conventional exposition and excessive dialogue. Terrence Malick, who has been called the reclusive genius of American cinema, continues to make critically acclaimed movies — only to disappear from the director’s chair for years. His latest film, Tree Of Life premiers at the Cannes Film Festival this month.
Saturday May 21th at 8:15pm â€" Sunrise (1927)
George Oâ€™Brien & Janet Gaynor.
Directed by F.W. Murnau. (110 minutes. Unrated)
Considered by many to be the finest silent film ever made by a Hollywood studio, F.W. Murnau’s Sunrise represents the art of the wordless cinema at its zenith, a movie of extraordinary visual beauty and emotional purity. Murnauâ€™s graceful moving camera, expressive lighting and superimpositions lyrically evoke the inner passion, pain and romanticism that drive a love triangle among a simple country couple and a vamp-ish city woman. The story is poignant and the acting sublime; indeed, Janet Gaynor won the first-ever Best Actress Oscar for her role in Sunrise, along with her part in another film, Seventh Heaven. But it is the extraordinary Expressionist look of the film, so carefully crafted by Murnau and his cinematographers, fellow German imports Charles Roser and Karl Struss, that lifts the film into the realm of lyricism, and winning them the first Best Photography Oscar.
Visit The Landmark Loews Jersey web site for details.
The center areas of the Lobby were always carpeted and ringed with marble, as you can see from the 3 pictures from 1930 below. It looks like the carpeted areas were a little lower to compensate for the height of the carpeting. They did not want people tripping.
I remember seeing The Crimson Ghost before each Big Screen Classic a few years ago. I even remember a large poster for it in of the lobby poster cases.
Friday April 29th at 8:00pm â€" The Matrix (1999)
Starring Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving.
Directed by The Wachowski Brothers. (136 minutes., Rated R)
What if everything that we think is real about our world is instead unreal, a virtual reality created by malevolent, all-powerful computers to fool and enslave humans? This film is a dark, convoluted and action-packed film that was one of the biggest sci-fi titles of its decade. If the ever-more complicated story gets confusing enough at times to make you feel as if you’ve become hopelessly lost in the user’s guide to the latest version of Windows — that’s the point: the film deliberately creates a kind of techno-intoxication to overload and confuse you, break your hold on the ordinary and numb you before completely overwhelming your senses with its special effects. Few films mess with your mind and cause your eyes to pop so far out of your head as “The Matrix.” It is a must to be seen on the Big Screen.
Saturday April 30th at 6:00pm â€" The Thing From Another World (1951)
Starring Kenneth Tobey, Margaret Sheridan, Robert Cornthwaite, James Arness. Produced by Howard Hawks. Directed by Christian Nyby. (87minutes.)
An intelligent script; a fast pace; rapid-fire overlapping dialogue; a tight, controlled atmosphere; a smart and competent female character; and relaxed, natural performances — all are hallmarks of this movie by Howard Hawks. The â€œthingâ€ itself is seen only in fleeting glances, a directorial decision that built incredible tension while also mostly avoiding the unintentionally funny â€œman in a rubber suitâ€ scenes that plague so many sci-fi films of the era. The cast is excellent, though none were stars at the time Underlying all is the palpable dread of a lurking, unforgiving enemy that gripped America in the McCarthy era.
Saturday April 30th at 8:10pm â€" John Carpenterâ€™s The Thing (1982)
Starring Kurt Russell, Wilford Brimley, Richard Dysart, Richard Masur, Donald Moffat.
Directed by John Carpenter. (108 minutes., Rated R)
When it was released in 1982, John Carpenterâ€™s “The Thingâ€ was mostly panned as a debasement of the original. But time has lent perspective, and today the film is generally recognized as that most rare of remakes: not a copy, but a successful new adaptation that stems from distinct creative instincts and different sensibilities. The Cold War allusions of the earlier film are gone, and there is much less of an â€œus vs. itâ€ feeling than an even more paranoid â€œyou canâ€™t trust anyoneâ€ mindset. And to top it off, the John Carpenter film is actually truer to the short story that both films were based on. Watching to two films back to back gives one an intriguing look at how two very different film-makers interpreted the same story, giving us two films that are at once the same, yet so different that having seen just one, you will not know the outcome of the other.
It is my understanding, that may not be 100% correct, is that the owner of the Shop-Rite mall strip mall will only rent the theater on a month by month basis, as the want to eventually demolish the entire complex and replace it with a larger Shop-Rite and more profitable stores. The cost of upgrading the projection equipment for digital cinema, a requirement these days, would be so expensive that without a long term lease you will never get back your money.
I was also told by someone involved with the township that when the theatre closed, it was going to be gutted and leased to Tractor Supply hardware store chain, but the deal fell though when the economy tanked.
“Me and Orson Wells” is available via Streaming Netflix in HD.
For the last weekend of March (25th and 26th), The Landmark Loews Jersey Theatre located on Journal Square in Jersey City, New Jersey, continues its 10th consecutive year of classic films with three comedy classics to usher in the start of spring.
The theatre is located directly across from the PATH subway station connecting Manhattan with Jersey City, it is also easy to reach from most area highways. Secure discounted parking is located directly behind the theatre. Have your parking ticket validated at the theatreâ€™s boxoffice.
Unlike Some Other Classic Motion Picture Venues, All Our Show Are Presented Exclusively From High Resolution 35mm Motion Picture Film With Genuine Carbon Arc Projection, On Our Giant 50 Foot Wide Screen.
Friday March 25th at 8:00pm â€" The Lady Eve (1941)
Starring Barbara Stanwyck & Henry Fonda.
Directed by Preston Sturges. (93 minutes.)
Always the ironic satirist with a gift for terrific characters, improbably wild scenarios and perfectly tuned dialogue, the great writer/director Preston Sturges had what is, arguably, his most glittering success in The Lady Eve. Without doubt, the film is one of the most sparklingly funny screwball comedies ever made, replete with beguilingly ribald sexual innuendo and such overt overtones about the appeals of dishonesty and criminality itâ€™s a wonder that Sturges got away it all in the face of the puritanical Hollywood Production Code.
Saturday March 26th at 6:00pm â€" Beetlejuice (1988)
Starring Michael Keaton, Geena Davis, Alec Baldwin & Winona Ryder.
Directed by Tim Burton. (92 minutes.)
A deliciously off-the-wall, fast paced comedy-horror, Beetlejuice was Tim Burtonâ€™s second feature â€" and it not only defined his signature mix of wild imagination, sweetly fractured characters, surreal sensibility, gothic whimsy and dazzling special effects, but also firmly established him as one of the most original movie makers of our time. Geena Davis and Alec Baldwin are a young married couple who are killed in a car accident but are stuck haunting this world before they can move on to the next. When an obnoxious yuppie couple and their unhappy, Goth-obsessed daughter (played by Catherine Oâ€™Hara, Jeffrey Jones and Winona Ryder in her break-out role) move in to their old home, Davis and Baldwin try to frighten them away. But when their fledgling haunting skills prove less than effective, the two turn in desperation to a veteran spook: a yellow-haired, profane and thoroughly gonzo spirit played to over-the-top perfection by Michael Keaton. And thatâ€™s when the unique Burton blend of comedy and the macabre really takes off.
Saturday March 26th at 8:20pm â€" A Shot In The Dark (1964)
Starring Peter Sellers, Elke Sommer, Herbert Lom.
Directed by Blake Edwards. (101 minutes.)
A murder has been committed at the palatial Parisian residence of George Sanders. All the evidence points to sexy, wide-eyed housemaid (Elke Sommer). But then the gloriously, monumentally inept Inspector Clouseau (Peter Sellers) arrives on the scene and sets out to prove her innocence. What follows is an unbroken series of impeccable gags played out at a mad pace.
And Twice Is The Only Way To Live…
Good lineup. I’m especially excited to see The Party, one of the all time funny Blake Edwards/Peter Sellers films.
This coming weekend of February 25th and 26th, The Landmark Loews Jersey Theatre located on Journal Square in Jersey City, New Jersey, continues its 10th consecutive year of classic films with three films featuring one of the great couples of cinema, Humphrey Bogart and Lauren Bacall.
Friday February 25th at 8:00pm â€" To Have And Have Not (1944)
Starring Humphrey Bogart, Lauren Bacall, Walter Brennan
Directed by Howard Hawks. (100 Minutes)
This is the movie that brought Bogart and Bacall together â€" both on screen and off. Bogart is the owner of a charter boat in Vichy-controlled Martinique. Approached by Free French activists, Bogart doesnâ€™t want to stick his neck out for them â€" until he finds that doing so will help Bacall. While the screenplay by William Faulkner and Jules Furthman owes as much to Casablanca as to the Hemingway novel they were adapting, it nevertheless is a terrific blend of romance and action leavened with comedy, and Howard Hawksâ€™ direction is, as usual, masterful. But what makes the film truly electric is the unmistakable chemistry that was boiling over for real between Bogart and Bacall as the cameras rolled.
Saturday February 26th at 6:00pm â€" The Big Sleep (1946)
Starring Humphrey Bogart & Lauren Bacall
Directed by Howard Hawks. (114 Minutes)
One of the most popular noir films and most influential detective movies ever made, The Big Sleep nevertheless has one of the most convoluted scripts of any movie made in classic Hollywood. Director Howard Hawks literally blew past red herrings and possible dead ends by letting dialogue and action spill out so fast that there is barely time to acknowledge, never mind contemplate, a new plot twist. But Hawks did slow down to let the audience fully appreciate the erotic innuendo in the repartee between Bogart’s Philip Marlowe and Bacall’s Mrs. Rutledge — performances that were made palpable by the couple’s real-life relationship. This was cutting edge stuff for a Hollywood still under the Production Code. It’s the combination of this razor sharp sexual edge with the disquieting murky mystery that gives the film its distinctly hot yet cold, dream/nightmare feeling.
Saturday February 26th at 8:30pm â€" Dark Passage (1947)
Starring Humphrey Bogart & Lauren Bacall.
Directed by Delmar Davis. (107 Minutes)
A well constructed Film Noir that is one of the most darkly seductive but seldom revived pairings of Bogart & Bacall. Bogart is a man wrongly accused of his wife’s murder who undergoes plastic surgery to conceal his identity. Bacall, more vulnerable here than in other roles, is a lonely heiress who shelters Bogie — and falls for him — while he tries to find his wife’s real killer. The film makes great use not only of its stars' real life chemistry but also of its San Francisco setting. The Bay Area’s hills and winding roads, world-famous bridges and even prison proximity are integral to the story, while the city’s mixture of affluence and squalor, misfits and money men give texture to the shadowy atmosphere. The supporting cast more than hold their own, and Director Delmar Davis makes great use of the tight, efficient script. The opening scenes filmed from Bogart’s perspective are especially effective, adding a distinct, perhaps even Hitchcock-ian feel. Don’t miss this rare chance to see this noir gem on the Big Screen.
[size=1]The Landmark Loews Jersey Theatre[/size]
The weekend of January 28th and 29th, The Landmark Loews Jersey Theatre located on Journal Square in Jersey City, New Jersey, begins its 10th consecutive year of classic films with a look at those risquÃ© early 1930â€™s pre-code films.
Unlike Some Other Classic Film Venues, All Our Show Are Presented Exclusively From High Resolution 35mm Motion Picture Film, With Genuine Carbon Arc Projection, On Our Giant 50 Foot Wide Screen.
[b]Friday January 28th at 8:00pm Double Feature
Directed by Todd Browning. (65 minutes).
Originally banned in over 30 countries, Freaks used many actual circus freaks as actors. It is the story of love, betrayal, and retribution under the big top.
– She Done Him Wrong (1933)
Starring Mae West, Cary Grant & Noah Beery, Sr.
Directed by Lowell Sherman. (65 Minutes)
Mae West’s first and best film, since it was not watered down by the subsequently production code censors. It is the ultimate distillation of her charismatic persona of simmering seductiveness and innuendo-laced one liners.
Saturday January 29th at 6:30pm â€" Morocco (1930)
Starring Marlene Dietrich, Gary Cooper & Adolphe Menjou.
Directed by Joseph von Sternberg. (92 Minutes)
Dietrich’s iconic performance in top hat and tails and her scandalously — for the day — kissing another woman created her enduring screen persona of simmering, androgynous eroticism.
Saturday January 29th at 8:30pm â€" Baby Face (1933)
Starring Barbara Stanwyck, George Brent, John Wayne.
Directed by Alfred E. Green. (71 Minutes)
This amazingly frank drama about a woman sleeping her way to the top was one of the films that was most often decried by the advocates of movie censorship.
New movies were generally released on Wednesdays up through the early 1980’s, when the industry switched to Friday openings. Up until the 1970’s, many theatres outside of major cities ran split weeks, Wed->Sat, Sun->Tue or some variation of this.
The weekend of November 19th and 20th, The Landmark Loews Jersey Theatre located on Journal Square in Jersey City, New Jersey, continues its 9th consecutive year of classic films with a tribute to a local boy who made it big, Frank Sinatra.
Unlike Some Other Classic Film Venues, All Our Show Are Presented Exclusively From High Resolution 35mm Motion Picture Film With Genuine Carbon Arc Projection On Our Giant 50 Foot Wide Screen.
Friday November 19th at 8:00pm â€" The Man With The Golden Arm (1955)
Starring Frank Sinatra, Kim Novak, Eleanor Parker, Darren McGavin
Directed by Otto Preminger (B&W, 119 Minutes)
Sinatra is riveting as a two-bit card shark and drug addict trying to go straight in this deep, very dark noir film that features razor sharp characters, great acting, a crisp jazz soundtrack by Elmer Bernstein and a stylish rendering of the post-war hipster milieu. Sinatra’s depiction of the agony of drug withdrawal remains one of the most chilling yet powerful scenes ever filmed. Director Otto Preminger released this groundbreaking drama without the sanction of a Production Code seal, and helped break the stranglehold the censorial Code held over American cinema. This rare big-screen presentation will be shown in a restoration print from the Film Archive of the Academy of Motion Picture Arts & Sciences.
Saturday November 20th at 6:00pm â€" On The Town (1949)
Starring Gene Kelly, Frank Sinatra, Betty Garret, Anne Miller, Vera-Ellen, Jumes Munshin.
Directed by Stanley Donen and Gene Kelly. (Color, 98 Minutes)
The kind of movie they don’t make anymore — great music, great dancing, fun, romantic, exhilarating. Three sailors go on a whirlwind, 24-hour leave in New York City. Sinatra is great as the one more interested in seeing the sites than chasing girls — but who winds up being chased by one. Dazzling on-location scenes of mid-century New York, including the now iconic “New York, New York” opening. Choreography by Kelly, music and story by Adolph Greene & Betty Comden, score co-written by Leonard Bernstein.
Saturday November 20th at 8:20pm â€" From Here To Eternity (1953)
Starring Burt Lancaster, Montgomery Clift, Deborah Kerr, Frank Sinatra, Donna Reed, Ernest Borgnine.
Directed by Fred Zinnemann. (B&W, 118 minutes).
Extraordinary cast playing complex, engrossing characters, including Sinatra in an Academy-Award wining role that proved his power as a dramatic actor and revitalized his career. The story broke American cinematic ground — and taboos — with its frank depiction of ambitions, frustrations, personal conflicts, deliberate cruelty, sexual desire and adultery on a Honolulu Army base in the languid months leading up to the Pearl Harbor attack. The scene of Lancaster and Kerr in erotic embrace on the beach is legendary.
Those historic photos are from early November 1929, about a month after the theatre opened.
I hope it’s movies projected from 35mm film? The consumer quality video that the UCAC was showing since the renovation looks terrible.
The weekend of September 24th and 25th, The Landmark Loews Jersey Theatre located on Journal Square in Jersey City, New Jersey, continues its 9th consecutive year of classic films and kicks off its fall season with some of the best films Alfred Hitchcock never made. These are films that have a Hitchcock feel to them, but he had nothing to do with.
All Show Are Presented In 35mm With Genuine Carbon Arc Projection On Our Giant 50 Foot Wide Screen.
Friday September 24th at 8:00pm â€" Peeping Tom (1960)
Starring Carl Boehm, Moira Shearer. Directed by Michael Powell. (106 Minutes)
This British-made film premiered within a few months of “Psycho,” and the two are often compared. Indeed, “Peeping Tom,” about a psychologically damaged young man driven to kill women, is every bit the dark story of madness and murder that “Psycho” is. It also shares themes of voyeurism and repressed desire with “Rear Window” and “Vertigo.” But if those three films ultimately cemented Hitchcock’s reputation as “The Master” of psychological thriller and horror films, “Peeping Tom” all but destroyed the career of Michael Powell, who had been one of Britain’s top directors. It was denounced and banned as prurient exploitation, and all but forgotten until Martin Scorsese lauded it as groundbreaking and personally arranged for its re-release. It is both more frank and yet more subtle in its exploration of its themes than any of Hitchcock’s works. And it is also a provoking meditation on the appeal of cinema, which is inherently voyeuristic. A half century later, it retains its considerable psychological impact. Don’t miss this 35mm rare screening.
Saturday September 25th at 6:00pm â€" The Stranger (1946)
Starring Orson Welles, Edward G. Robinson, Loretta Young. Directed by Orson Welles. (95 Minutes)
This film is a cat-and-mouse hunt to unmask a Nazi war criminal hiding in a sleepy Connecticut town still brims with Welles’s flair, such as his extraordinary use of lighting and shadow, long focus and dramatic camera angles. It’s also a first-rate thriller thanks to a great performance by Welles, and also by Robinson. The theme is a familiar one to Hitchcock fans, evil amid the ordinary.
Saturday June 25th at 8:20pm â€" Charade (1963)
Starring Cary Grant, Audrey Hepburn, Walter Matthau, James Coburn. Directed by Stanley Donen. (113 Minutes)
Audrey Hepburn is an innocent woman caught in a web of intrigue and deceit when her husband is murdered and she discovers she knew very little about him that was true. As she is pursued by three men who were apparently her husband’s accomplices in the theft of a large sum of money, she looks to Cary Grant for help — but it turns out he has layers of secrets too, including multiple aliases. Soon, neither the increasingly desperate Hepburn nor the audience knows what to believe or whom to trust. Stanley Donen, better known for making musicals, borrowed some of Hitchcock’s favorite plot devices to craft this stylish thriller that also mixes in romance and comedy. Includes beautiful location cinematography of early ‘60s Paris, and a great score by Johnny Mercer and Henry Mancini.
3rd Season? We have been running classic films every fall/winter/spring since December of 2001.
Dumont Theatre Circa 1928