Astor Theatre

1531 Broadway,
New York, NY 10036

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Showing 101 - 125 of 236 comments

edblank on May 27, 2008 at 9:10 pm

Leroy, If I may correct the record without offending, I think the word the bluenoses found most objectionable in “The Moon Is Blue” was “virgin” (in a nonreligious context).
Also, there was an infamous exchange that I think went:
She: “Do you mind if I take off my shoes and stockings?"
He: "You can take off anything you like."
Fifty-five years ago, that raised eyebrows.

jflundy on May 25, 2008 at 1:04 pm

Photo February 1929 “Broadway Melody” at Astor:
View link

dodgerg on May 23, 2008 at 4:49 pm

It wasn’t just your youth Leroy. They were special times that are gone now with those beautiful buildings.

roybarry on May 23, 2008 at 4:36 pm

It’s funny that you mentioned “Stalag 17” and the “Moon is Blue”. In July of 1953 I became one of those unique ushers at the Astor Theatre and its sister hheatre the Victoria. “Stalag 17” was playing and right after I began working there in came t"The Moon is Blue" where they dared say the word “pregnant”. We were considered one of the smaller theatres that had heart. At that time the Roxy, the Capitol, the Strand were all going strong. Of all the theatres there was something different about the Astor and Victoria. Our uniforms were unique, bright and vivid!

There was a positive energy in the 50’s that we don’t have anymore.
The 1545 Broadway entrance was behind the box office of the Victoria. I remember Marlon Brando, Karl Malden, Paul Newman, Shelley Winters, Elia Kazan, Lee Strasberg, Burt Lancaster and many others going into the 1545 building. Kermit Bloomgarten had his office in the 1545 Building as well as Stasberg. For a kid at 15 it was something beyond magic.

Maybe it was my youth, but I cherish the expeiences I had and feel extremely lucky to have been there!

dodgerg on May 23, 2008 at 1:31 am

If I remember correctly The Moon Is Blue caused quite a stir — it all seems so silly now.

edblank on May 23, 2008 at 1:06 am

Thanks, Dodger. Your memories of the Astor are invaluable. Since rediscovering this website a couple of weeks ago I’ve been reading it compulsively, usually well into the night. I’ve been checking the blogs for every theater in every city I’ve ever visited. Best page-turner I’ve ever read.
If I can ever tear myself away from the many dozens of Manhattan theater blogs, I want to make contributions to nearly 100 Pittsburgh area theaters listed. Most of those blogs are very spare; some have no entries at all.
The downside of the Manhattan blogs is that can take hours to wade through. The one for Radio City Music Hall must be the “War and Peace” of movie blogs.
I’m grateful we have this gift – this forum in which to exchange tidbits.
Aside: One of the neatest coincidences when the Astor and the Victoria were grinding profitably was when each had a new big hit starring Bill Holden. He was side by side starring in “Stalag 17” at the Astor and “The Moon Is Blue” at the Victoria. — Ed Blank

dodgerg on May 23, 2008 at 12:53 am

Well said, Ed Blank. Well said.

edblank on May 23, 2008 at 12:44 am

What a weird buzz I got wandering into the Astor’s former shell after it had become that flea market. The place was abuzz but junky. You can’t get that buzz, I think, unless the shell of the old structure is the same and you can remember clearly how it had been when it was a moviehouse (the ticket-taker was just about here, the screen was against that wall over there, etc.).
Our memories are valueless to just about anyone who didn’t experience these grand old movie emporiums firsthand, but Cinema Treasures is a treasure trove of shared recollections by people who can revivify and amplify one’s own fading memories. Thank you, one and all. — Ed Blank

dodgerg on May 19, 2008 at 1:27 pm

wow. Thanks Warren. Great pictures. Especially that Gone with the Wind one. I saved both. You’re a treasure trove of info. Good work.

kencmcintyre on April 1, 2008 at 11:48 pm

Here is a July 1941 ad from the NYT:

dodgerg on March 28, 2008 at 12:02 pm

Hi again Leroy. As I mentioned previously, I worked at the Astor as an usher for a short time in May, 1955 — East of Eden. I would also love to see that photo. Thanks.

roybarry on March 28, 2008 at 8:28 am

View link

Picture of my brother and myself as ushers at the Astor & Victoria theaters from 1953-56

kencmcintyre on March 28, 2008 at 1:05 am

Here is a November 1931 ad from the NYT:

kencmcintyre on March 27, 2008 at 12:16 am

Here is a November 1946 ad from the NYT:

kencmcintyre on March 23, 2008 at 2:32 am

Here is an August 1929 photo from the Ben Hall book, “Best Remaining Seats”:

kencmcintyre on March 23, 2008 at 1:33 am

Here is an October 1955 ad from the NYT:

roybarry on January 21, 2008 at 4:53 pm

Okay! Let’s all go out for a beer! I’ll have Sasparilla…gave it up 9 months ago. The best thing I ever did!


Al Alvarez
Al Alvarez on January 21, 2008 at 4:11 pm

Good grief! Thanks Ed.

For the record, I was just trying to narrow the scope for the date on the photo. My memory plays tricks on me all the time and I don’t think I am crazy either, but I can contribute by looking some stuff up easily at my end.

I wasn’t born yet when Leroy was a doorman at the Astor & Victoria and I would not think of belittling his valuable first-hand accounts in any way.

I never make mean spirited comments as I am just not wired that way.

roybarry on January 21, 2008 at 1:48 pm

That’s it! They couldn’t use the title of the book. There was a big to do about Holden doing this part. I thought it was a good film!

roybarry on January 21, 2008 at 12:48 pm

Hey! Why don’t we write a play…maybe we can make a movie of this? I should have not re-acted the way I did. Let bygones be bygones! However memories get distorted it’s still a great experience to reminisce those days. During the 4 years I worked at the Astor and Victoria theaters (Friday 4-10, Saturday 9:45 to 5, Sunday 11:45 to 5, full-time summer months) they would show sneak previews shown especially at the Astor theater.

I remember vividly the previews (not premieres) of East of Eden, On the Waterfront, The Big Knife, The Star is Born, Meet Me In Las Vegas, Main Street to Broadway and many more. The big moguls of the Movie Companies, reviewers …etc, would attend. Customers would get the privilegeg of seeing two films for the price of one. The Criterion and Loew’s State would also do the same. It was always be shown on a Monday or Tuesday with the the attendees filling out the questionaires given when they entered.

There was a film with Willaim Holden made based on the novel “The Magnificent Bastards”, but the film had a different name. Many of Hollywood’s big names at that time came to see this film at preview. “The McConnell Story” starring Alan Ladd and June Allyson also had the same experience. That film also had a big studded premiere. Had an embarrassing experience working that World Premiere. I was the doorman opening the limo doors when they pulled up in front of the Astor. It was alway mayhem with the photographers and the press. Sometimes the limos would come in en masse making the shuffling of opening the doors difficult. One of the limos had Natalie Wood and her mother. When the limo arrived I let out Natalie Wood and her mother, not knowing that there was someone else in the limo ready to depart. To my chagrin I closed the door on Tab Hunter as he was ready to get out. He chuckled and was very amused…but I was more or less embarrassed. I was only seventeen and something like that seemed more tragic that what it really was. Years later I had the opportunity to meet him and told him the story and again he chuckled. He also confided that that period in Hollywood was all publicity. He eneded up doing some good work later in his career. There was a film he did with Sophia Loren that I thought was one of his best films.

My wife who is 10 years younger doesn’t seem to feel the importance of that era. She loves to hear the stories of my experiences. I have an older brother who worked the Copacabana when Jules Podell ran the club. I keep telling him he should write a book about the machinations that went on there. Sorry getting long-winded!

Ed Solero
Ed Solero on January 21, 2008 at 11:55 am

In all fairness, I’d hardly consider AlAlvarez' remarks to be an excoriation of leroyelliston. And the suggestion that one’s memory might be playing tricks need not be taken as a questioning of one’s sanity. My thanks to both Leroy and Al for sharing their facts and insights here for us to enjoy. Warren, your contributions to CT have been immeasurable, but you must admit that when the mood strikes, you are more than capable of administering some expert excoriation of your own!

roybarry on January 20, 2008 at 2:39 pm

I’m sorry for the mistake…but that to was previewed prior to the opening. I am not crazy! Must be a more gentle way of communicating!

Al Alvarez
Al Alvarez on January 20, 2008 at 2:34 pm

Leroy, I think your memory is playing games. How could MEET ME IN LAS VEGAS have played prior to THE ROSE TATTOO when it opened in March 1956? The sign over the theatre in the photo even announces the date.

THE ROSE TATTOO opened in December 1955 as Warren stated.

roybarry on January 20, 2008 at 1:13 pm

The film at the Victoria was “THE MAN WITH THE GOLDEN ARM”; Frank Sinantra, Kim Novak, Eleanor Parker, Darren McGavin, Arnold Stang. It was previewed around Thanksgiving in 1955, and opened in January of 1956. I was working there during my High School years as a doorman for both theaters and was a senior at Boy’s High in Brooklyn. “MEET ME IN LAS VEGAS” was at the Astor Theater prior to “THE ROSE TATTOO”. Earlier on this site I gave a history of my experiences working there at the Astor & Victoria. They both were owned by the same company (Cty Entertaiment Corporation) and had a interlocking alley between both theaters. Great time!

Al Alvarez
Al Alvarez on January 20, 2008 at 12:16 pm

Since the marquee mentions Oscar nominations, that places the photo after February 19, 1956 and before March 13 when MEET ME IN LAS VEGAS opened at the Astor. Magnani won that year on March 21. Sinatra didn’t win for the movie with the Saul Bass logo.