Plaza Theatre

42 East 58th Street,
New York, NY 10022

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Showing 101 - 125 of 141 comments

Ed Solero
Ed Solero on January 5, 2006 at 9:42 am

I’m still curious if anyone knows whether any of the original Plaza Theater decor remains in the current Tao restaurant that occupies the space. I drove past not too long ago and the place is definitely still open, but I couldn’t see much inside. I’m fairly certain I saw the Lindsay Anderson comedy “Brittania Hospital” with Malcom McDowell here in ‘83. And there was a quasi-documentary film in 1986 called “Stripper” that I also saw here. Or so I believe. Does anyone know of any interior photos?

Ed Solero
Ed Solero on November 8, 2005 at 10:23 am

I’m not sure that I ever attended this theater, but I’m trying to track down if a movie named “Not a Love Story” played here around 1981? This was an un-rated (but definitely graphic) documentary about the porno industry that I definitely saw in one of the small mid-town theaters in the upper ‘50’s. I originally thought I saw this at either the Festival or 57th Street Playhouse but then I got to thinking it might have been here at the Plaza or maybe even the Paris Theater or the Cinema III in the Plaza Hotel.

Does the movie ring a bell with anyone? Anyone familiar with midtown bookings for the film?

RobertR on October 27, 2005 at 12:07 pm

The director of this film used to make pro nazi films. I have never seen this film but remember reading a lot about it in a film class.
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Ed Solero
Ed Solero on October 27, 2005 at 5:16 am

Was the theater completely gutted for the TAO restaurant? I understand the food there is good, and might be interested in making some dinner plans, with camera on hand, particularly if any of the original decor remains.

As hardbop mentioned back in April, there is confusion regarding this theater and the one that was actually located within the Plaza Hotel on Central Park South. I was confused myself about it. That theater (in the hotel) was called Cinema III and was also turned into a restaurant! Here’s the cinematreasures page: /theaters/6461/

ERD on October 27, 2005 at 4:53 am

I remember going with my dad and brother back in the 1950’s to see an Alex Guiness film. It was a charming movie house that added to New York’s charm.

pbenzon on October 27, 2005 at 4:32 am

Does anyone have further information on the Chaplin series that played at the Plaza in the 60s? Or on where The Great Dictator played when it was re-released in 1972?

dave-bronx™ on October 24, 2005 at 6:20 pm

It was a mess over when they were building that Four Seasons hotel.

bazookadave on October 24, 2005 at 4:33 pm

I saw “Henry V” and “A Midnight Clear” here in the early 1990s. Great theatre but its location was a bit off the beaten path for moviegoers. I just walked by yesterday, it’s some kind of club or restaurant now. I saw some of the comments above saying it is called TAO but I did not see a name. What I recall about seeing both films there is that even though I attended them years apart, the street and sidewalk outside the Plaza theatre were very messy. Trash, dirty gutters, parts of the street barricaded and jackhammering going on, etc. The theatre itself was nearly empty.

Gerald A. DeLuca
Gerald A. DeLuca on October 15, 2005 at 12:25 pm

A brief scene filmed at the New York premiere here of De Sica’s The Garden of the Finzi-Continis in December of 1971 appears in the Italian TV documentary That’s Life: Vittorio De Sica. It is included on the Criterion DVD of Umberto D. The director, others associated with the film, and moviegoers can be seen walking in. The Plaza marquee is clearly evident. We see the front of the theatre and inside the entrance. The scene appears toward the very end of the documentary.

Gerald A. DeLuca
Gerald A. DeLuca on September 25, 2005 at 2:53 am

THESE THEATRE ADS appeared in a program booklet “Stadium Concerts Review” for Lewisohn Stadium, College of the City of New York, for July 29 to August 4, 1936. The concerts were by the Philharmonic-Symphony Orchestra. The small ads tout what was playing at several New York movie theatres. One of them was for the Plaza, then showing The Princess Comes Along.

BoxOfficeBill on August 25, 2005 at 8:46 am

Here’s a Showbill from December, 1960:

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Ποτή τιν Κυριάκι was a huge hit because it made prostitution and sex seem funny and political at the same time. Melina Mercouri supplied the fun on screen with her energetic performance, which she later repeated on the B’way stage in a musical version of the film, I believe one of the first live musicals to derive from a film rather than vice versa. Appropriately too, Mercouri was intensely political in her off-screen activities; it flowed in her blood as the daughter of a Greek Minister of Parliament and granddaughter of the Mayor of Athens. Off-screen, Jules Dassin supplied yet more politics as a resister to McCarthyism in H’wood and an ex-pat who found open-mindedness abroad. On screen, he was hardly funny at all. Mercouri worked in overdrive to give the film the bounce it had.

The article mentioned on the cover, “Can We Take It?” by Robert Hughes, a filmmaker who worked with the United Nations Film Unit, argues that foreign films such as “Hiroshima mon amour” and “Generale della Rovere” have made better anti-war statements than the American-made “Paths of Glory” and “On the Beach.” It ends with a plea for the theatrical showing of John Huston’s unreleased (read: censored) “Let There Be Light,” a 1945 short about combat neurosis. In this year of Our Lord 2005, what could be more relevant?

RobertR on August 14, 2005 at 5:50 am

I noticed that also.

Astyanax on August 14, 2005 at 5:06 am

Curious that “David & Lisa” was a Walter Reade release but was not (according to the above ad), exhibited at any of his NYC art-house outlets.

RobertR on August 13, 2005 at 5:50 pm

“David & Lisa” was in it’s 7th month in this ad.
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jackeboy on July 11, 2005 at 6:08 pm

After they had installed the new sound system, one of the rock films they screened was Frank Zappa’s 200 Motels.I went on a Friday night and it was so crowded people were sitting in the aisles.On the other side of the moviegoing spectrum, I also saw Travels With My Aunt, and The Madwoman Of Chaillot[pardon the spelling]and Otto Preminger’s Rosebud

BoxOfficeBill on July 6, 2005 at 9:29 am

Here’s a Showbill program from the Plaza in December, 1959:

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“Black Orpheus” was a huge hit with college kids who knew enough of the Greek myth to be able to trace the lines of telling and retelling in its modernized Brazilian setting. It was perhaps even more of a hit with cinephiles who could compare it with Jean Cocteau’s symbolist-Orphic trilogy. Though I liked Cocteau’s versions, my friends persuaded me that Camus’s film was more kinetic, more hip, and certainly more musically thrilling than any of his.

I carried the message back to campus, and when the film moved from the Plaza to the Apollo on 42 Street a few months later, I organized a bunch of students who’d never seen a sub-titled film to accompany me. I think it was on Good Friday evening, and it changed more than a few lives by winning converts to the religion of foreign film. The picture’s AA for Best Foreign Film of the Year that Spring seemed to validate the effort.

CelluloidHero2 on June 10, 2005 at 3:11 am

A great theater and fond memories for me since the Plaza was the first theater I went to in Manhattan (from Brooklyn). Went to see Tony Richardson’s Mademoiselle there. Also remember seeing:
Hurry Sundown
Rachel, Rachel
Alfredo, Alfredo
That’s Entertainment or maybe it was That’s Entertainment 2

AlAlvarez on June 4, 2005 at 5:09 pm

Cineplex Odeon destroyed this cinema’s image by playing dumb mainstream comedies and move-over films instead of the specialised art films that worked so well. On films such as CROSSING DELANCEY and MY OWN PRTIVATE IDAHO that Plaza provided some of the highest grosses in the country.

Gerald A. DeLuca
Gerald A. DeLuca on April 24, 2005 at 12:22 pm

Charles, what do the pictures in that link have to do with the Plaza on 58th Street???

hardbop on April 20, 2005 at 12:52 pm

One other nice touch I liked about the Plaza and some other theatres was the reception area in the basement. I remember the Biograph on 57th Street and the Gramercy on 23rd Street had these type of rooms as well.

br91975 on April 20, 2005 at 11:43 am

The Plaza went under pretty quietly. That was Cineplex Odeon’s modus operandi when it came to closing its theatres – suddenly and without any advance press or notice. What that policy failed to take into account was the special attachment New Yorkers tend to have towards their favorite moviegoing haunts.

hardbop on April 20, 2005 at 10:37 am

I can’t remember where I saw “Flirting:"it was "Spanking” that I caught at the Plaza. My bad. In fact, “Spanking” may have been the last film I caught at the Plaza. That was back in ‘94.

I don’t remember any kind of hullabaloo when the Plaza closed. It was done very quietly. I never went to the theatre when it ran that “New York Experience” type of show nor have I been to the restaurant that is there now.

br91975 on April 19, 2005 at 4:49 pm

‘Spanking the Monkey’ was actually David O. Russell’s first film, hardbop. The Plaza, meanwhile, closed in January of ‘96 with 'Grumpier Old Men’, while ‘Flirting with Disaster’ opened in March of that year; it was also the final film booked into the 68th Street Playhouse – perhaps that’s where you saw it?

hardbop on April 19, 2005 at 10:32 am

This is the one theatre that I wish had been saved of the theatres I patronized since I moved to NYC (‘82). What a beauty. It would have made for a great revival house.

hardbop on April 1, 2005 at 1:45 pm

I too miss this cinema. What I most remember about it was its dark wood. I can never remember it having a clear identity like its neighbor, for example, the Paris Cinema. Like Jamal, I remember seeing “Straight Out of Brooklyn” here when it opened. I also remember seeing “Flirting With Disaster,” David O. Russell’s first film.

Also there was a lot of confusion between the Plaza Theatre and Cinema 1 I believe it was called, which was actually located in the Plaza Hotel.