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“After agreeing not to compete with the Coral Gables Art Cinema for movies. Both theaters are located on city-owned land and will be able to show the same films”. So how, EXACTLY, do you not compete when you are playing the SAME films?
Sorry, Vindanpar. I don’t understand that first part of your comment. Where does it say WSS played for 113 weeks and what does it have to do with 1966 anyway?
“Suddenly, Last Summer” in the photo section.
The 9:30am shows ran from April 16 to 24. The shorter running time may have started even before then as it would allow out of town church and school groups to get back home at more reasonable hours and Roadshows always counted heavily on group sales.
You may be on to something, bigjoe. By mid-April 1965 they added a third showing at 9:30am daily for Easter week.
For the April 21, 2000 re-opening, the features were: U-571, MISSION TO MARS, PITCH BLACK, GOSSIP, BEING JOHN MALKOVICH, BOILER ROOM, DROWNING MONA, TROIS, THE 9TH GATE, COTTON MARY, ME, MYSELF AND I, GHOST DOG: WAY OF THE SAMURAI, READY TO RUMBLE, TOPSY TURVY, THREE STRIKES, PRICE OF GLORY, BEYOND THE MAT, FAMILY TREE, TIGGER THE MOVIE, ALL ABOUT MY MOTHER, CASABLANCA, TEN COMMANDMENTS, & 42ND STREET.
What purpose are you trying to serve with this post other than talking to yourself.
Such drivel. Who cares?
It was Loews. Cineplex only did a cosmetic remodel and put in new cushion seats. Loews was still operating with 70 year old wooden seats.
Cheaper prints have been getting made for twenty years due to short runs and a lack of subruns. Print quality did not deteriorate due to a lack of projectionists. The prints are just on lower quality mylar and most get destroyed soon after the first run.
A quick check on ebay shows programs on sale on all those titles, bigjoe59, although the TANGO program is Japanese.
Another roadshow-era oddness that always gets ignored is “I AM CURIOUS (YELLOW)” at the Evergreen in Greenwich Village.
bigoe59, if you look at the semi-Roadshow runs of well received, edgy, classic foreign films (LA DOLCE VITA, THE EASY LIFE, LES LIASONS DANGEURESES, FELLINI SATYRICON) you will see what UA was trying to re-create.
I will give “CALIGULA” a pass since it was eight years after the Roadshow era and quite an anomaly. But “LAST TANGO” was very much a part of the trend to move Roadshows out of Broadway and into the prestigious upper east side, before the whole concept died out with spontaneous youth audiences controlling all ticket sales in the mid-seventies. I do think “CALIGULA” uncut had a souvenir program, though.
Let’s not forget that “LAST TANGO IN PARIS” was a roadshow AFTER “MAN OF LA MANCHA”. We have a legacy of ignoring movies, and theatres we find morally offensive in hindsight. But not here on Cinema Treasures.
The oldest FREE PASS hustle in the industry. Sign up at your own peril. It only hurts the business.
Although the AMC Sunset Place opened in late 1998, the IMAX opened later in 1999 and closed in 2003.
Flyer ads added in the photo section.
According to the New York Times, the Orpheum also had a “large frontage” on 87th Street and extended the full block.
I worked for Cineplex Odeon who once owned the Plaza and the Cinema 3. People were constanty going to the Paris and the Cinema 3 looking for the Plaza. Due to the long runs at all three theatres, even veteran New Yorkers couldn’t remember which was which. In the days of exclusive runs, cash tickets and long lines, believe me, it was a problem.
Cinema 3 was not really near Cinema 1 & 11. The Plaza Hotel was two blocks away from the Plaza Theatre and the Sutton was not really quite on Sutton Place. But that is New York for you.
Theatre, Theater, they are not.
vindanpar there is no Schubert. There is a Shubert (and for a while there, a Little Shubert). Franz and his grammar nazis are simply playing with you.
Many people went to the Plaza Hotel looking for it there.
bigjoe, that was a link to another website, not a photo posting. “MY FAIR LADY” went wide in June 1966.