Showing 101 - 125 of 1,318 comments
walterk, I hope we can visit that place. I have not heard from them at all. I wonder if the stuff in the attic got saved. I would go see the hateful 8 with my wife after she gets out of Radio City, if they get it.
Star Wars is going to be on every screen on every block in every neighborhood if possible. It will be out of gas within a month. I would rather see the roadshow exclusive Hateful 8 play here.
Screw Star Wars. I hope they get Hateful 8 in 70MM
I had the pleasure of meeting Mitchell a few years ago and got a tour of the place. I certainly do not want to be critical because they are trying to preserve 35mm film presentation. But when I saw MAS*H there a few years ago, I said the same thing about the changeovers. And I knew this movie well from my early days as a projectionist. I knew they were clean and it seemed to me like some footage was already run thru as if the operator threaded up too far on the leader. It saddens me because I always took great care to make them as smooth as possible. My last 35mm presentation at the CountBasie was in January, “Interstellar” and folks were amazed how they couldnt tell where the changeovers were.
I agree The400Blows. Unfortunately we are in the minority.
hdtv267, I wonder what would happen if another chain ever took over that souless multiplex? Wouldbe interesting to see. Thatsthe only thing I hate about this site. To me a treasure is an old 1000, 2000, or even bigger old movie palace. Not these cookie cutter multiplexes.
And that RogerA is why film is dying. I argue with people all the time that there is a difference. I saw interstellar last year at the Ziegfeld in 70MM. Big difference between that and the digital trailers. The public today just dont care. As long long as they have the reclining seats and the loud ear crushing sound and tons of special effects, they’re happy. Say 70MM to someone and they’ll say “what?”
I wanted to go Mikeoaklandpark, but I agree, Im not sure Im up for all that.
Recieved an e mail from this drive in. Interesting how they say to have rear hatches and trunks open and interior lights on upon approach to boxoffice. They say no outside food or drink allowed and I guess they really enforce it. I think some people would be put off by this. Just saying.
Thats something I really miss these days. Movie titles with the stars names on the marquee, and advertizing whats coming next. Most of todays theatres dont even have marquees.
Yes Dave, I met Irv last year. He interviewed me for his new book. Yes Ive had a nice run at many different theatres. I miss it a lot. Digital is just not projection in my humble opinion. The only 2 theatres I have a chance to run film at is here in Rahway and the Count Basie in Red Bank, and they do mostly digital. Im glad you enjoy my posts about the past. I enjoy sharing them.
Yes Dave, my father was the projectionist that night. He then moved on to the Royal in Perth Amboy until June of 1972, when he and my uncle moved to the brand new Jerry Lewis Twin Cinema in Carteret.
Dave, Im guessing Grease was a blu ray? And Im hoping to be the projectionist in Nov. Just waiting for the call.
Thank you. So that was the biggest of the 3 and the first one to close.
Does anyone know when the other big theatre, the Stanley closed? I remember back in the 70’s all 3 of them may have played double features.
Just heard from someone I know who has spoken to the towns structural engieneer, and sad to report that it will be demolished and replaced with a brand new modern structure. At least they tried to save the old place.
Just to clarify, it was a collapsed floor in the lobby, not a ceiling. And there was no planned theatre nearby in 2005 when this happened.
I havent been by it in a few months, but there is a For Sale sign on the marquees. I have said many times this is the perfect sight for a 4 screen drive in.
One correction. It was a twin. I know this because I cleaned the screens here in the 90’s when it was open.
theatrefan, Im with you on that.
theatrefan, thats exactly what happened in January. When they booked the film they asked if we have 35MM capabilities and when management said yes, we got it. Loved making those changeovers, especially after seeing it in 70MM at the Ziegfeld. We have the same set up for digital with the dvd player, scaler, etc. It is what it is.
theatrefan, I appreciate the compliment. Believe me I wish I was still doing that job. Even at the Count Basie Theatre in Red Bank NJ where I am the house projectionist, I run all digital. And the house stagehands set it all up. Thankfully when Im on a headset the lighting guy listens to me and tries to make it look classy. And I never close the dowser till everything reads zero. The last 35MM I ran was in January, “Interstellar.” Felt real good.
theatrefan, its very easy fix. Whoever is doing the set up in the booth is just placing the cue in the wrong place. Happens when you have people who have no clue about showmanship. In a way Im glad Im out of the business. I was a very proud projectionist for 38 years. I always did my best to make the show look good, even in the days of automation.
Yes mdvoskin, there are some times it cant be helped I guess, especially in this day and age when no one is supporting film anymore. Its really sad.
And here I sit with almost 40 years expierience as a projectionist, and I can tell you that no matter what condition the print is in, it can be made to look decent. In my early days working in dollar houses with double features, you always got lousey beat up prints, but I still put on the best I could. Im not being critical, Im just saying, that it hurts how my talents are wasting away while all I get is to run a digital projector, which requires no talent at all. Depressing