AMC Lincoln Square 13

1998 Broadway,
New York, NY 10023

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digital3d
digital3d on January 12, 2016 at 4:23 am

One last thing @waterguy56 the digital version doesn’t have any extra title, while the 70mm has the extra title Roadshow. So that might be another good way to make sure you’re seeing the 70mm version.

Al Alvarez
Al Alvarez on January 12, 2016 at 3:49 am

And who the hell calls it Lowes?

waterguy56
waterguy56 on January 12, 2016 at 3:17 am

@digital3d: Thanks for the info, I will head to VE Cinema this week to see it :)

digital3d
digital3d on January 12, 2016 at 3:02 am

Didn’t mean to be disrespectful. Those are just really questions they might answer you best over the phone. Sometimes you can see the auditorium by the box office window too, but not in every theater I think.

And yeah, I think besides Village East Cinema there is no 70mm Hateful Eight in NYC.

waterguy56
waterguy56 on January 12, 2016 at 2:53 am

Thanks a lot @digital3d

digital3d
digital3d on January 12, 2016 at 2:48 am

@waterguy: You can always call their hotline, it’s (212) 336-5020.

waterguy56
waterguy56 on January 12, 2016 at 2:38 am

The website no longer indicates the Hateful Eight is 70mm and the runtime is only 2:47, so i’m assuming it’s shown in digital now? BTW, how can I know if it will be shown in King or Lowes when purchasing the ticket online?

moviebuff82
moviebuff82 on January 11, 2016 at 7:51 pm

I hope they retrofit the Loews into an AMC Prime theater.

HowardBHaas
HowardBHaas on January 11, 2016 at 12:20 pm

see 5th paragraph of Introduction for description of Loews, described as the premiere auditorium above.

digital3d
digital3d on January 7, 2016 at 3:14 am

Yes, they sometimes still give out flyers over there.

optimist008
optimist008 on January 7, 2016 at 1:08 am

Do they still give out test screening passes in front of this theater???

Thank You

waterguy56
waterguy56 on January 7, 2016 at 12:53 am

sw7 is scheduled up tp next thursday currently, any news/clues about the installment of laser IMAX? maybe next friday?

ACS12
ACS12 on January 6, 2016 at 7:58 pm

I wish I could watch Interstellar in IMAX 2D 70mm at Lincoln Square, since I didn’t get the chance to in 2014, but I know that’s never gonna happen. We can’t all get what we want.

waterguy56
waterguy56 on January 6, 2016 at 8:35 am

I watched “MAD MAX: FURY ROAD"in IMAX 3D at this theater last year. It was digital but it gave me the BEST movie experience ever in my life (my father said the same thing after watched it). I don’t know how excited I will be if it was in laser or 70mm :) wish to see it again in 2016, but never gonna happen I know:(

moviebuff82
moviebuff82 on January 5, 2016 at 7:32 pm

pretty soon they will renovate this theater with new seats as AMC is doing to mostly the Loews locations first and then the other AMC theaters by 2019.

ACS12
ACS12 on January 5, 2016 at 5:16 am

@alpinedownhiller By the time they install the laser projector, it will be too late. The Force Awakens will most likely be taken off IMAX by that time. I really hope it’s ready in time for Deadpool. I can’t wait to watch that one in IMAX 2D.

alpinedownhiller
alpinedownhiller on January 5, 2016 at 4:07 am

Will they get the laser in time to maybe show a few weeks of The Force Awakens in late Jan or early Feb?

I still can’t fathom the timing of their laser upgrade. Who the heck times it so they miss the biggest release in recent memory??

digital3d
digital3d on January 5, 2016 at 12:11 am

You do have to realize, whatever format you prefer, that in 2012 theaters were required to convert to Digital. You can’t expect them to re-convert and I think that’s the part we all agree on.

Cliffs
Cliffs on January 5, 2016 at 12:05 am

Nope, Red did tests and found 35mm film to be approximately equivalent to 3.2/3.5k, but that gets down to around 2k when you get to mass produced release prints, which is what I said.

Here it is from cinematographer David Mullen (who has shot major features and television): “It’s easier to just talk about the resolution on the original negative and avoid bringing in the resolution of various printing and projection methods, etc. Red has tested Super-35 and generally found it to be, I forgot, 3.2K or 3.5K, something like that.

You could therefore say that if a 24mm wide piece of film negative resolves 3.2K, for example, a 36mm wide piece of film (VistaVision) would resolve 4.8K, and a 52mm wide piece of film (5-perf 65mm Super Panavision / Todd-AO) would resolve 6.9K, and a 70mm wide piece of film (15-perf 65mm IMAX) would resolve 9.3K. However, this ignores some real-world issues like the fact that older medium-format lenses used on large format movie cameras have a lower MTF compared to modern 35mm cine optics (because the larger negatives don’t need lenses with high MTF’s because if you have more millimeters overall, you don’t need to resolve as many lines per millimeter…)

If you really want to be crude, you could say that you lose maybe half the resolution of the negative once it is printed through dupe elements and thrown onto a theater screen, which is why 2K projection seems on par with the best 35mm print projection, and 4K projection would be similar to 70mm projection, but it therefore also means that IMAX digital projection should be at least 6K…"

Don’t confuse comfort with mathematical certainty. And unless you’ve seen Hateful 8 under optimal 4K digital projection, how do you know the 70mm was better?

And also: “It is well known that digital projectors go out of date way quicker than any 35mm film projectors ever did!”

That’s because digital is constantly evolving where film has remained stagnant for decades. You’re basically confirming that film now is as good as it’ll ever get but digital is constantly and rapidly evolving and getting better and better. That’s not really the strongest argument in favor of film. Take the emotional love for film out and look at this from a purely logical/technical standpoint… would you rather have a tech that has hit it’s ceiling or one that is being made better every year? REGARDLESS of where you think each sits today…

digital3d
digital3d on January 4, 2016 at 11:45 pm

I have heard of Blu-rays though. And if we improve the digital technology, we might be able to have all movies come on discs. THAT would surely be better than 35mm prints, don’t you think?

HowardBHaas
HowardBHaas on January 4, 2016 at 11:39 pm

I have not yet heard that any movie theater is receiving the actual movie -not ads or previews, via satellite! Hard drives are more complex than a DVD or blu ray. Digital they all are, yes.

digital3d
digital3d on January 4, 2016 at 11:23 pm

You do know that DVDs and Blu-rays are also digital files? When we talk digital we talk everything being projected ‘computerized’, examples would be discs, hard drives or satellites. Each theater has their own way of getting their files. But all of the above is considered digital, as much as I know at least.

HowardBHaas
HowardBHaas on January 4, 2016 at 11:20 pm

I have movie theater operator friends but I am guessing you don’t. I will reply to one aspect- yes, DVDs & SD cards don’t pose the kind of problems that often are present when a movie theater finds it can’t open or project a digital film. We are talking about a 2k or 4k “hard drive” and computerized projector.

digital3d
digital3d on January 4, 2016 at 11:05 pm

I don’t know about this, digital files are literally just files. They are like DVDs and SD cards, which to me seems pretty reliable. They also come via satellite to some theaters, which is kind of like a TV stream. Those things seems much more reliable to me than a gigantic box of 35mm film.

Also, 2k is basically 1080p or 1440p, right? It’s just kind of hard to imagine that rusty 35mm prints could keep up with that. I even remember going to the movies thinking “Yeah the quality at the theater is even worse than at home”

70mm maybe, but as we know for every theater that is literally impossible. And even here I heard that Hateful Eight had imperfections.

Also I can imagine that some theaters still use the same digital stuff they got 8 years ago – digital projectors don’t need to be replaced that often as you might think. If you want to upgrade to 4k maybe, but that’s because technology improves, not because your projector sucks. And even here you don’t have to upgrade to 4k.

Also, think about it this way: You don’t need to PRINT the movie, you just need to get the file. That means you just need the system and the projector. You don’t need to get new prints from the studio all the time.

HowardBHaas
HowardBHaas on January 4, 2016 at 10:52 pm

To further explain, how often do you replace your computer? your digital camera? probably every few years in both instances, out of date. Not so 35mm film projectors which last many years. But digital film projectors…….