Uptown Theatre

4816 North Broadway,
Chicago, IL 60640

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uptownjen
uptownjen on August 6, 2008 at 3:15 pm

there’s a new, full-page editorial in the chicago reader this week concerning the sale of the uptown. it’s not up on the website just yet, but it is in the print edition which came out today. it discusses the reasons why the city should be happy that JAM purchased the theatre.

i’m sure their website will have the same article in the next day or so.

just wanted to keep everyone in the know about what’s being discussed in chicago about the theatre…

uptownjen
uptownjen on August 5, 2008 at 10:12 am

wow, rene! what cool stories you must have of your times at the uptown. just reading the summaries of those experiences makes me excited! (this doesn’t even count how cool i think it is that you must know about every nook in the uptown!)

Jayne1955
Jayne1955 on August 4, 2008 at 2:14 pm

Were Renee the guy who yelled at me when the line backed up so far when I was behind the concession counter at the Bay City Rollers concert? God, the munchies those people had!
{;-P

But I agree…there is much to be learned from past restoration experiences. We need to just sit tight a little bit longer, and see what kind of ride we’re going to be taken on, good or bad, exciting, or disappointing.

uptownadviser
uptownadviser on August 4, 2008 at 11:54 am

That wasn’t directed at you, Rene. Just everyone else who didn’t eat pizza with the Boss.

TeamUptown
TeamUptown on August 4, 2008 at 10:29 am

I hardly qualify as a armchair quaterback.
I dont think I am going out on a limb here when I say
that, I know this project like the back of my hand.
I have been to every concert, boxing match, movie,
at the Uptown from 1977-1981. I ate pizza with Bruce Springsteen
and company. shared popcorn with Peter Gabriel there, and cooked three turkey’s for Carlos Santana when he played there on thanksgiving day,

Ross Melnick
Ross Melnick on August 4, 2008 at 9:48 am

Please keep your comments focused on the subject at hand.

I want to also warn those of you who make unsubstantiated accusations about an organization that you are subject to our comments policy (which will be strictly enforced). Please remember as well that the relative anonymity of the Internet does not protect you from issues of libel.

As we note in our comments policy: “Unless you have court-documented proof of malice, bankruptcy, theft, vandalism, misappropriation of funds, drug use, violence, etc., do not submit any such accusations on this site. This site is not a venue for your private or public grievances against other people. If you wish to make such accusations, do it somewhere else. If you libel another user here, your account will be deleted.”

This will be enfored.

uptownadviser
uptownadviser on August 4, 2008 at 9:25 am

I guess I would simply ask that all of us armchair observers wait until there are some facts or there is a project proposal before getting into any flavor of lather. At this moment, nothing has changed. Everyone’s hopes, dreams and fears are simply on hold, awaiting further action and announcement. I cannot speak for any of the would-be owner/operators. However, I can speak for the volunteers who have a lot of experience and have studied and visited theatre restoration projects worldwide — good, bad and ugly. Yes, there is much to be learned from the past 30 years of theatre renovation and resue as we know it. No, conjecture, blame, accusations, threats of imprisonment and other nonsense are not helpful at this time. If this garbage continues on this page for the UPTOWN, I will ask that it be removed. Thanks.

Jayne1955
Jayne1955 on August 4, 2008 at 7:40 am

I do not recommend libeling anyone on this or any other site. I think we can hold onto the thread by not responding inapropriately to inappropriate comments. Just let the trolls go back under the bridge. They don’t have to have any power here.

But to tackle another part of what’s come up…I really don’t think using other situations for a comparison as to how things will proceed with the Uptown is THAT far off topic. The whole point is to learn from the past. I’d rather have the Uptown restoration go more slowly and be done right than rushed and be done haphazardly.

If we’re looking at Chicago as a reference point, they certainly rushed to get the Iroquois open on time for the Christmas season, and it was open a month before it caught fire, killing hundreds of people. This has to been done as slowly as it needs to be, to be done safely and well.

uptownadviser
uptownadviser on August 4, 2008 at 5:21 am

This discussion has strayed so far from the Uptown, Chicago and any facts available at this time that I really wish it would cease.

Broan
Broan on August 3, 2008 at 10:53 pm

My point was that historically theaters, as well as any complex building projects, are very, very frequently off-schedule. A lot of times now you’ll see theaters rushed to completion because they absolutely HAVE to open due to scheduling. But still things are pushed back very frequently. I know the last two big theater projects in Chicago, the Biograph and Bank of America (Lasalle Bank, Shubert, Majestic) Theater were both reopened significantly later than originally projected.

I would also point out that it is very normal for a theater to be closed long before restoration; for example, the Oriental was closed for 18 years and the Auditorium for nearly 30. The Genesee in Waukegan was closed for 15 years. I could go on. Continuous operation up to restoration is definitely the exception, not the rule.

TheaterBuff1
TheaterBuff1 on August 3, 2008 at 10:38 pm

What you’re saying is that the Uptown was off to a bad start, in other words, but over time it overcame this because the theater itself was so great. And that’s saying a great deal for the Uptown Theatre actually. I’d be curious to know what caused the delay, while trying to envision what things were like in Chicago in 1925 that might’ve caused it. I don’t know how hot the summers get up there in Chicago, but 1925 was before air-conditioning, was it not? So I’m thinking an extraordinary heatwave might’ve been a contributing factor. Also, the building of movie palaces at that time, as opposed to silent movie houses, was still in its experimental infancy, creating circumstances whereby the audiences would’ve been a bit more understanding than they would’ve been otherwise — an excuse that simply cannot be used in today’s world when it comes to reopening movie palaces.

If my assumptions are correct regarding how it was in 1925, apparently things were much better along three years later, because the Boyd movie palace here in Philadelphia, PA was scheduled to open on Christmas Day, 1928, and by golly it did! Maybe it did so based on a hard lesson learned from what happened regarding the Uptown’s delayed opening three years earlier, who knows? Any info on what the public’s reaction was when the Uptown’s grand opening was delayed by 17 days? It would be a sad statement about the Uptown, at least at the onset, if there wasn’t any.

Jayne1955
Jayne1955 on August 3, 2008 at 8:52 pm

BWChicago, can I please compliment you for that post? I loved it. I almost spit peach tea all over my keyboard, but I mean that in a good way.

Broan
Broan on August 3, 2008 at 8:07 am

When the Uptown was announced in the Chicago Tribune on February 3, 1924, it was stated that the planned opening date was April 1, 1925. It opened August 18th.

TheaterBuff1
TheaterBuff1 on August 2, 2008 at 11:33 pm

Using a retroactive approach, there has to be a resolve what we want the end result to be, when we want this to be, and then we have to fill in how we got from Point A — where the Uptown is now — to Point B — where we want it to be, and when.

In my saying this, a good example that comes to mind is the Olympics. Imagine if on the day the Olympics is scheduled to begin we get told, “Er, it’s not ready yet, folks, please give us another year or so before it finally will be.” When it comes to the Olympics such an occurrence is unthinkable. It’s quite clear the show must go on when it’s scheduled to go on, no ifs, and or buts. And to the best of my knowledge no hosting city ever dropped the ball when it came to this. And while I understand that when the Uptown is fully restored it’s to be a thing of permanence and not merely temporary, why should they make a difference really? When the first Disneyland in Anaheim was scheduled to open on such and such a date, it opened on that date, and that was (and remains) a thing of permanence. And it’s really the only way to get things done in my opinion.

And in the Uptown’s case so much that needs to be done to make the dream real has already been done. It’s passed the two massive barriers of finding the best location for it and the best architects to design it. It’s already located in one of the greatest cities in the U.S., and believe me, theater architects don’t come better than Rapp & Rapp! And that much is all fully squared away now. So now comes the big question when will it be reopened, and all the rest is just fill in the pieces — the same as it is when it comes to the Olympics, or building Disneyland. People do it, you know. Why should it be any different here?

HowardBHaas
HowardBHaas on August 2, 2008 at 7:34 am

I believe the Uptown will be gorgeously restored and reopened! I just doubt the items mentioned in the Crain’s article.

charles1954
charles1954 on August 2, 2008 at 5:22 am

Remember the old Chicago motto: I WILL! Despite rampant negativism, the city has always achieved what it sets out to do – despite all odds.
I have a very positive feeling, that this is really going to work out for the best of the Uptown Theatre and all those dedicated advocates, who have never given up hope – after all these years. We are most certain to see this architectural jewel restored to its former glory! YES WE WILL! YES WE CAN!

TheaterBuff1
TheaterBuff1 on August 1, 2008 at 8:40 pm

Well my hope, of course, is that the Uptown’s restoration will show a totally different variation on the word “realistic,” as opposed to what we saw in the Boyd Theatre’s case in Philadelphia, PA, and that the Uptown’s restoration will demonstrate that what those in Philly insist can’t be done CAN be done. I see no reason why the Uptown’s restoration can’t work, and within the time frame presented, if it’s strictly adhered to.

And my hope is that those involved with the Boyd will be able to humbly watch and learn from what they observe, and apply the lessons learned to restoring the Boyd.

One can dream, can’t he?

HowardBHaas
HowardBHaas on August 1, 2008 at 6:39 pm

The ADA often will require elevators, accessible seating, etc. but fundamentally is consistent with a restoration.

As to this above post:
According to a Crain’s article the Jam/Freed partnership is required by court order to place $5M in an escrow account 30 days after being awarded title and have a renovation financing plan in place 90 days after that. Renovation is required to be complete in about 2 and a half years.

The Crain’s article quotes somebody as stating that, but it seems unrealistic that $5 mil will be put in escow, that a renovation financing plan will be in place within 90 days, and iffy as to the 2.5 year timetable. Substantial public funding takes time to obtain.

TeamUptown
TeamUptown on August 1, 2008 at 6:25 pm

Scott: I heard the deadline was monday, in Berlin?
I think we would all like it to look as it did in August of 1925.
But we all know that’s just not going to happen.
The American’s With Disability’s Act,alone is one thing that will
stop this from being a restoration as oppossed to a renovation.
City code’s. All go into more detail later.

www.chicagosuptowntheater.com

Jayne1955
Jayne1955 on July 30, 2008 at 9:46 pm

I agree if the downtown can be turned around, Uptown can. Uptown was not exactly a total dead zone, although it got close at times. I taught for awhile at St. Thomas of Canterbury, around the corner, and both the church and the nearby McCormick Boys Club worked real hard to keep the neighborhood from going completely downhill. You always had the Green Mill, too. The Green Mill was drawing jazz fans even when the neighborhood was not so hot. The theatre would make a huge difference, but it’s got to have parking like downtown, where you don’t have to walk TOO far. I know the El is close and the buses stop right out front, but you still will have people who want to drive.

Darrel Wood
Darrel Wood on July 30, 2008 at 6:52 pm

It is a very daunting task, but one thing that the Uptown has (unlike the DuPage), at least partially, is a city government that is not fighting against it. The alderman is very much in favor of renovating the Uptown, and the City in general is in support. The theatre district downtown showed what happens when a city sits tight and allows the process to happen—-the Loop at night was a dead zone back when the Chicago reopened. Uptown has a more vibrant nighttime scene already. And yes, even if it all happens, compromises will be made, but the ultimate goal is getting that big, old barn back to life.

Jayne1955
Jayne1955 on July 30, 2008 at 5:05 pm

It’s not hysteria, guys. Really it isn’t, at least not with me. It’s pessimism, and I’ll admit that, but I am not without hope. Maybe some people still are, but I’m not. I’m delighted that at least the ownership question is settled. (Then if it DOES get screwed up, I’ll have someone concrete to blame again…JUST KIDDING!) But we aren’t out of the woods yet, just because this theatre has an owner again, and I don’t think it’s wrong to admit that. It has an owner, but it’s still in deplorable condition from neglect, and much larger than a lot of people realize.

This particular theatre was not surpassed in size until Radio City Music Hall was built in the 1930’s. We’re talking about a 46,000 square foot messy main floor, and over 4,000 (4,381 was the number I was given at the Theater Historical Society conclave in 1977) rotting seats. It had three marquees, three lobbies, six public lounges and the dome is 120 feet.

You people who have actually been there know how overpowering it is, and how daunting that makes this job. If any of you have not, you can’t tell by the pictures. Trust me. I used to play flashlight tag in there at night, and it was so easy to disappear, it wasn’t funny.

bruceanthony
bruceanthony on July 30, 2008 at 4:16 pm

Jayne the list of restored theatres across the country keeps growing. The restoration of the huge Fox-Oakland which sat nearly 3500 is undergoing a massive first rate restoration after sitting vacant nearly 35 years. It will be booked by Another Planet which books pop/rock acts in several locations. The Paramount which sat nearly 3500 is just around the corner from the Fox and was restored in the early 1970’s. Oakland is only a City of 400,000 but it has now managed to restore two of the largest theatres on the West Coast. The City and State helped fund the Fox but most of it came from grants with very little funding coming from the general public. It is a 46 Million project which will include a charter school being built around the Fox as well as restoraiton of the theatre. They have gone to the public for 5 Million to finish some of the restoration work. When Jam takes ownership of the Uptown many grants will come there way both Federal,State and City. Maybe they can get funding from many of the local corporations such as Boeing and Bank of America who help fund the Fox. The former Mayor of Oakland Jerry Brown got the ball rolling and Jam will need help from the City. I hope the Civic leaders can do whatever they can to see the restoration actually happen. Once restored the Uptown should take its place among the greatest theatres still standing in North America.brucec

Jayne1955
Jayne1955 on July 30, 2008 at 3:41 pm

I want to have faith, but let’s face it. We’ve all been kicked in the gut a lot of times. This is a torturous little exclusive club we’re in. And as the poet, Asleigh Brilliant, once said, Just because you’re paranoid doesn’t mean people aren’t out to get you.

TeamUptown
TeamUptown on July 30, 2008 at 12:03 pm

Everyone take a deep breath!
Nazi Germany? Sitting on the Uptown?,Who’s next?
Have faith!