Showing 126 - 150 of 234 comments
The rebuilt Odeon Marble Arch was a gem…Saw Oliver there in the 60’s and The Doors and Terminator 2 there in the 90s…The decline of 70mm and roadshow style attractions made this theater hard to programme towards the end…it day dated a lot with Odeon Leicester Sq and rollout runs but lost its exclusive feel therefore plexing was the way to go. The plexing isnt terrible but no joy – have seen Speed 2 and The Tailor of Panama here. The programming is generally along the lines of a wide rollout keeping in mind the neighborhood is now made up of primarily upscale Middle Easter residents
The seats are wide,the raking isn’t bad and overall they have a bit of a screening room feel and often your last chance to catch something you want to see…Have caught The Freshman and Rushmore here
Thanks for adding this one. Easily the most uncomfortable complex in the West End – with really bad leg room. Went and paid full price under duress to see pictures such as Naked by Mike Leigh and recently Stander because this was the only place they were playing. Odeon should be much more flexible with pricing here.
Said this becaue it is beneath a block of flats, conversion for other use would be rather difficult and because we love cinemas we’re kind of glad it has survived.
Lovers and Other Strangers was from ABC Pictures Cinerama Releasing
Remember the interesting horizontal layout of their showcase ads when they mainly showcased thru the RKO’s in the early 70s
Saw Fritz the Cat opening night at the Fine Arts
In the mid 70s after Trans Lux gave it up, it had a short identity as the Bryanston West…Bryanston being the releasing company that was releasing the Andy Warhol Frankenstein in 3D series…Then a very short life as just the WEST…Doubt anyone visited this theatre deliberately under that identity
Reassuring…assume they will rebrand it and reopen it quickly
The East side hasnt lost another theater then
Travelled up to York for business not long ago…for a beautiful town this cinema is a shame…looks from the outside as if it has been poorly maintained.
Saw Blade Runner here in 1982
Another one of my growing up theatres…this was primarily a United Artists showcase to start and eventually opened a lot of Warner Bros and Universal product daydating with the Criterion or the Rivoli on Broadway and the Murray Hill or 34th St East..Under City it has been more of a Disney and independent showcase.As a single screen remember seeing a revival of Around the World in 80 Days, The Hospital, Freebie and the Bean among others there…As a twin Casualties of War, Die Hard, Blue Steel, The Accidental Tourist…In its early years it had the distinctive touch one year of listing all of its summer pictures on a board in the ticket booth
The Eros was part of a chain of newsreel theatres that evolved into some wacky double bills and then soft porn in the 60s-70s…They were as good in their own way as what 42nd St had to offer even if their double features ran for longer…Remember seeing Mad Dog Coll and something else with the Mad Dog Coll theme playing out into the cool London air in early 70s keep in mind that the main feature was made in around 1961
This was a Walter Reade theatre which shifted over to Cineplex Odeon during the 1986-7 buyout…It was a pretty safe bet in the 70s to day date with an 86th St and a Broadway Loews house for a first or showcase run…
Even with a bland theatre there is a story to tell…believe this open around 1970 – possibly day dating with the also opening on Broadway Orleans (a Pacific house triplexing the Cinerama/Penthouse twins … the Orleans went porn very quickly after that) with A Dream of Kings a National General release with Anthony Quinn…After that it became part of the Flagship theatres showcase showing mostly Fox pictures…Somewhere in there it had a very long run of The Stewardesses a soft porn 3D picture on showcase…Remember riding by there as a kid as well and seeing on the tiny marquee “Stop Pay TV” which was the UA mantra at the time…It just settled over time into a neighborhood showcase house showing pictures from just about all studios in showcase runs…Over the years (I ended up living about four blocks away in the late 80s) I saw stuff as diverse as a double feature of The Sterile Cuckoo and Friends, a revival of Song of the South, a final run of The French Connection, You’ll Love My Mother a Universal programmer with Patty Duke, and in the 80s Fat Man and Little Boy, The Two Jakes, Joe and the Volcano, Born in the USA…I’m pleasantly surprised that it’s still there and surviving as a single screen not that it’s a glamorous theatre in a basement beneath a high rise
Sometime in the mid-70s probably just after UA opened the Eastside Playhouse on 55th and 3rd, this theatre was referred to as UA East 85th St a clunky name but probably to differentiate it from that theatre…particularly as there was some occasional day dating with it…The UA Yorkville wouldnt have been a bad name referring to the neighborhood it was in wouldnt it now
I’m lucky that I don’t live on the East Side of Manhattan anymore – would sorely miss the Beekman, Sutton, Plaza, Fine Arts, 68th St Playhouse, Coronet & Baronet even the Manhattan Twins of my youth…What’s equally stressful is that developers and cinema operators and zoners can’t get together to give the Upper East Side a good stadium seating megaplex that would give the neighborhood what it needs – access to a variety of mainstream and art house programming…Much as I miss the old single screen theatres as a concept, there seems to be some exciting work done outside NY by companies such as Muvico and Rave…I live in London now – neighborhoods here were severely underscreened for years forcing us into the West End into grand but not necessarily comfortable theatres…We now have a 12 screen Vue (ex Warner Village) which does do a solid mix of mainstream and art house programming in stadium seating – I’ve seen everything from Anchorman and Open Range and The Bourne Supremacy to The Motorcycle Diaries to Garden State and I Heart Huckabees there. This said we did go to the West End last night to see The Aviator where it was in on an exclusive in the Vue multiplex there – 2 screens with stadium and wide screen ( a great experience) and 2 smaller screens (probably not so great)
I’m a keen once a day reader of this sight but something tells me we should be fighting for the higher cause – of the pleasure of seeing movies in cinemas with people and if megaplexes with good programming (and sound financing with mixed use facilities) are the future – then so be it.
Loved the Beekman but if NYU needs to make it into a hospital then Mazel Tov
Saw a great double bill here of Breaker Morant and Gallipoli here in the summer of 82
This theatre shifted policy many times. I remember seeing IF Stone’s Weekly there during its early days as an art house. It then went porn both gay and straight, $1, porn and then a brief comeback as a discount house before closing down.
I saw Raiders of the Lost Ark here in the main screen in 1981 and Fort Apache the Bronx in the small screen. Zurich at the time had a few large cinemas remaining – the ABC, the Bellevue which was very Disney, the Capitol which was porn these three I believe now are plexed – but the Apollo was the grandest. The other great thing about Zurich moviegoing was a showcase in the Bahnhof (the train station) with posters and showtimes of anything playing in town – which was great for students and trainees working there who didn’t really know enough German to buy a paper. Most major releases are shown in English with 3 subtitles German Italian and French
This Orpheum reopened in 1994…The original Orpheum I remember as a single screen seeing How the West Was Won, Major Dundee, Cat Ballou and a few others before it was twinned around 1967…the second theater Loews Cine had its entrance around the corner on 3rd Avenue out of the old balcony while the Orpheum retained its 4 aisle entrance on the ground floor…Loews eventually made it easy and renamed them as Loews Orpheum 1 and 2…Fond memories of the twin as well mutliple viewings of The French Connection, as well as Cactus Flower, See No Evil, Ryan’s Daughter on one side and The Valachi Papers and others on the other…Many years later I was able to see the end of the original Orpheum living around the block on 89th st and still enjoy pictures like Lethal Weapon 2, Indiana Jones 3, The Abyss, U2 Rattle and Hum
If I’m not mistaken this twin opened in the mid 70s by as the Agee 1 and 2…It was named after the writer and critic James Agee and operated by Cinecom who also had the Carnegie Hall Cinema at the time…The programming was mostly art but didn’t last very long and went Spanish until the 80s…When City Cinemas had it in the mid 80s there was some Warner Bros first run but mostly studio stuff that other theatres wouldn’t touch ie Bill Cosby in Leonard Part VI and often Manhattan exclusives
The auditoria were nothing special…long tunnelly 300 seaters
UGC is promising us a new 16-20 screener for 2005
This has had an interesting history both as a first run theatre and now as a second run discount house…As a first run remember seeing Jacques Tati’s Traffic here in around 1972…believe it also had Emanuelle here for over a year…When I settled in London it was a second tier first run theatre showing mostly pictures from local distributor Guild – saw The Hot Spot, Narrow Margin and a preview of Grand Canyon here…Since around 1991 the Robins family has operated it as a discount with a robust schedule of recent hits…over the years have seen The Hudsecker Proxy, The Firm, Bad Lieutenant, Lost Highway, City of God here…it’s busy studenty and fun and there is a membership scheme which will save you even more for around Â£9 up front…the theatre must seat around 250 downstairs and 100 upstairs and both are double aisled…
This is a must for budget travellers to London to catch the odd film they missed back home
Saw Touching the Void here with my nephew recently…as in many of the Paris multiplexes the configuration is a bit strange with two single aisle sections split by a walkway leading to the rest room and a row of single seats along the wall
How is the renovation? I only saw one film there nearly 20 years ago but it’s good to see that this survived along with the Balzac as art houses along the Champs
The Key was a true institution…I imagine sorely missed in DC…At the time of its closing it was a triplex showing a great range of art films in all languages…Among the pictures I saw there in 95-96 – Kieslowski’s Blue, A Great Day in Harlem, Crumb, Little Odessa, and a great French picture with Michel Blanc whose title escapes me…The Key also used to host a number of cinema clubs
Was this the Winston originally?