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Wasn’t this article previously posed? Regardless – the problem is the classics are rarely being provided in the form of film prints unless its a serious reparatory house like Film Forum, Dryden or TIFF Bell Lightbox. I’ve seen presentations at The Riviera that were projected right off a DVD (as are many of the classic screenings as I commented on in the Buffalo area including The Hamburg Palace, Market Arcade and the early digital adopters at The Screening Room).
The Buffalo market is maybe about half-converted with 100% digital projection at AMC Maple Ridge, Regal Walden Galleria, Regal Quaker Crossing, Regal Transit Center (including an awful D-IMAX) and Dipson Flix.
Those would be old photos – – I’ve seen pictures of the new front and didn’t see a box office in them – the Essex Green location removed the box office and has automated ticketing in the lobby – if you must use cash (i.e.: if you’re a drug dealer) you can purchase a ticket at guest services….
I also think this one is Essex Green, I’m fairly certain Bridgewater does not have stadium seating and has different seats – Jeterga please verify…..
The dinner and movie experience is only awful because AMC does it (like many other things) wrong – the service is terrible and overly complicated but the dinner theatre concept – I can assure you all is done way better at the Alamo Drafthouse and the Nitehawk Cinema in Brooklyn. The food selections are over priced and mediocre Applebees kind of fare, things are better at the aforementioned theaters as is service. Here they have this stupid light-up button system they never follow up on, at Alamo and Nitehawk – if you want something during the flick you write it down on a little piece of paper and stand it up at your table, they swing by – take a look it, lean in quietly ask if they had a question about the order (if not they give a thumbs up) and its out in a reasonable time. Here they complicate things with too much technology (which is probably wired for some button pusher to analyze back in Kansas City) – – of coarse these comments (like a few of the associated pictures) are in regards to Essex Green. I had been there one other time since they had opened and the service was better, the food not so much. In fact to experiment I had the same type of grilled chicken and fries as I had at AMC at Nitehawk in Brooklyn a few nights later and observed two things: Nitehawk’s was tastier and leaner (AMC’s had a lump of chewy fat) and cheaper. Nitehawk like Drafthouse also shows eccentric ads and short films (a film I made a few year ago was at Nitehawk before shows of Martha Marcy May Marlene in November) instead of ads and infomercials for TV shows – over all its a much more pleasant experience and a great way to see a movie (beer and wine also help but aren’t required). AMC has ripped off part of the concept without understanding that what makes the Alamo successful is the combination of Austin film fans, great programing, good service, good food, and a fun atmosphere. Upscale dinning this is not – for the same price you can get an excellent meal elsewhere and go see a movie at a far better theatre.
Actually this is likely Essex Green – – Bridgewater Commons does not have stadium seating nor do they have Cinema Suites.
Most of the Buffalo Film Seminars at Market Arcade are shown on Blu Ray DVDs, not sure about the projector quality – its passable if not a bit wimpy on what is a pretty big size General Cinema circa late 80s screen (the theatre seats about 300). Most of the time they are screening a high quality Criterion Blu Ray (of coarse prints that weren’t properly cared for will have their own issues, but I agree the magic is gone). They occasionally show film prints (as was the case a few semesters ago with A Women Under the Influence) – fortunately Buffalo is sandwiched between two great film cities where film projectors will never be ripped out of the reparatory houses – Rochester (with the Dryden) and Toronto (with TIFF Bell Lightbox).
Well what the article doesn’t mention is in many of these venues digital media has replaced film for archival screenings – to the credit of Ed Summers who is quote in the article the Buffalo International Film Festival did screen a film print at the North Park, and our alternative spaces (Squeaky Wheel and Hallwalls) in Buffalo are capable of 16MM, however more often then not, when you see a “classic” film presented at the Market Arcade for the legendary Buffalo Film Seminars and their new program Midnight Beacon, its projected digitally. I’m not sure where the disconnect is in the distribution chain but there will always be some screenings rooms in Buffalo that will be capable of 35MM along with digital even after a full DCI conversion (at least the CFA Screening Room I teach in at UB is ready for 16, 35 and digital – – I’ve shown 16MM when I can, but our department doesn’t own any 35MM)
I like that Watson points out AMC’s ever change price policy at its last 80’s hold-out, Maple Ridge. Dipson for what its worth, is the best chain we have in Buffalo by far – both on discounts, customer service and of coarse their season pass program.
According to the ad it was one of those Regals with “Stadium Style Seating in Select Auditoriums”
I’d say so – AMC converted the place to all digital (although not Sony 4K digital, oddly enough – I suspect Regal has gone full Sony 4K at least at Transit, Galleria and Quaker Crossing). The only strange thing is AMC otherwise withdraw from Buffalo, giving up all the sites they inherited from General Cinema (University closed, Galleria went to Regal, McKinley went to Dipson) – this is the only hold out, an original 1980’s AMC at that, 10 years after they sold off many theaters of this era.
With that said – Niagara Falls Boulevard in Amherst would be an excellent place for a multiplex, what with that UB2020 scam just passed (which calls for building the University via rapidly raising tuition and implementing strange new fees the administration can’t justify like the “Academic Excellence Fee”) – if UB expands in Amherst as some developers like American Campus Communities are betting on with new properties – is a 10-14 plex in Amherst out of the question?
10 are stadium – the 6 back theaters aren’t. Regal came to Buffalo in a big way in 1997-1998 opening Transit Center, Elmwood and Quaker Crossing all within a month or two of each other. 2 years later (I believe) Niagara Falls opened and the area would not see another new theater for some 8 years with the opening the new Walden Galleria Stadium 16. Regal saw an opening a market with no stadium seating theaters and pounced before Cinemark (which had a theater on the drawing board for Hamburg) and AMC had a chance. They did roughly the same thing in 99-2000 in NYC when they ran a big ad in the New York Times advertising 3 new complexes at once – Battery Park 16, Kaufman Astoria, and Columbia Park (at least two of them ended up to be under performers, I assume Regal probably regrets over building Buffalo – – this one really should have been a 12-plex, however they probably really regreat Quaker Crossing, an 18-plex which has to fight with a 6-plex a mile away for product).
More complex than I had thought (I’d always been up stairs with two-side by side theaters)….. here’s the layout for the record – street level, the concessions stand and box office, down a floor – theater #2 (which is the largest), down another floor restrooms and theatre #1. Up a half-flight of stairs from the concessions are restrooms, and theaters #3 and #4 are on what I suppose would the third floor. An odd set-up but they do show very good films, first run before they are bounced over to the Magic Lantern Carlton.
Apparently now has digital projection (including 3D) – – unlike many small Kerasotes sites they closed – it looks like they’re in this one for the long haul.
Kinnelon is an art cinema when they have nothing else to show, for example, they once showed such indie fair as Puss in Boots and New Years Eve. The Clairidge is the most reliable art theatre, Clearview had previously shown these films in Washington Township and Tenafly (and sometimes still do), Edgewater Multiplex gets a few commercial indie films (they are often showing date and date with the Clairidge on more commercial indies as they platform out to larger venues in the following weeks). With that said, this theater still has a problem: distorted projection from poorly placed port windows (things boothless digital might be able to fix – but I wouldn’t be shocked if Clearview doesn’t bother to correct these issues). Every time I see I’m in Theater #4 I think “oh man, I wish this film was playing somewhere else so I can see it projected correctly”. The kicker (as with other Clearviews with problems like this) is that they’ve renovated the theatre – this one closed for a few weeks while they redid the concession stand, restrooms and put in very comfortable new seats) but never bothered to correct the poor presentation. Kinnelon, thankfully used the better of the two theaters for art product – the 8-plex up the hill has the worst projection of any venue I’ve seen (along with poor customer service and clueless management) and last year I saw 280 films in theaters – so I kind of do know what I’m talking about there. (They of coarse treat you like an idiot and tell you “the film was sent to us that way” NO – you, sir/ma’m are a moron and long with whomever designed the layout of the booth).
I hate asking questions on this site instead of contributing but I was hoping someone could shed some light on what the set-up was as a single screen venue? It’s currently has a lobby with box office/concession on street level, theater #1 up a half-flight of stairs, theater #2 up a full-flight of stairs (with “stadium seating”) and theater #3 along with the bathrooms downstairs.
I do like this theater but worry about it and the Quad (which was showing second-run Oscar bait that was at the multiplex this fall), but they do a great job for the NYU crowd, and keep their prices even lower than some suburban multiplexes (they’ve always had a student rate).
I drove past it a few times recently (on the way to Edgewater Multiplex) – it must be a huge gym. It would have been cool if they kept a theatre in-tact as a “cardio theatre” – that is treadmills and ellipticals in one of the auditoriums with films screening. It sounds cool though that some of the architecture is still there, like the balcony.
Shocking they still change the marquee regularly – I’ve seen many AMC and Regal locations that permanently put up a message saying something like “For tickets and showtimes call … or visit www…..to me this screams cheapness and a lack of showmanship – but I understand the winter months it might be dangerous. Then again AMC Theaters are all about cutting corners and jacking up prices where they can lately, while harassing you about the stubs program at nearly every interaction with an employee (either to join or renew your card).
Believe it or not, AMC Rockaway is not the best movie theatre USA, world or even New Jersey for that matter.
I forgot to comment on this place – I went opening weekend and the place was, well – what it was. 12 screens all down one hallway (with a restroom right in front by the lobby) and a concession stand serving pretty much the basics. The theaters were small with very large screens (I was in a traditional theatre, I opted not to see Tower Heist in XD) and the theater lacks proper masking for scope films! The lame answer I got from the manager was “since most movies are made in flat, our new builds don’t have masking for scope which is why it’s letterboxed” – – uhhhh, that’s actually not correct, I’d say it’s about half and half on the production side for scope vs. flat features – so instead of screaming “ultra high tech” this place seems cheap. Unfortunately I was the only one bothered by this. The other aspects of the presentation and sound were good however.
The Hollywood Reporter had an article regarding AMC’s Canadian operations, many of which from my experience in the GTA had to share movies with Cineplex. To say they have over capacity would be a misstatement, last time I was at a Canadian AMC (for Breakaway) last October – I noticed how little effort they put into running the place, for a 24-plex they had no expanded menu apart from ice cream, one of their large houses was entirely closed off. As far as I can tell they also didn’t have gift cards (they were running a trailer tag for “AMC Gift Certificates” from the 1990’s) and apart from a few digital installs this location was 35MM (AMC has converted many of the sites they’re planning on begin in for the long term to all digital). They also haven’t introduced their bar/fork and screen concept either to Canada – whereas Cineplex/Famous Players had been leading on expanded concessions.
I know Cineplex can’t really grow any more to buy AMC (and perhaps even AMC closing would present an issue of Cineplex were to want to open a new complex). In the US a lot of these big AMCs that they weren’t renewing their leases on were bought up by other operators who came in and “right-sized” them, including their first megaplex the Grand 24. Empire it would appear would be the only one that could pull this off unless another exhibitor wanted to enter Canada (though I feel as if Cineplex is dominant and any exhibitor would have an issue competing directly with them). I wouldn’t appear though that the big US exhibitors are interested – Regal has a few on the border, Cinemark withdrew from Canada, and Carmike and Rave have no international operations.
….the Enzian is Orlando’s dedicated venue for independent and foreign films, along with a screen or two down the street from them at Regal Winter Park Village.
I have faith these theaters can reopen – and I think it’s a really bad thing when a community looses access to first run films. Digital can be a good thing – with lower cost of distribution hopefully studios will loosen up on some requirements and allow the small town indie operator to show a family picture in the afternoon and more adult friendly film at night – allowing them to offer more variety. But the reality is digital installs are growing and it looks likely they’ll be a cut-off point where exhibitors have to digital or close. I should note – some small town exhibitors have indeed found the resources to go digital, so it can happen – it just has to be part of the long term business plan.
AMC will probably not permit if it its within 15-miles of one of one of their venues. The problem is as the article mentioned that digital will become the standard, and if the owner can’t pull together the financing to convert, they can only operate it in the short term. I’m wondering what sort of opportunities will arise as a result of major chains fleeing smaller and less profitable houses (AMC is apparently hemorrhaging money – I read they are trying to sell of their Canadian megaplexes, in some areas they’ve reduced screen count and/or are not booking all their screens). There are excellent smaller chains that could stand to grow, but many haven’t full committed to digital beyond a few screens for 3D – perhaps individual economic development agencies might have grant money operators can hustle, especially if a theater is viewed as a pillar in a downtown community.
It looks like there is some interest in reopening these theaters: http://www.bentoneveningnews.com/news/facebook/x1112599373/Former-employee-wants-Toler-Cinema-reopened
Apparently AMC is giving the same stock answer its spokesmen keeps giving when they close a smaller/older theatre – that it “no longer effectively competes in the marketplace” – – I called it that the small town Kerastoes wouldn’t be around for a while (and I wonder if we will see a plague wipe out many smaller operations if studios stop releasing celluloid film prints). My guess is AMC is gearing up for a screen reduction and I’ve seen evidence they are pulling out of certain markets all together (and many sites in markets they see a future for are currently 100% digital, you can tell which theaters are questionable if they haven’t been converted yet). Still, this is not good for communities that may loose the options to see first run films, as we’ve been seeing the promise of digital and lower costs of distribution is there could be a move towards leveraging single screen locations to show more diverse programing – hell maybe even an indie movie on a Tuesday night. The big exhibitors are clueless about building an actual community in their building, so any theater with character is cast aside in favor of the hegemonic multiplex.