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Odd that marquee wouldn’t be nicely decorated since the New York premiere of the movie was held here. I’ve now posted my photo from August of The Bourne Legacy, which I saw here, without curtain. Is Les Mis marquee decor simpler than Bourne Legacy marquee? just plain gold letters then.
A decade ago when I was last there, I understood the screen width to be 80 feet.
Do they open & close a curtain?
Is it still open? I don’t find a website.
The closest that I’ve come is seeing in 1989 the “restored” version in 70mm, 6 track Dolby SR on the huge screen at the Uptown Theatre in DC. I didn’t see the color corrected version of a decade ago, or the version shown recently in US multiplexes in 4k. But, the version that I saw was one of the best movie experiences of my life!
Today, I posted a 1960 slide of the Goldman. Arcade Building is north, as is a trolley. Marquee for the Richard Burton movie reads: The shameless things done in the name of love. The BRAMBLE BUSH.
Ken, the homepage has a “Submit your favorite” (theater) “add” button so if you (or anybody else) would like to provide the information requested (or do your best), that it will be added to the site by volunteer Ken Roe.
Exterior is featured in “Silver Linings Playbook”
To clarify, it seems as if those additional screens are in the basement, that the main auditorium is intact.
NBC TV’s 1st look show is right now doing an inside look at Radio City’s Christmas show
I’ve not been in a Cinemark. How are their auditoriums, esp in terms of projection & sound?
I agree with Bob, and also the earlier film “Stairway to Heaven” (US title) was shown in a gorgeous BW & Technicolor print. Wings had a very large audience.
Anybody from Philly driving there? I am eager to see Wings but due to Hurricane, mass transit (Path from Jersey City to Newark) won’t do. Would be happy to share expenses. Let me know before Saturday.
Does the theater even have a 2k or 4k digital projector for new films? Because if it doesn’t, then the DVD is projected thru what I will call the slide projector and I would never pay a nickel to see it that way. For that matter, I’m not interested at all in movie theater projection of DVDs. Some movies are being put on 2k or 4k, and that’s a different discussion.
This week, a 2nd screen has been converted to digital projection.
Anyone know if projectors here are 2k or 4k? Lawrence of Arabia will show Thursday only but if I attend, I want the 4k.
I just received (from the AFI Silver in DC) an email invite for the US premiere for The Hobbit at the Ziegfeld, to benefit the AFI, at 7 PM on December 6 for only $500 a ticket! (not for me).As to “The Master” surround, I had seen Bourne Legacy a few weeks before, here, and that movie had booming surround whereas not for The Master.
I saw the last 70mm, Branagh’s Hamlet in 1996, in NYC Paris Theatre. “The Master” here in Philadelphia is being showcased at arthouses (Ambler, Bala, Hiway, etc) albeit in 35mm. It is at multiplexes but likely at smaller screens. So, though it was wonderful to see “The Master” at the Ziegfeld, on the huge screen, I agree it wasn’t a movie that should’ve been expected to fill the Ziegfeld.
Yesterday, saw “The Master” in 70mm at the Ziegfeld in NYC, where it looked stunning! No use of curtain, and no surround sound but the score was great. At least a few hundred people attended the 3:30 PM show. Anybody see it here at the AFI?
There were at least a few hundred people here today at the 3:30 PM show. “The Master” looked stunning in 70mm “flat”
No curtain was used. No surround sound. I wish more movies were made in 70mm!
This article reports it closed but owner of building will himself reopen it with different format & redone
Visiting from out of town, I liked the weekend matinees! They had 2 or 3 screenings of each film, so sure, they can show one in the evening, too.
I would like to see the AFI website identify the auditorium any film is to show in. 70mm can only be shown in the historic auditorium, but I’d like to know for the 35mm shows which films will be there.
I really enjoyed the gorgeous print today of “South Pacific” The color filters didn’t damage the fun. Overture music before curtain opened, intermission at 1 hr 40 min, music again at end of intermission & at end of movie. Sound was excellent. 70mm beauty of this film beats the living daylights out of anything in 2k. I agree with other Internet reviewers who said this film isn’t right for a TV screen, that you need to see it on a larger screen (like the AFI Silver main auditorium)
When Ray Walston appeared on screen, I expected to see antennas arise from his head, having watched so much of the TV show “My Favorite Martian” long ago.