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today, November 30 showtimes for what I presume is last day, from AMC website:
AMC Loews Wisconsin Ave 6 Movie Times and Tickets
Date of Show: Today, Nov. 30
Let’s Go to Prison
R â€¢ 1 hr. 24 min.
A Good Year
PG-13 â€¢ 1 hr. 58 min.
1:40 I 4:25 I 7:10
PG â€¢ 1 hr. 26 min.
2:05 I 4:20 I 7:25
The Santa Clause 3: The Escape Clause
G â€¢ 1 hr. 38 min.
2:10 I 4:45 I 7:15
Flags of Our Fathers
R â€¢ 2 hr. 12 min.
1:30 I 7:00
PG-13 â€¢ 2 hr. 15 min.
2:00 I 5:00 I 8:00
R â€¢ 2 hr. 29 min.
1:50 I 4:55 I 7:55
I think it was a medical center for awhile. Now, it is a Bingo hall, and the marquee says bingo. I went inside, but the ceilings had been lowered, so there was very little to see of interest.
Photos, including of the interior, have appeared here:
Photos from its last season (for classics) have appeared at http://www.cinematour.com/tour.php?db=us&id=6951
Does any else have photos? If so, please share them.
Well, it wasn’t a huge crowd because Flags of Our Fathers wasn’t popular nationwide. It was in its 4th week at the Uptown and had already been dropped from whatever multiplexes likely had run it, such as the Georgetown and downtown.
If people want to see the Uptown survive as a daily movie house, you need to go to the Uptown and see them there!
You didn’t seem to realize the attraction is the Uptown’s giant screen, and the balcony. That’s why it has survived all these years. It won’t be twinned.
I started attending when it was the Circle Uptown. Circle, Cineplex Odeon, and Loews all respected the house. Loews closed the Avalon and the Cinema, and wasn’t keen on full time projectionists, but they had excellent staff. They were polishing the brass on the doors, and using the curtain at the screen.
Two Saturdays ago, I enjoyed Flags of the Fathers. The presentation was excellent- projection, sound, and the curtain was used before and after the movie. The staff however, did appear and act underwhelming. This was the first time in 21 years that I’ve been attending when there wasn’t a professional staff. AMC can do better.
from Philadelphia Weekly today:
Rest of the Best
If you’re into cinema as consumerism, the AMC Loews Cherry Hill 24 and the AMC Neshaminy 24 (the top two-grossing screens in the Delaware Valley), the Regal Warrington Crossing Stadium 22 and AMC Franklin Mills 14 all offer a sufficient if not soulless multiplex experience conveniently located near huge shopping centers with miles of free parking and fast food.
Theater That Won’t Be Missed by Many
Another example of a multiplex run into the ground but still grinding out flicks, AMC Orleans 8 rivals Movies at Cheltenham Square for grunge.
from Philadelphia Weekly today:
If a youngster ever asks what it was like to go to the movies in the ‘80s, pack them into the car and trot out to AMC’s Rt. 309 Cinema 9. Built atop a folded drive-in sometime in the '60s, the 309 is a boxy multiplexâ€"without stadium seatingâ€"whose decor looks to have been untouched since The Naked Gun 2 ½: The Smell of Fear flickered.
from Philadelphia Weekly:
Best Urban Programming
A dumpy theatergoing experience complete with sticky floors and gross bathrooms, Movies at Cheltenham Square is notable for its rowdiness and management’s willingness to program offbeat ethnic entertainmentsâ€"offering a grand chance to catch under-the-radar filmmaking on a (medium-sized) big screen.
from the Philadelphia Weekly today:
Soon to Be Reborn
The single-screen theater in Jenkintown has been redone almost every decade for nearly a century. Neighbors formed a nonprofit to operate it and are renovating it once again. Known again as the Hiway, it’ll reopen in January, again as an arthouse.
I wrote that listing in today’s Philadelphia Weekly:
Worst Remolding Job
Once one of the few remaining golden age of Hollywood single-screen theaters, the Narberth met a fate worse than the wrecking ball when the owner twinned the house and â€œimprovedâ€ the setting but charmlessly destroyed, removed or covered up all the original ornate decoration. Now called the Narberth Stadium 2, the theater gives local residents of the sleepy village of Narberth the awful megaplex experience without the drive.
In Philadelphia Weekly today:
Most in Need of Improvement
With a lot of hype but no attention paid to projection, a lackadaisical staff and two screens carved from what was once a single house, the admittedly still-under-redevelopment Bryn Mawr Film Institute has miles to go before it reaches its goal of being the center of cinema outside the city. Midnight Movies, which is generally projected in 35 mm, can’t make up for a totally unsatisfying visual experience and inconsistent sound. A grave letdown made all the more ignominious by its promise.
in Philadelphia Weekly today:
Doylestown’s County Theater boasts a handsomely produced calendar but screens the size of postage stamps. Its excellently stocked concession stand would be even better if not for the slightly indifferent staff who simply shuffle though their duties when not under the manager’s watchful eye.
Opened in 1928 and now a triplex forged from a single-screen theater (which, in its most recent previous life, featured Evangelical Christian propaganda), the Ambler shows indies, and art and foreign films, along with some repertory and loads of special events. Handsomely designedâ€"but sadly with its largest screening room unfinishedâ€"the Ambler is poised as the place to catch a movie of quality in the sticks.
When’s the last time you saw a picture show from a balcony? Flawless, finicky projection on a giant screen in a classic but newly and intelligently refurbished theater built in 1903 make the Colonial Theater far and away the preeminent local moviegoing experience. Excellently (if somewhat obviously) programmed, their Classic Sundays repertory screenings offer legendary films as they were meant to be experienced. The theater anchors the burgeoning Phoenixville community by booking first-run features of note and hosting live events on its vaudeville-era stage the rest of the time.
from today’s Philadelphia Weekly article:
why do you think it wasn’t digital projection? I suppose somebody can call or visit the Ziegfeld and ask them, but I will assume that it was. I was there Saturday. Merely because there’s a ray of light from the booth doesn’t mean it isn’t digital- there still needs to be projection.
as to sound, yes, it would’ve been digital too, no matter the ad.
To answer a question above, a giant seating chart is in the Ticket Lobby, so people can select their Dreamgirls “Roadshow” seats.
1 PM Casino Royale show had at least a few hundred in the (opening weekend) audience yesterday (Saturday). That was good to see, since there haven’t been enough crowds since the megaplexes opened on 42nd Street. The movie was also playing at the AMC Empire. One ticket taker put on quite a show welcoming people to the theater. Such showmanship was appreciated. Agreed that the digital version looked great, and that Daniel Craig is an excellent James Bond.
There’s plenty of marquee single screens left in LA for Dreamgirls to run, but they’ve been vanishing in San Francisco. Where there? the Castro? (assuming “single theaters” means single screens, otherwise could be the Metreon if they put seat numbers on)
I’m not providing legal advice in stating this, but I will note that shopping malls often exclude teenagers.
I wish the balcony was open more often than only 1st shows on Monday to Friday. I sat there once, and greatly enjoyed the view.
That’s a great photo of the tower. V for Vendetta was great on the huge screen, and on the exterior. My photo from April:
My photo from April:
OOH LOOK DEAR
AN INDEPENDENT CINEMA!
My photo from April:
My closeups of the exterior sculptural decoration: