Showing 201 - 225 of 515 comments
I hear the Vine will be showing it exclusively in projected analog RCA Spectravision. They put a rush on getting the discs made now. Casings for the discs have been purchased out of the bargain bin Amoeba. They will have to remove the old “Star Trek: The Motion Picture – Extended Edition” discs first. An old curved RCA projection TV screen has been removed from the now closed Shakey’s Pizza on Hollywood Blvd. and is being installed at the Vine. Steven Spielberg and Janusz Kamiski are working furiously on a 4:3 pan & scan version for the venue. OK I’ll stop now…
Something tells me someone was misinformed.
Certainly if Mann still had a few more screens in Westwood, Paramount’s Iron Man would be at the Village or National.
Mister Topps, where exactly on IMDB did you read that the Chinese and the Arclight would get Indy 4 at the same time?
That ain’t recent!
BLADE RUNNER also played later in its run at Mann’s Chinese 6 complex for a week or so in “Digital Projection”. Any ideas what they have there?
If I’m in LA in May I’ll be at the Village to watch me some good old fashioned film. If I am in Seattle, hopefully Indy at the Cinerama. If they do strike a 70mm print, I will be at that theatre…Just wish I could have seen it at The National.
is it something about Indy 4?
I know that Janusz Kaminski (DP for Indy 4) likes film over digital. I think that he and Spielberg will continue using film as long as they can.
I guess that fact that Mann Theatres being owned by WB and Paramount has little to do with booking Paramount movies at the Chinese.
Think this film will spin off into son-of-indy films?
Why not 70MM six-track magnetic?
Is the Chinese (and extra screens at Chinese 6) really a no-brainer? Arclight has been getting most good booking lately, including Paramount. Chinese gets the occasional decent booking with extra screens added at the Chinese 6. The rest of the Chinese 6 seems to get a lot of schlocky bookings and 2nd runs. The place is very well run, though. I’ve been there twice in the past couple months.
Westwood: AMC Avco has been getting some Paramount product, but usually not the grade A bookings (they got Drillbit Taylor eg.) Could they make a bid for Indy?
“No time for love Dr. Jones! We got company!”.
Can anyone confirm any other bookings?
If I were a church proprietor I would welcome anyone, theatre buff or no, and try to get them to join and tithe. We have to remember I ran into the security guard, not the propietor
I didn’t even have my camera out (well…my iPhone was in my hand in Camera mode but nobody would have noticed).
I did fine at the Million Dollar Theatre a few years ago
I wandered into this theatre on Sunday at 1PM to take a peek after their 11AM church service. I got into the main auditorium and was promptly requested to leave by a security guard who said it was a “church today, not a tourist attraction. Shouldn’t anyone be welcomed in a house of worship?? Oh well. Anyways the screen was missing and a cross was hung in front of the exposed speaker ports. There were some people milling about doing various post-service tasks. Ironically there was a small 6-foot screen strung up where the old massive screen used to me. I was fascinated by conversion from an old movie palace into a wide-screen 1960’s palace (my favorite type of theatre), with everything in red. I’ll try to visit again if/when I am back in LA on business with a free Sunday. Hopefully I can get some photos.
2 Auditoriums with 275 seats each. A true twin.
I have a little movie of the curtain closing for the last time as a Mann Theatre (to applause). Hopefully one day this site or Cinematour can post video. Some of the frames of my tour are from that movie.
“3.the picture is 10X better than film"
Are you kidding? Describe "better” in detail. Have actually sat up close for a digital screening? I would love to hear your description of 10 times better. If pixels and blockiness are your preference…
Thanks movie534. I work with a lot of DP’s, some of them Oscar winning, and most of them agree that the way that light is captured and then projected with the chemical process of film is a completely different animal than digital. Colors are richer, warmer and more natural. Would Monet switch to Photoshop to make paintings if he were alive today? Digital projection has been ballyhooed as a great new means of presentation. Like 70MM was back in the 60’s and 70’s. Problem is, its not great like 70MM was. Its pure economics and cost cutting. Another way the studios are cutting into the artistic process and cheapening the end product. If Digital Projection was so great and was something the exhibs thought could be a big draw, they would have ponied up the money and redone all their theaters by now. The fact that the studios are stepping in and paying for it proves the point. Soon the magic of going to a grand movie theatre and seeing something really special on a giant screen will be gone. We will be sitting in small stadiumized theatres with drop down masking for scope pictures (the irony: scope films are meant to be grander, yet because most stadium theatres have drop-down masking, the screens for them are actually SMALLER!) and watch a glorified TV. Save digital for reality shows on your LCD (which is fine), the movie-going experience is dying.
I have NOT been impressed with any digital presentation I have seen. Title cards look like a slide show with jagged edges on font when viewed from the first few rows. No warmth in the image. Image is so steady it feels artifical. Digital effects look less cinematic and more like a video game. Give me good old grainy, flickering 35mm. Call me nostalgic but I prefer the film I am watching to be that: FILM.
Twist my arm..but I know you are working on the Bruin and Plaza…..