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Which auditorium? I gather the big one upstairs?
Side note: The last few times I attended the theatre near the end of Loews Cineplex run and throughout Mann’s management no film I have seen there seems to have been in surround at all. They just seemed to be turned off.
As much as I try to avoid this theatre sometimes it is the only place to see a film that has played out elsewhere. One must go in with low expectations and enjoy it for the train wreck as it is, especially if you see a scope picture in one of the small houses with a screen the size of TV when properly masked.
Not sure why Galaxy doesn’t operate both and keep a monopoly on that end of town. Its only a sum of 14 screens. Then again, the Galaxy 6 is a bit closer to the Regal Lakewood Stadium 15.
Meant “since Christmas”. This does not include premieres, just regular bookings for the general public. These days the Chinese and Chinese 6 has been losing most releases to the Arclight Hollywood. The mix of films at the Chinese & Chinese 6 has been 2 or 3 less desirable first run features and the rest of the screens showing stuff that has been moved over from the Arclight after it has played out. What I am saying is that since Christmas the Chinese Theatres have (happily) only had first run bookings of their own, rather than move-overs from another theatre.
Don’t know if the pattern will continue or if it is merely a result of a lot of product during the holidays. (See conversation above about the lousy year the Chinese and Chinese 6 have had).
Through Christmas, the Chinese and Chinese 6 have had only 1st run bookings. Its been a while!
I really wish someone would take it over if Mann has no booking leverage any longer. Its getting really sad.
Seems like the Arclight these days is grabbing all, holding it for at least 2 weeks since that is when most of the income for a film happens and then getting rid of them quicker than usual
Regal turned the East Valley 13 in Renton, WA into a 2nd run house when they opened the nearby The Landing 14. $3 all seats. 11 out of 13 screens are operating, though, because ceiling collapse in the 2 largest houses (according to Cinematour discussion). Regal also has the building up for sale, so they probably letting it limp along until they can off load it rather than keep it vacant.
Looks like the Chinese isn’t going to get much for the long Thanksgiving weekend. All films opening Wednesday are going to the Arclight (even Transporter 3!!) The Chinese will probably have to keep “Roll Models”, which will be on its 3rd weekend by then. 4 of the 6 screens of the Chinese 6 are showing move-overs from the Arclight. Seems like bloodbath continues. Hard to believe just 2 years it was booking event films like “Casino Royale”. The Arclight has been open for several years now, so I wonder why it is this year the the Chinese has seen such a precipitous drop in good bookings? Is it Mann’s fault? Would another operator like AMC or Regal be able to do any better?
Chinese 6 is already stadium..
The theatre was originally a Cineplex Odeon build in the mid ‘90’s. Remember, the $32 ticket appears to be JUST the ticket. They have the new Bond film coming. Why any studio would want to book their film here over the nearby Bella Botega 11 and have hundreds of seats available is beyond me. Makes the Arclight seem like a bargain. For $32 at the Arclight, you can have lunch and a drink at their cafe AND a movie ticket.
Standard 35MM projection? Digital sound? THX?
IN the Sunday LA times it appears that the Chinese and Chinese 6 get the new Ridley Scott film next Friday with Leonardo DiCaprio and Russell Crowe, so I guess there is some life left.
Thanks GrauMann. Would love to see the pictures of the Chinese Twin when you get them up. I went there only once before it was demolished, but have wanted to see it again out of curiosity. Please make an announcement when you get them up.
It seems to have been a dreadful summer there.
Are they deliberately letting it go or can they simply not compete for bookings, even with the most recognizable theatre on the planet?
I do not know the mechanations of the booking process or how last-moment changes can happen, but I have noticed at least 2 films lately, “Lakeview Terrace” and “Nights in Rodanthe” were not listed on the early week pre-sale page for Arclight Hollywood (but WERE for Arclight Sherman Oaks) then suddenly on Friday they are playing at the Arclight Hollywood. Is it possible that the Arclight can look at the performance of its slate over a weekend, make some last minute changes, and pull films slated for the Chinese/Chinese 6? This seems to be whats happening.
Mann seems to be heavily renting the Chinese 6 for press screenings and film festivals.
I sad as it sounds, I still wish some other chain would buy Mann (even AMC!!) just so the Chinese could get some films that people actually want to see.
Hainesway can you give us the link to the other photos?
My last film in the Dome was “Rambo”. The CG expoding disembowelments looked great on the giant curved screen! I saw “Diving Bell & the Butterfly” on the same day. Probably the only person on earth who can say that.
I attended the last engagement of HTWWW and there was none of the audio issues. I noticed in the Arclight ad in the LA Times that Tropic Thunder showed in the dome after HTWWW in digital. I think they should have had HTWWW be the only film in the dome that day, do a run through in the morning, work out the kinks, and then play it later in the afternoon or evening for an audience. Its not every day you get to run 3-strip Cinerama and perhaps they should have been more prepared.
Michael, how do you find access to all these newspapers around the country?
However, wouldn’t a Warner Pacific showing be an industry screening closed to the public, thus making the Cinerama Dome showing the proper West Coast premiere for the public?
bkress, whenever I go to the Dome I try to sit at the front of the loge as the main floor is a little too close for me. This was perfect for HTWWW when I saw it.
…and easy parking and no crowds…
Just wish they would change the name back to “The King”. Wasn’t it changed to King Cat by operators who made it a Jazz club for a while?
Recently saw Indy 4 at the Seattle Cinerama. The flatter screen with a milder curve was still huge and impressive. Even seemed larger than the pre-remodel screen when I used to see 70mm there. I have not seen 3-Strip at the Seattle Cinerama , only the Dome. I am also sure what the screen they use for 70mm in Seattle. The masking seemed opened all the way to the ceiling, so with more height available I am guessing slightly less width for 2.2:1.
Chris, how was the crowd?