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Cinema Treasures Poll

What is your favorite use of existing classical music in a movie?

 "Blue Danube" in 2001: A Space Odyssey (1968)
 "Symphony No. 9" in A Clockwork Orange (1971)
 "Rhapsody in Blue" in Manhattan (1979)
 "Barber of Seville" in Breaking Away (1979)
 "Ride of the Valkyries" in Apocalypse Now (1979)
 "Adagio for Strings" in Platoon (1986)
 "Bolero" in Femme Fatale (2002)
 Other

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Shannon
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Wednesday / October 31, 2007
Memories
Thirty years ago, I remember UFO's and disco!
posted by Love movies - hate going! at 8:00am

By the end of 1977, I was ten years-old and had just come off of a summer dominated by STAR WARS mania! ABC-TV was ruling supreme with blockbuster shows like The Six Million Dollar Man, Charlie’s Angel’s (Cheryl Ladd had just arrived!), Happy Days and future classics like Three’s Company, Soap and The Love Boat had just premiered. Elivs Presley was dead, the Yankees had won the world series against the Dodgers ("Reggie!  Reggie!  Reggie!") and Jimmy Carter was the president of the United States.

Two new films were about to be released. One would make science fiction history.  The other would revolutionize the disco culture:

CLOSE ENCOUNTERS OF THE THIRD KIND was released in November 1977. It was Steven Spielberg’s third theatrical feature. Unlike it’s sci-fi competitor, Star Wars, it focussed less on action and more on the spiritual journey that mankind would experience upon it’s first encounter with alien intelligence. The special effects, in two words, were wonderous and awesome! It even made the cover of Newsweek magazine. I had the pleasure of seeing it when it premiered at the Ziegfeld Theatre in New York City. It remains today, my favorite Spielberg film of all time.

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