Showing 1 - 25 of 2,549 comments
You might try harder to spell. “Rows” not rolls. Haas not Hass.
Norton is saying that most of the seats at the Citywalk auditorium with 70mm have poor sightlines. Not a matter to be solved with seat reservations.
Scott, what do you mean by the “Mozart”? I can’t find that as a historic theater, by googling. Please provide a link or better, a link to this website’s page.
At Facebook, Vintage Philadelphia, Don Mason posted this-
The Aldine Theater became Cinema 19. When the Woodstock film opened in 1970, I recall standing in the long line to see the film. A great cinematic experience back then. Groundbreaking use of the split screen. It won the Academy Award for Best Documentary
I asked in person yesterday. Just cleaning, no major changes (thankfully).
from Facebook page-
The Paris Theatre will be Closed for Maintenance from Monday 9/11/17 through Thursday 9/21/17.
While we’re sprucing up, visit our sister locations: The Beekman Theatre (NYC), City Cinemas 1, 2 & 3, East 86th St. Cinema, Village East Cinema and Angelika Film Center!
We will re-open on 9/22 for our next film engagement, VICTORIA & ABDUL!
I had recently seen those renderings online. Inside, nothing appears in those renderings from the movie theater.
September 20 thru Oct 1, 2nd annual 70mm & Widescreen Festival
including films that were filmed in 65mm & shown in 70mm: The Agony and the Ecstasy on 9-20, Lawrence of Arabia 9-21 & 9-23, Cleopatra 9-28. 2001: A Space Odyssey 10-1. Other films, too.
JodarMovieFan, what does VFX mean? Close Encounters original release was 35mm blown up to 70mm, not filmed in 65mm.
My article on this year’s 70mm series.
Philadelphia Inquirer article today features the success of this theater & a photo of huge curved marquee http://www.philly.com/philly/business/movies-and-shopping-a-fix-for-downtown-philly-its-a-hit-in-stone-harbor-20170831.html
I hope that a curtain (tab) will still be used with movie presentations in the main auditorium.
“Close Encounters of the Third Kind 40th Anniversary” (the new 4k restoration only in theaters for one week) is being shown now here. So far as I recall, the 1st classic in many years!
article in yesterday Sunday Inquirer
reopened, 220 seats, gutted & rebuilt for plays, concerts, musicals, other events, by nonprofit Theatre Collaborative of South Jersey which purchased it last year.
This summer’s 70mm classic film festival is ongoing with another screening today of beautiful new print of “Lawrence of Arabia” I attended yesterday afternoon’s sold out show! The film schedule is on the museum’s website.
Mike, you are referring to a theater in your home state rather than K of P?
One of the highlights of this year’s 70mm festival will be what seems to be the only surviving 70mm print of “Sleeping Beauty” Classic movies filmed in 65mm shown in what will likely be great prints will include 2001, Lawrence of Arabia, Khartoum, It’s a Mad (etc) World, Spartacus, West Side Story, Patton, Tron, and Baraka. Vertigo wasn’t exactly 65mm but is another classic filmed especially well, with a great print. More recent films entirely or partly filmed in 65mm include The Hateful Eight and Interstellar. 35mm blowups to 70mm (often including more surround sound than regular 35mm) include Top Gun, The Dark Crystal, The Thing, Aliens, Star Trek VI, Ghostbusters, Wonder Woman, Inherent Vice, and The Untouchables. If I have anything inaccurate, feel free to say so.
Masking aka matting screens is no longer being done this year, having sometimes not been done last year. Auditoriums 1 thru 5 are set to “flat” which means “scope” screens are letterboxed horizontally. Auditorium 6 is set for “scope”
The new movie “Detroit” had its world premiere here July 25.
Masking is not used in the RPX (a remodel, set to flat), and I haven’t been in the Imax, but masking is used in the other auditoriums here, thankfully. I’m not purchasing a ticket anywhere if masking isn’t used for my screening.
As an official volunteer, I’ve often added screen sizes to the Introductions of our pages, especially when I see the most credible proof, such as the theater’s official website providing specifications so feel free to link such information -copy & paste from the link & mention the source- in a comment on the relevant theater page. I’ll often see such pages for well known movie theaters. This site wishes to be specific for each theater.
I thought the exterior was legally protected by the local historic commission so IF like here in Philly, permission would need to be asked to remove iconic Uptown letters.
In its 1st weekend- last weekend, Dunkirk earned a nice fifth of its box office revenues at Imaxes. When I looked online, I saw that many seats were already selling for this weekend at this particular Imax- which makes this comment relevant to this page. In general, war movies just don’t do so well, not anymore. I also saw the movie at a 70mm Imax, as I commented at the appropriate page (Franklin Institute in Imax) and hope Nolan at the very least finally gets nominated for Best Director.
This is not a blog about movies or who owns what sound equipment. This page is about this one particular movie theater. Feel free to address your movie experiences in this theater. If there’s more comments that stray away from this theater, as many do above, they will be deleted.
One of the well-known IMAX theaters on the National Mall will close this fall. The Samuel C. Johnson IMAX Theater at the Smithsonian’s Natural History Museum, which opened in 1999, is scheduled to close on Sept. 30, and some filmmakers are putting up a fight.
About 7 million people visit the Natural History Museum every year — and 3.4 million this year to date. The IMAX theater at the museum is the only dedicated IMAX space for movies about nature and the threats facing our world today.
The theater has six-story screen — the largest of its kind in D.C. To put that into perspective, that’s taller than many of the District’s iconic brownstones.
But now, its days are numbered. The Smithsonian says they’re closing the theater to make room for an expanded exhibition area and a cafeteria.
A spokesperson for the Smithsonian wasn’t available for comment, but a dozen producers and filmmakers have plenty to say about the theater’s closure.
“Why are they taking it away?” asked filmmaker Jonathan Barker, who notes the important educational purpose of the theater.
Barker and about a dozen other filmmakers sent a letter to the head of the museum, and started a petition to save the IMAX. If the theater goes, he worries about where thousands of kids will watch movies that connect them to the outside world.
For Barker, it’s a matter of priorities.
“The idea that at this point in our state in North America, that a decision would be made by the Natural History Museum — the leading natural history museum in — that what our children need is less nature and more fast food. It’s just shocking to me,” Barker said.
Barker and the other filmmakers want to know if expanding food services doesn’t have to come with the cost of losing the theater. They’ve asked the director of the museum to disclose the financial reasons behind their decision, and get public input before closing the theater.