Showing 1 - 25 of 207 comments
It’s the only theater designed for ultra panavision. I expect they will run The Hateful Eight in 70mm film. That will be something worth driving 100 miles to see.
theater management has always been tight with the buck so no wonder they never got top quality people to work for them. Skilled projectionists are a dying breed because management wont pay much more than minimum for a job that should be skilled labor
I wouldn’t call the Bruin a grand old theatre, old maybe but not grand.
I did go to see Interstellar in 70mm IMAX at Grauman’s Looked good the few scenes shot in IMAX. Those rails for the handicapped need to be lowered. And the only reason I went was because of the 70mm IMAX I am still waiting for a movie that is worth going to see so I can check out the laser. Why are they showing stuff shot or mastered in 2K? Arri has a new camera with a 65mm sensor that is higher res than 4K. These IMAX video films that are mastered or shot in 2k look horrible. The blowups from 35mm to IMAX looked bad too. I went to see an IMAX film at Universal when they had the 70MM it was one of the worst blowups from a 35mm (probably 3 perf) The grain and image quality was bad and inconstant some stuff was real bad and this was a major film with Depp. Oh yea the Cinerama film I saw recently had the same problem. Some stuff was shot in Cinerama but the action scenes were shot in Ultra Panavison. There was a big difference in quality. Henry Plitt said it best, “Blow up sh!t and you get big sh!t” I met him when he was testing Showscan at the Cinerama Dome. I can get 2K at home.
Saw How The West Was Won In Cinerama
Great site. Hollywood history like this needs to be documented so the know how to do it right is not lost. My cudos to who ever put this site together.
This director should do a good 70mm blow up of There Will Be Blood and run that at the Dome. That would sell some tickets.
Oh so the filmmaker wanted to make it look and sound like a low budget cheaply made film.
I Was going to see Inherent Vice in 70mm but I heard the blowup was grainy and the sound was bad.
I didn’t know that CTC thanks for the input
bigjoe don’t leave out the Vista Theater that has been around for a long time as a single screen and is first run
bigjoe59 The El Capitan which was the Paramount has been in operation as a single screen first run movie theater for many years. The Egyptian was shut down for many years after it was damaged by the Northridge earthquake but it is no longer a first run venue. The Vista Theater has been in operation since 1923. The Village Theater and the Bruin Theater in Westwood has been in operation as a first run venue for decades.
I went to Interstellar in IMAX 70mm. The few scenes that were in IMAX looked great, boring movie but it looked good.
It was the Dome that made it look so good but I saw it at the Chinese in IMAX. I couldn’t sit through it again even at the Dome.
Jsittig wrote “all three digital presentations” so all three are digital
markp yes the studios are destroying the biz they have been wanting to eliminate the theaters and go to pay per view for years and they are succeeding
Well I worked at the Charles and The Astor the screen at the Charles was not that big so I don’t know where you got your information. Yes the Charles had Cinemeccanica 35/70 projectors with carbon arcs. They later converted to xenon and platters so one person could run all three screens. When Sack took over they reduced the screen size even further by masking it off.
The irony here is that while The Arclight maintains a fairly high quality presentation Pacific Theaters owned by the same company is notorious for a horrible presentation.
the 5 perf 70mm prints are going to crop the IMAX footage or letterbox it so all versions will have some cropped or letter boxed footage. It was the filmmakers decision to shoot in multiple formats. I would have seen it at the Dome but I support the projectionists. And yes I expect the Chinese will get it right enough to satisfy the director, Christopher Nolan.
Any good business man know that a shrinking market is bad, so looks like your in the buggy whip business, or would you prefer the pony express.
And you named the only theaters that have a bright picture and good sound and even at those theaters the picture isn’t that bright. I know the business, the current business, just check out any average multiplex and you will find poor quality. More and more I stay at home to watch any movie.
I will go to watch Interstellar at the Chinese and expect they will get it right.
Cinema seat sales has been in a decline for the last five years where have you been? And if the theaters are doing so great why can’t they project a bright clear picture with good sound? Because management hires cheap labor not skilled experts.
Yes United Artist was big on hiring 18 year old kid’s with no experience to thread projectors and push the start button. Where are the United Artist theaters now? Gone just like quality presentation. Focus, framing, presentation all became things of the past when they hired kids with no experience. AMC did the same they had one 18 year old running 20 screens. Digital has not brought the quality that was promised. Most AMC theaters have issues with sound and picture and more now with the digital projectors. All the AMC theaters in Santa Monica have had problems for years. Blown sound channels etc. The baby boom (sub woofer) channel is blown in most theaters. If they need maintenance and technical people why don’t they hire them? Because the theater owners claim to care but in reality they don’t. There are qualified people who could do the maintenance but they don’t hire them.
The presentation picture and sound at the Arclight is very good and the projectionists help keep the quality high. Projectionists do more than just run the projectors they should maintain and repair the equipment. They should go from theater to theater checking sound and picture. Fixing any problem that comes up. Of course when there is a problem you could always wait hours for a technician to show up if the tech is even available. Yes the job has changed a lot the projectionist now has to be a technician and quality control person. Most theater owners have let the quality of their product get so bad people would rather stay at home. The poor presentation in most theaters is just another reason for the distributors to release their films on pay for view. Most people would rather watch the movie at home instead of paying to go see a dim picture and hear bad sound. So in reference to your pony express comment; we can count on putting all the thousands of managers out to pasture when most of the cinemas close because of lack of business because that’s where the business is going.
To answer the questions on screen size pre conversion at the Chinese; the Cinemiracle screen was over 100 feet and was curved. The largest picture using 35mm film scope 2.35 is 65 feet any larger the light required would damage the film. So the masking at the Chinese was set at 65 feet for scope and for 70mm. There has always been a problem getting enough light to fill the huge screen. The IMAX 70mm projector they are going to install for Nolans new film should be bright enough.
low pay, 12 bucks an hour and no benefits
and in IMAX 70mm at the Chinese. I’ll have to see it at the Chinese. I won’t go to the Dome until they settle their dispute with the projectionist. I have been waiting to see an IMAX movie at the Chinese since the redo.
Maybe there were exceptions but souvenir programs were a part of being a road show. Even road shows with general seating had the program.
I went to the Ziegfield in New York to see the Apocalypse original release and the presentation was excellent.