Showing 1 - 25 of 49 comments
question on name.
Is rivest266’s August 8, 2016 post correct on when it became the “New Beverly”?
My understanding was that it was Sherman Torgan, who took over the shuttered adult theater and began repertory programming in 1978, renamed it the “New Beverly Cinema” from the previous Beverly Cinema.
to Joe Vogel:
How was it twinned from 59-63? Was “Riviera & Capri” in the cinema’s current space (which is really difficult for me to envision)? Or was a 2nd screen in an adjacent building? Or something else? Thx.
If the 70mm capability is accurate, I wonder if The Weinstein Co. ever considered using this place for the roadshow Hateful Eight…
This American Cinematheque tweet has a photo from 1942, just 2 years after the Aero was built.
Remarkably little has changed to the theatre’s exterior.
Talk about a #tbt! Aero Theatre founder Donald Douglas & State Guard members in 1942 📷: Santa Monica History Museum
Who removed the posting regarding Arclight’s new 3D laser system??
Yesterday evening there was a quite long comment that IIRC was basically reprinting a long detailed Arclight press release about a new 3D laser projector being installed for the upcoming Star Wars The Force Awakens (supposedly 2 or 3 times brighter).
It was late so I only skimmed it, and was going to read it in full today. But now that comment is completely gone… Why?
Laemmle’s Facebook page just posted about their Fine Arts take over. https://www.facebook.com/laemmletheatres/posts/10153621924443276
It also links to the official Laemmle blog post with more details, and from which I’ll reprint the 1st two paragraphs below:
Laemmle Theatres is proud to announce we have taken over the management and operation of the Ahrya Fine Arts Theatre in Beverly Hills. The theatre has been closed for five years. At the time of its closure it was used exclusively as a private screening venue. Laemmle will book the theatre with first run films screening daily for the general public. Laemmle will also use the Ahrya Fine Arts to host regular series like our Culture Vulture program, festivals and special event screenings.
According to CinemaTreasures.org, the Fine Arts first opened in April 1937 as the Wilshire Regina, with seating for 800. It has been well maintained over the years and is – and under Laemmle’s stewardship will remain – a single-screen theater, though now with slightly more than 400 seats. (Movie patrons’ expectations of things like leg room have understandably risen over the decades.) We last operated the venue from 1985 to 1993, mostly screening foreign films.
Is Landmark Theatres still involved at this theater anymore?A comment above said that Landmark’s long term lease runs to 2024. Did the new owner let them out of it, or are they still on the hook?
Now I definitely want to see Interstellar in the Dome while it’s still playing there (for just 3 more days).
Is there any consensus on the best seat location for the best balance of visual and sound? (apart from staying away from inquisitive 5-year-olds ;)
Is it perhaps the first couple of rows in the back raised section?
Or perhaps closer up somewhere in the middle of the main floor?
Hi, speaking of the recent renovations, I thought I recall reading that the box office would be moving back to an earlier design in a separate structure (then occupied by a tour company). Did they do that?
One of these days I’ll get to make my first post-IMAX renovation visit…
Whose initiative was it to drop IMAX from this theater: Cinemark’s or the IMAX company?
I was at the Rave last week and there were temporary construction barriers blocking off the old IMAX entrance. So they were doing some sort of work on that auditorium.
Also, has Cinemark officially dropped “Rave” as the name? I understand that large outdoor signage may take a while to change, but the website still says Rave 18 (the “IMAX” has been removed from the name, though).
IIRC, the slope of the floor was decreased in 1958 as part of the extensive modifications made to accommodate Windjammer in the Cinemiracle format (along with moving/dropping the projection booth eliminating several back rows of seats, moving the screen further back, adding more rows of seats up in front, etc).
If they increased the angle of the floor back to the way it originally was pre-1958, that would be cool.
You know how you walk down a bunch of steps to enter the auditorium? I’m speculating those steps needed to be added when the slope was decreased.
Any oldtimers here who visited Grauman’s prior to those 1958 modifications who can comment?
Neither the LA Times nor Hollywood Reporter articles linked above today mention a looming ticking time bomb.
My understanding is that to save money, Sid Grauman didn’t purchase the land but instead bought a 99-year lease on which he built his Grauman’s Chinese Theater. And currently a real estate firm CIM owns the land the theater is on (they own Hollywood & Highland next door as well). That lease should be expiring in 13 years or so, and I assume at that point the current lessee (producers Samaha & Kushner) will lose the building to CIM, since they can’t very well pick up and move a historic landmark.
So I’m really encouraged that they are interested in maintaining and upgrading the old place.
And I’m sure CIM doesn’t mind at all the renaming. After all, their next door Dolby Theater was called the Kodak Theater up until last year.
And as one of the the articles points out, it’s not the first renaming. It was “Mann’s Chinese” back in the 80’s and 90’s. I’d bet at some point in the future it will be “Grauman’s Chinese” again.
One note re The Hobbit. According to the ChineseTheatres Facebook page: “It will be showing in 48 fps in Grauman’s and 24 fps in Chinese 6 Theatres”
So if you want to check out Peter Jackson’s new 48 fps HFR 3D technology, get a ticket for the Grauman’s and not a Chinese 6 auditorium showing.
Also note for Los Angelenos who don’t feel like driving to Hollywood, the HFR version (including an IMAX HFR 3D version) is playing in several other theaters in the LA metro area besides Grauman’s.
Wow. I just looked at the ticket page on Arclight’s website.
The 1st screening of ‘The Master’ in 70mm in the Cinerama Dome this Thursday night at MIDNIGHT is SOLD OUT.
It’s kind of amazing for a non-superhero type film to be able to do that. My impression is that ‘The Master’ is more of an art house type film. And especially since it will be screening in The Dome in 70mm for the next 7 days, one of which I will be at.
To dtrigubetz, just curious: I know The Godfather was sold out days in advance, but did it look like every seat was full? Or were there lots of empty/unused seats, since people may have bought up bunches of 25¢ tickets?
FWIW, the Roger Rabbit “Throwback Thursday” was also promoted a few times on their twitter feed over the past couple of weeks. @ElCapitanThtre
Disney really needs to get their marketing act together for the El Capitan.
jsittig: I saw IAMMMMW in 70MM at AMPAS’s Goldwyn Theater in 70mm about a month ago. And during the intermission break, they were playing the police radio transmissions audio over the PA system.
Are they planning on doing that at the upcoming Cinerama Dome screenings (like they did in ‘63 at the premiere at the Dome)?
A @LaemmleTheatres Aug 6th tweet: twitter.com/LaemmleTheatres/statuses/232516170903846913
The Royal in West LA is closed for renovation. Plan to re-open in December. Info: http://ow.ly/cLStI 1944: http://ow.ly/i/Pn0i
The first link in the tweet is to an article interviewing Greg Laemmle, and a description of the changes:
“A smaller screening room with seating for less than 50, a theater with 50-100 seats, and a larger theater with stadium seating for 175-200 will replace the existing 600-seat single screen-theater.”
And the second link is to a 1944 photo when it was called the Tivoli, with “Bathing Beauty” screening.
waynebeau23: Believe it or not the added height is for “an upstairs lounge filled with comfortable Sundance Catalog furniture”
The grand opening is 8-31. With three pre-opening charity events 8/27, 8/28 & 8/29
This is from a July 30th press release that’s currently on their web site here: www.sundancecinemas.com/sunset_insiders_guide.html
“Sundance Cinema’s remodel of the former Sunset 5 theater at Sunset and Crescent Heights Blvd is finally finished. The new decor is pure Sundance: rustic, elegant and comfortable. Sundance Cinemas took the original theatre down to the studs, and have put in the latest digital presentation systems, all reserved stadium seating with plush rockers and tablettes, and rebuilt the lobby to include a Bistro serving classic movie treats, quick and easy snacks and a bar serving beer and wine which may be brought into the theatre during +21 shows. In addition, the experience has been expanded to include an upstairs lounge filled with comfortable Sundance Catalog furniture, and the patio has been annexed as a new outdoor lobby where patrons are invited to chat, drink and eat before or after the show. Programming will specialize in American Independent and foreign language titles”
Also there’s a small photo of the new lobby area under construction taken from the second level looking down.
Jsittig: Thanks! Whoever came up the idea of that water curtain (presumably the 2002 Arclight architects) had a nice idea.
It allows more of the Dome itself and its surface texture to be visible (since the south face is now completely blocked) yet acts as a bit of a deterrent to vandals, posters or graffiti miscreants. Plus on that warm evening the mist it created was nice!
(It’s odd how seldom I typically walk out that way— since the normal routine is to park, go to the theaters, and right back to the parking structure. But a visitor last weekend asked about it and I was stumped.
The tenant (and apparently a good one at that, who spent $1 million (ironically) in renovations) couldn’t make a go of it.
Too bad the corporation that owns the theater didn’t reduce the rent so that tenant could’ve hung on.
Any guesses on its future? Back to being leased again by some fringe church?
“Million Dollar Operator Terminates Lease”
“After six years of running the Million Dollar Theater, Robert Voskanian, the 1918 venue’s operator since 2007, terminated his lease on the property in June.
Voskanian said that despite holding events like concerts, a Wednesday night film series in partnership with the UCLA Film Archive and renting the venue for filming, they were still not making enough money to cover their bills.
“I love the place, it’s gorgeous and it really broke my heart but financially it was too difficult,” he said.
When Voskanian took over the property the theater had been vacant for about two years. Before that it had served as the headquarters for two churches and once housed the Metropolitan Water District.“
full article: www.ladowntownnews.com/news/million-dollar-operator-terminates-lease/article_cd24e73e-d81d-11e1-a1d1-0019bb2963f4.html
Visited the Dome over the weekend and am curious about something. On the outside around the western perimeter area is a sort of curtain of falling water decoration.
Is that original with the Dome, or was that added when they built the Arclight building surrounding the rest of it.
After the San Ysidro McDonald’s 1984 massacre (21 dead, 19 injured), McDonald’s tore down the building, created a memorial to the victims, and donated the land to the city.
(They later built another outlet nearby)
Cinemark should really consider following that example.
dtrigubetz, THANK YOU SO MUCH for your alert 3 days ago to the special Los Angeles Historic Theatre Foundation’s (lahtf.org) tour this weekend of Grauman’s Chinese.
On a whim I went, and that was by far the best $20 I’ve spent in ages. (By comparison, the regular “tour” offered daily to tourists by the theater is a waste).
They took us into many non-public areas such as: all backstage and behind the screen, and then down into the massive green room in the basement, and up into Sid Grauman’s private viewing box, and a peek into his office (occupied by the current manager). And even the open areas have many “hidden” features until pointed out by the expert guides.
I overheard that about 150 people were there Saturday,(we were broken up into 11 more manageable smaller groups).
Finally at the end, we all seated in a Chinese 6 auditorium and got an excellent slide show talk about the history of the theater and of Sid Grauman.
If LAHTF ever offers this tour again, I would recommend making the trip to Hollywood for it. I would definitely repeat the tour in the future. They have a Facebook page and posted several photos.
Also, a blogger went on the tour with his video camera and put together a 3 minute video (which actually covers only some of the tour) and put it on his post:
Some Like It Hot, June 1, is at the Grauman’s Chinese. HOWEVER, the other six nights of the “Marilyn Monroe Film Festival” are in the Chinese 6 theatres, NOT in the big Grauman theater I believe .
The nomenclature is always tricky with this theater.
“Grauman’s Chinese” to me refers to the awesome 1927 theater, and not to the generic multiplex “Chinese 6” built next to it in the late 90’s.