Upstairs Foyer

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Tiny Jason Mullen

Featured Theater

Reel York

Everyman York

York, GB

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Photo Info

Taken on: September 11, 2018

Uploaded on: September 12, 2018

Exposure: 225/7499 sec, f/2.0, ISO 250

Camera: Sony F3111

Software: Photos 1.5

Size: 1.3 MB

Views: 1,458

Full EXIF: View all

Subsec time: 86

F number: 2

Digital zoom ratio: 1

Pixel Y dimension: 2090

Date time original: Tue Sep 11 14:22:16 +0000 2018

Light source: 255

Resolution unit: 2

Y resolution: 72

Flash: 0

Exposure program: 0

Subsec time orginal: 86

Date time digitized: Tue Sep 11 14:22:16 +0000 2018

Focal length: 7/2

Scene capture type: 0

Exposure bias value: 0

Subsec time digitized: 86

Custom rendered: 1

Software: Photos 1.5

ISO speed ratings: 250

Exposure mode: 0

Make: Sony

Date time: Tue Sep 11 14:22:16 +0000 2018

Color space: 1

White balance: 0

Exposure time: 225/7499

Model: F3111

Metering mode: 2

Pixel X dimension: 4096

X resolution: 72

License:

Upstairs Foyer

The Everyman in September 2018

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Comments (1)

FanaticalAboutOdeon
FanaticalAboutOdeon on February 17, 2019 at 11:30 am

The gold design above the level of the 1964 – 2017 false ceiling is a very recent adornment which cleverly recalls a section of the wrought iron orchestra pit rail which was replaced by a wall during 1964’s modernisation. The original frieze at this level, which continued along the side walls too, was still there when Everyman’s contractors dismantled the false ceiling but was much disfigured by the girders installed in 1964 from which the false ceiling was suspended. It may well have become quite faded/dirty when it last saw the light of day after twenty seven years of heat and smoke so, bearing in mind the chips and craters left by the girders, the plasterwork was made new and after being plain for a few months the gold pattern was a lovely, welcome touch. Apart from in photographs, a short section of the decorative rail has survived ever since 1937 and that is between the two columns at the stairway end of the circle lounge, above the stairs from foyer to half landing. Aesthetics aside, the little section of surviving rail was to prevent anyone falling from first floor to ground level!

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