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  Discover. Preserve. Protect.
Also known as Capitol, Cort, Cort Jamaica, Werba's Jamaica

Carlton Theatre

Jamaica, Queens, NY
175-02 Jamaica Avenue
, Jamaica, Queens, NY 11432 United States
(map)
Status: Closed/Demolished
Screens: Single Screen
Style: French Renaissance
Function: Unknown
Seats: 1932
Chain: Unknown
Architect: Eugene DeRosa
Firm: Unknown
Add a photo for this theater!
This theatre had several names, starting as the Capitol during construction in 1926-27 by a real estate developer that hoped to make it a magnet for extending the Jamaica Avenue shopping area beyond its then eastern border of 166th Street. The site was at 175th Street, so the builders had a tough time finding a tenant for the Capitol, which was designed by Eugene DeRosa and fully equipped to handle any type of movie or stage attraction.

Broadway producer and theatre owner John Cort finally came through with an offer to turn it into a playhouse. Re-named the Cort Theatre, it first opened on August 22nd, 1927, with the American stage premiere of the Broadway-bound "Mr. What's His Name", starring Lynne Overman. The plays ran for six days, with Sundays featuring vaudeville. To avoid confusion with the Cort Theatre in Manhattan, the house was soon re-named the Cort Jamaica. After a year of low attendance, Cort sold his lease to Louis Werba, who launched it as Werba's Jamaica on September 18th, 1928, but still with the same policy of stage plays that were either before or after their Broadway runs.

Three months later, the Shuberts moved into Jamaica with a new playhouse at 165th Street, across the street from a huge movie palace still under construction as Loew's Valencia. Werba's Jamaica held on into 1929, but finally closed soon after the Wall Street crash. The theatre remained dark until September 1, 1930, when it re-opened as the Carlton, under the management of the Brandt circuit. By that time, the Shubert Jamaica had folded, so Brandt tried to return plays to the Carlton, but without suceess.

The Carlton was switched to double feature movies, playing several weeks behind Jamaica's three leaders-- the Valencia, Merrick and Alden (ex-Shubert). In 1939, the year of the New York World's Fair, Brandt tried presenting vaudeville at the Carlton, but flopped. The Carlton returned to subsequent-run movies. In 1944, Brandt sold the Carlton to the Prudential Circuit, which finally closed it in the late 1950s. The Carlton was converted into a catering hall called Regency House, which survived for about twenty years until the area became too unsafe to visit.

While sitting vacant, the building's interior was almost entirely destroyed in a fire. It was finally demolished in 2002.
Contributed by Warren G. Harris


YOUR COMMENTS

 
Didn't they build a school on the site of the Carlton?
posted by philipgoldberg on Mar 18, 2004 at 2:57pm
A property search of this address shows a public school is now located here. PS268 to be specific.
posted by Lost Memory on Dec 8, 2004 at 7:41am
A B&W photo of this theatre when it first opened as the Cort can be seen at www.queenspix.com The photo is numbered JAM118.
posted by Warren G. Harris on May 25, 2005 at 10:24am
Here are two images of the theatre when it first opened as the "legit" Cort, under the same management as the Cort in Manhattan. The first is similar to one that I mentioned in an earlier post:
www.i8.photobucket.com/albums/a18/Warrengwhiz/125-2545_IMG.jpg
www.i8.photobucket.com/albums/a18/Warrengwhiz/125-2547_IMG.jpg
posted by Warren G. Harris on Jul 16, 2005 at 5:13am
This is about Prudential in general and the Carlton in particular.
Through the mid 1950's my family lived at 176-11 93rd Avenue just around the corner from the Carlton. In 1954 I applied for a job as usher but was told there were no vacancies; however there was a job open at the Bellaire on Jamaica Avenue around 207th Street. I was hired by the manager whose name escapes me but he was a short unpleasant man. After working there a couple of months a job opened at the Hollis on Jamaica Avenue around 191st Street...a little closer to home. Finally I got a job a the Carlton. I worked for a chap named Larry Pritchard, a large, likeable and knowledgeable chap.

In those days the films ran Sun thru Tue, Wed, and Thu thru Sat.
Prudential scheduled the Sun/Tue and Thu/Sat films, but left the manager some leeway on what to play on Wednesday. Larry scheduled a number of foreign films, primarily English and we did very well for an a "nabe" on Wednesday. Prudential saw the benefit of the foreign films and transformed the Hollis into a "Cinema" showing primarily foreign films. The man they tapped as manager of the Hollis experiment was an Irish immegrant named Noel Cullen, who started at the Carlton as a ticket taker who was familiar with English films.

The Carlton was not a big money maker, but Pritchard was able to increase its revenue, by his film selections and salesmanship. He talked Prudential into building a refreshment stand with pop corn, candy and ice cream to replace the two old cany machines and noisy pop corn machine. Revenue from concessions grew large enough to recoup the investment, pay for staffing the stand and turn a profit.

When I finally started at the Carlton I had to endure some hazing. One day Prtichard called me into the office and told me to go the the Valencia and "see Zelenko" who had the area "screen stretcher".
When I arrived at the Valencia, Zalenko clued in by Pritchard, told me the "stretcher" was at the Merrick. At the Merrick I learned it had goe to the Alden. At the Alden I was told Pritchard was looking for me and that he already had the "stretcher". Not being totally duped, I figured after the Valencia I was in search of what my dad called "a bucket of steam". When I returned Pritchard thought it was pretty funny, until I suggested he had paid me two and half hours pay for his joke...it took some of the smile off his face.

We moved from Jamaica to Woodhaven in the autumn of 1954...the neighborhood was changing. Sometime after that, Pritchard was transferred to the Crossbay...the "flagship" of Prudential's Queens theatres. One night at the Crossbay to see movie I met Pritchard. He offered me a job and I worked at the "X-Bay" until I graduated from High School.

While at the Carlton we started showing 3-D movies; which came in 5,000 foot reels to allow for only one reel change since both projectors were reqquired to throw the picture. We painted the screen with aluminum paint to allow for greater reflection of the 3-D images. Pritchard hooked up little RCA 45 phono to the sound system and played music during the film change intermission. The Carlton did not have air conditioning; but Pritchard, always the inovator, hooked up soaker hose in concrete tunnels that funneled the forced air for the heating system and fabricated a make shift "swamp cooler" that cooled the theatre.

One night while changing the marquee I found that I needed the fewest new letters if I used Jean Simmons name as the star of the next film. Pritchard came out and told me to take it down and use the name of the "real star". He added that if we ever got Cinemascope and played "The Robe" (a very long shot) I could use Jean Simmons. Well we did and I did...and still told me to take it down and put up Robert Taylor.

I still have E-mail contact with three of the cashiers from that period. It was a great place for a kid to work and learn about the movie.
posted by Usher on Sep 8, 2005 at 5:42am
In rereading the above submission I note that I said I started working for Prudential in 1954, it was actually two years earlier in 1952.
The balcony seats were not used; only the orchestra and loge seats were available. The balcony was closed supposedly because of the condition of the ceiling. The loge, the only section in which smokingg was permitted cost more than the orchestra. An usher was posted in the loge to check ticket stubs to ensure only those who paid the price were admitted. Like all businesses some ushers found a way to suppliment their wages by making the additional collection and pocketing the money rather than send the patron back to the box office.
One afternoon while seated in the loge with a cashier and expressing our feelings toward each other, we were nearly thrown out of our seats when Jack Palance shot Elisha Cook Jr. in a scene in Shane. The roar of Palance's gun when heard through the theatres sound system was like standing next to the sixteen inch guns on the Missouri when they fired a salvo.

The assistand manager during those days was an Adele Kammerer, known by many and all as "Toots". She was a wonderful woman who treated the staff as if they were her own. And that meant getting yelled at when you did something wrong.

During the '50's there were still "beat" cops and for some period each day, usually towards the end of a shift the beat cop would spend some time in the back row of the Carlton. If the sector car with the sargeant showed up...as he usually did, the beat cop made a s strategic exit through a side door. We probably broke more fire laws than were on the books, but when the fire inspector showed up for a look see, he'd be kept busy in the office until the ushers quickly (and quietly) took the chains and fire poles of the door locking systems.

Prithcard used to have partys every now and again after closing. We'd all get to gether and some how a couple of quarts of Scheafer beer found their way into the theatre...usaully in the cloak room.
No one ever go squashed and Prithcard never let anything get out of hand. The partys were great for staff morale. Often after closing we'd all go over the Savoy Pizzeria near 177th Street. One of the usher's was over 18 and would often "borrow" his fathers car a 1939 cream over blue Cadillac in mint condition. We would then either go to the White Castle on Springfield and Hollis for a dozen or so "burgers" or make the trip to Springfield gardens to the "Pizza King". We wouldn't be home till nearly one a.m. and our folks would be livid. An number of years later when I began working I worked around the clock and my folks still hated when I worked twi-lights.

We had a chap who managed the ACE in Ozone Park who would often stop by around close to join us for pizza or burgers. He had nifty custom Ford hot rod with exhausts that purred and roared depending on the accelleration. We knew him simply as "Johnny from the Ace".

We had three projectionists. One who worked full time for Prudential and two who "moonlighted" from other theatres. One; used to walk around the booth in his shorts during the summer.
posted by Usher on Sep 10, 2005 at 4:24am
Back in the fall of 1993 I snapped this photo of the former Cort/Carlton while it was still operating as the Regency Catering Hall. Actually, now that I think about it, I can't say for sure it was still in operation, but the signage was still there.

Regency Catering Hall 1993

I was driving around taking photos of old movie theaters that day (also got the Queens, Community Twin, Mayfair, Valencia and Flushing Kieth's and will post images soon) and saw the Regency on Jamaica Ave between the Valencia and Community. At the time, I didn't know for sure if it was a former theater, but it had that look about it. It wasn't until I started poking around this site in the past 3 years that I learned of its history.
posted by Ed Solero on May 23, 2006 at 8:15am
I've deleted one of the images that I posted on 7/16/2005 and am adding several different ones. The first shows the orchestra floor from the standee area at the rear. Note the exquisite box seats on both sides. The second is of the grand lobby. I wonder if the two marble staircases were retained for the catering hall? The third image shows something of the upstairs, which apparently had a domed ceiling inspired by the Capitol Theatre on Broadway in Manhattan.
www.i8.photobucket.com/albums/a18/Warrengwhiz/carlton1.jpg
www.i8.photobucket.com/albums/a18/Warrengwhiz/carlton2.jpg
www.i8.photobucket.com/albums/a18/Warrengwhiz/carlton3.jpg
posted by Warren G. Harris on Jul 12, 2006 at 4:43am
In December, 1956, this was operating as part of the Prudential Circuit, which, along with Skouras and Randforce, was a division of United Artists Theatre Circuit:
www.i8.photobucket.com/albums/a18/Warrengwhiz/randpru56.jpg
posted by Warren G. Harris on Jan 6, 2007 at 5:50am
Great stories by Usher back in 2005. I used to frequent all the Jamaica Ave. theaters in the late '50s & '60s but missed the Carlton, which closed just before my moviegoing days began. Remember it as the Regency Caterers and was always curious about its earlier theater history.
posted by JKane on Jan 6, 2007 at 5:47pm
In the introduction above, I mentioned an unsuccesful attempt at a vaudeville policy that started in October, 1939, when the Carlton was being operated by Brandt Theatres. Here are ads for the first two stage bookings, which made a circuit that also reached Brandt's Windsor in the Bronx and the Flatbush in Brooklyn:
www.i8.photobucket.com/albums/a18/Warrengwhiz/carlvaude01.jpg
www.i8.photobucket.com/albums/a18/Warrengwhiz/carlvaude02.jpg
posted by Warren G. Harris on Jan 7, 2007 at 4:36am
Hmm. Dorsey, the Andrews Sisters... Seems bookers at the old Carlton sure gave it a good solid try with acts of that caliber.
posted by Ed Solero on Jan 8, 2007 at 6:10am
MYSTERY EXPLOSION AT MOVIE INJURES 5; Blast in Carlton Theatre in Jamaica Laid to Short Circuit or Bomb of Labor Rivals. FIRE IS SOON EXTINGUISHED Panic Is Averted by Most of Crowd of 1,000 Mistaking Flare for Flashlight Picture.

NY Times October 9, 1931

A mysterious explosion last night in the Carlton Theatre at Jamaica Avenue and 175th Street, Jamaica, attributed by the management to a short circuit and by some members of the audience to a smoke bomb, caused injuries to five persons, but failed to stop the vaudeville show.

posted by Lost Memory on Jun 10, 2007 at 6:24pm
http://www.zwire.com/site/news.asp?brd=2731&pag=460&dept_id=575602
Check out this link for an exterior photo of the Carlton.
posted by Panzer65 on Jun 24, 2007 at 4:59am
On December 18th, 1957, The New York Times reported that Associated Prudential Theatres had just sold the Carlton Theatre to an unidentified buyer who intended to convert it into a "three-story catering establishment." No purchase price was mentioned. The corner site, which included the theatre and attached stores and business offices, measured 162' x 136' (22,032 square feet). I don't know if the Carlton Theatre had been closed by that time or not.
posted by Warren G. Harris on Jul 29, 2007 at 7:47am
The Carlton apparently closed forever as a cinema about four months before Associated Prudential landed a buyer for the property. The last advertising that I could find for the Carlton was in the Long Island Daily Press of August 19th, 1957, when the late-run "Loving You" and "The Tall T" comprised the double bill. That would give Elvis Presley and Randolph Scott the dubious distinction of being the last stars to be billed on the Carlton's marquee.
posted by Warren G. Harris on Jul 31, 2007 at 1:47pm
Nice photos of the Carlton Warren.
Quick question about the photo carlton3.jpg. Looking at the edge of the balcony, theres several faces that appear, any knowledge of who they may be?
posted by Panzer65 on May 14, 2008 at 1:55pm
Here is the Regency House in 1986.

posted by Lost Memory on Apr 13, 2009 at 5:00pm
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