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Also known as Lafayette Opera House

Belasco Theatre

Washington, DC
17 Madison Place
, Washington, DC, United States
(map)
Status: Closed/Demolished
Screens: Single Screen
Style: Beaux-Arts, Italian Renaissance, Neo-Classical
Function: Unknown
Seats: 1800
Chain: Unknown
Architect: Unknown
Firm: Unknown
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The Lafayette Square Opera House was built in 1895 on the site of the 1830s Rodgers House, of one Washington's more famous 19th century residences, which was razed in 1894. Designed by the Chicago firm of Wood & Lovell, the opera house overlooked Lafayette Square and was built for Uriah H. Painter.

The six story building had a soaring facade, with Ionic columns framing the main entrance on Madison Place, as well as below the huge cornice. The beige brickwork was decorated with three panels over the triple arches filled with windows over the main entry. The auditorium, which could seat about 1800, was a blend of Beaux Arts, neoclassical and Italian Renaissance styles, complete with lavishly ornate gilded plasterwork, three balconies, thirty boxes and a graceful but towering proscenium arch, again, coated with gilded plaster decor.

Along with the National Theatre, the grandiose Lafayette Opera House was the main venue for opera, plays, and ballet at the turn of the 20th century in Washington. Among those to perform on its stage included Enrico Caruso, Sarah Bernhardt, Maude Adams, and Ethel Barrymore.

In 1906, the opera house was taken over by the Shuberts and David Belasco, and was renamed the Belasco Theatre. By the early years of the Depression, the Shuberts gave up the Belasco, and by 1935, it was converted to a movie house. During the late 30s, legitimate theatre made a short-lived and not very successful return, but in 1940, the Belasco (and nearby properties, including the Tayloe House and Cosmos Club) were acquired by the federal government, which used the Belasco for a warehouse and offices (all of the seats were removed from the theater at this time).

After America's entry into WW II, the Belasco was reopened as a Stage Door Canteen for the entertainment of servicemen. It closed at the start of 1946. During the Korean War, the Belasco was reopened again, as the Lafayette Square Club, again as a venue for entertaining servicemen.

In the early 60s, with the reconstruction of Lafayette Square, many of the Belasco's neighbors were razed, until finally, in 1964, the Belasco itself was torn down to make way for the new US Court of Claims Building.
Contributed by Bryan


YOUR COMMENTS

 
Katharine Hepburn mentioned this theatre as one of many she performed in, in the early days of her career, on the Dick Cavett show DVD from 1973.
posted by shoeshoe14 on Aug 6, 2007 at 5:50pm
Was there a Belasco Theatre in NYC at 111 West 44th Street that opened in 1907? It was originally called the Stuyvesant.
posted by Patsy on Aug 15, 2007 at 8:38pm
As the Lafayette Square Opera House, this theatre was listed in the 1897-98 edition of the Julius Cahn Official Theatrical Guide, under Washington DC. It was one of 6 theatres listed in Washington, the others being the Academy of Music, the Bijou Family Theatre, the Columbia, the Grand Opera House, and the New National. The Lafayette Square was managed by John Albaugh, it was on the ground floor, and had electric illumination. The seating: Orchestra & mezzanine 650, Balcony 400, Gallery 450, Boxes 48; total: 1,548 seats plus 500 standing room spaces. The proscenium opening was 31 1/2 feet wide X 39 feet high, and the stage was 49 feet deep. There were 9 in the house orchestra. The population of Washington in 1897 was 300,000.
posted by Ron Salters on Sep 30, 2007 at 9:55am
Patsy,
David Belasco opened the Stuyvesant theater on 44th Street in NYC on October 16, 1907. In September 1907 Belasco changed the name of that Stuyvesant theater to the Belasco.
posted by DavidH on Sep 30, 2007 at 1:50pm
Boxoffice Magazine issue of March 2, 1935, ran an item saying that Matty Radin, operator of the Cameo and Acme theatres in New York, as well as the Auditorium Theatre in Baltimore and the Majestic Theatre in Boston, had converted the Belasco in Washington to a movie house, and that it would feature foreign films. His other theatres were all showing foreign films, and the Belasco was to be the fifth theater in a proposed chain of twelve cinemas bringing foreign films to eastern and mid-western cities.

I've been unable to find out if Radin was able to fulfil his plans for expansion, but there are a couple of references to his New York theaters in articles published by the New York Times in the late 1930s. Apparently he ran a lot of Soviet movies during the period, and The Times refers to him as "Tovarich" and "Commissar" Radin.
posted by Joe Vogel on Nov 9, 2008 at 9:23pm
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