Pantages Theatre

6233 Hollywood Boulevard,
Hollywood,
Los Angeles, CA 90028

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Pantages Theatre interior

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The Pantages Theatre came to life on June 4, 1930, under the leadership of Alexander Pantages, and cost $1.25 million to build (excluding theatrical and projection equipment). Opened as part of the Fox West Coast Theatres chain, the Pantages Theatre was one of the first movie houses to be built after the advent of talking pictures and once boasted the most elaborate sound system in the world. It opened with Marion Davies in “The Floradora Girl” on screen, and “The Rose Garden Idea” a Franchon & Marco stage revue.

The grand lobby is a magnificent poly-chromatic fan-vaulted space, that is 110 feet wide and 60 feet deep. It is decorated in a zigzag geometric design in gold and henna shades. At each end is a 20 feet wide stairway, lined with vaguely Egyptian and Assyro-Babylonian styled statues, one of which depicts in an Art Deco style, a camera crew filming. The entire area was illuminated by three huge Moderne frosted glass chandeliers hanging from three star-shaped domes. Beneath the grand lobby are the rest rooms and lounges. The ladies lounge and powder room is decorated in black patent leather walls and hung with beveled diametric shaped mirrors and a silver leaf ceiling. Unfortunately, the gentlemen’s lounge beneath the right-hand grand staircase was sadly, in recent years converted into theatre offices and the original furnishings vanished.

The auditorium was designed to seat 3,212, but it opened with extra legroom and wider seats to give more comfort for its 2,812 patrons. The proscenium is 54 feet wide. Above the proscenium are three painted panels depicting Apollo leading his snorting steeds, California oil riches and Native Californians. The original safety curtain has a painting of billowing clouds and a flock of flying birds. Unfortunately the original house curtain was lost in a fire many years ago, ignited by sparks from the music stands in the orchestra pit. Its design depicted the evolution of man, art and architecture. On each side of the proscenium were originally two small side-stages, used for novel effects. These are flanked on the side-walls by the enormous organ chambers, in which it was proposed to install the largest Robert Morton organ ever built, but this was eliminated at the last minute. The huge orchestra pit was on an elevator, and the stage, measuring 180 feet wide and 70 feet deep is the second largest West of Chicago, after the Shrine Auditorium in downtown Los Angeles. The crowning beauty of the dazzling Art Deco style decorations which cover almost every inch of the theatre interior, by interior designer/muralist Anthony B. Heinsbergen, is the double ceiling made in a series of ‘busy’ fretwork sunray effects which converge from the center, from which is hung a tremendous frosted glass and bronze chandelier. Above all this is a blue sky ceiling, with twinkling stars. The Pantages Theatre is one of the most lavish movie palaces designed in the Art Deco style in the United States, and is Designated an Historic Cultural Monument.

In 1949, Howard Hughes, through RKO Pictures, acquired the theatre as part of his national chain of movie houses. It was renamed the RKO Pantages Theatre, with the name ‘Pantages’ retained due to a contractual stipulation. Howard Hughes had his office and own private screening room on the second floor of the Pantages office building which fronts the theatre. From 1950-1959, the RKO Pantages Theatre received its highest profile assignment as it was used as the location for the annual Academy Awards ceremony.

When Universal Pictures booked the Pantages Theatre for an exclusive 70mm Roadshow run of “Spartacus” in 1960, they insisted on several ‘improvements’ being carried out, prior to the movie’s opening….The seating capacity was reduced to 1,512 by means of curtaining off the side seating sections in the orchestra level, and curtaining off the rear section of seating in the balcony. In the grand lobby, a large concession stand was built in the center of the floor and the three chandeliers were removed from the ceiling. The outer lobby was also ‘modernised’, by covering the marble and bronze walls and hanging a low false ceiling. The original centrally place paybox was removed and a new box office installed on the right-hand wall. The West Coast premiere run of “Spartacus” began on October 19, 1960 and ran for 61 weeks into 1961. The West Coast premiere run of “Cleopatra” opened on June 19, 1963 and ran for 72 weeks into 1964. Other 70mm Roadshow runs at this period of time were “Tora, Tora, Tora” for 35 weeks, “Patton” for 23 weeks, “Sweet Charity” for 20 weeks and “The Great Race” for 19 weeks.

Pacific Theatres, known at the time for its large inventory of California drive-ins, purchased the Pantages Theatre from RKO in December of 1967 (after leasing it for two years beginning in 1965) and they did some refurbishment, including the removal of the curtains in the seating areas erected in 1960. This allowed the auditorium to be fully viewed again. They operated the aging movie palace until it closed as a movie theatre in January 1977.

Unable to fill its seats with motion pictures, Pacific Theatres teamed up with the Nederlander Organization and the theatre was restored to nearly its original seating capacity (almost 2,700) for a new live theater run of the smash Broadway show “Bubbling Brown Sugar”. This was followed by productions of “Beatlemania”, “Man of La Mancha”, “La Cage Aux Folles”, Ann Miller & Mickey Rooney in “Sugar Babies” and Yul Brynner in “King and I” to name a few. It was also used for special events, including Elizabeth Taylor’s birthday/benefit for AIDS. Projection equipment is not currently installed and an apartment and offices on the second floor of the Pantages Theatre occupy those areas today.

The Pantages Theatre sustained some earthquake damage in the 1994 Northridge earthquake, and three months of restoration work was carried out on the ceiling details and damaged portions of the artwork.

The Nederlander Organization beautifully restored the theater in 1999, spending a reported $12 million to bring back all of its palatial opulence. The Pantages Theatre reopened, better than ever, on September 28, 2000 for the West Coast premiere of Disney’s live production of “The Lion King” and this continued to fill its seats with the acclaimed and award winning production for several years. It has been followed by the “The Producers” and an equally popular production of “Wicked”.

Contributed by Ken Roe

Recent comments (view all 154 comments)

bruceanthony
bruceanthony on March 23, 2011 at 12:25 pm

Hollywood’s biggest movie star from the Golden Age of Hollywood,Elizabeth Taylor passed away today.She became a star at MGM Hollyood’s greatest studio in “National Velvet” in 1944. She stteneded the Pantagees throughout her long career.“Cleopatra” premiered at the Pantages in 1963.She met Richard Burton during the making of “Cleopatra” and her celebrity reached heights no other actress has reached since. She was in the Top Ten at the Box Office from 1958-1968. She was nominated for Oscars four years in a row 1957’s “Raintree County”,1958’s “Cat On A Hot Tin Roof”,1959’s “Suddenly Last Summer” and 1960’s “Butterfied 8”. She won two Oscar’s for 1960’s “Butterfield” and 1966’s “Whos Afraid of Virginia Wolf”.I thought she was the most beautiful woman I had ever seen.She also was a huge supporter on the fight against aids when nobody else would touch it after her friend Rock Hudson died. She was the biggest movie star in the world since 1960 and one of the last to come out of the studio system.We will never see anyone like her again.brucec

Coate
Coate on March 23, 2011 at 1:50 pm

ChrisD…The roadshow run of The Happiest Millionaire at the Pantages played 31 weeks.

bigjoe59
bigjoe59 on March 24, 2011 at 2:11 pm

i thank Michael C. for the info.one of course should never assume
things but i always assumed that THE HAPPIEST MILLIONAIRE’s roadshow
run at the Pantages was a disappointment. i based this assumption
on the fact the film didn’t open in NYC till like 5 months later
with no intermission, 25mins. cut out and on a non-roadshow basis.
but an almost 7 month roadshow run at the Pantages seems decent
enough so i wonder why Disney chose to release it in NYC the way
they did.

bruceanthony
bruceanthony on March 24, 2011 at 4:34 pm

The Happiest Millionaire was not a box office success for Walt Disney. I remember reading in the New York Times that Radio City was stuck with product like the “Happiest Millionaire” and locked out of getting better product. This was the start of the decline of Radio City stage and film combo which would last for another 10 years.The Pantages run of the Happiest Millionaire may have been a contract to run so many weeks.brucec

bigjoe59
bigjoe59 on March 25, 2011 at 6:42 pm

i thank brucec for his reply. but i am intrigued by your
comment-“Radio City was stuck with product like The Happiest
Millionaire and was locked out of getting better product”. one
question. how was Radio City “stuck” with the film? films
ran just so long at the Music Hall to begin with so how could
one film not being a box office hit effect the Music Hall's
over all financial well being? also how did booking THM for the
Thanksgiving 1967 period prevent the Music Hall from booking
“better product” when THM’s run ended? hear from you soon.

Tinseltoes
Tinseltoes on July 9, 2012 at 12:26 pm

Pictured in this 1953 trade article: boxoffice

Tinseltoes
Tinseltoes on July 16, 2012 at 12:15 pm

$100,000 worth of renovations described in this 1960 trade article: Boxoffice

Tinseltoes
Tinseltoes on July 19, 2012 at 12:43 pm

Doctored photo used by Norelco in this 1962 trade ad: Boxoffice

bigjoe59
bigjoe59 on August 23, 2012 at 1:29 pm

Hello From NYC-

i read above that the theater closed up as a movie house in Jan. of ‘77. to which a question- the last reserved seat engagement was “Tora Tora Tora” which opened the fall of '70. so i was wondering what was the decor of the theater’s interior at that point as opposed to today?

GLOCKJOCK
GLOCKJOCK on March 19, 2013 at 2:27 pm

The auditorium was much as it is today. The stage remained covered and the upper balcony was closed off. Then there was that horrible tile and dropped ceiling of the ticket lobby. That remained until Disney restored the theatre for Lion King. The “improvements” were all done so they could be reversed later on, though I doubt that’s what they had in mind.

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