Palace Theatre

1564 Broadway,
New York, NY 10036

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RKO Palace Theatre exterior and Times Square area

Viewing: Photo | Street View

The Palace Theatre of New York City, the one that virtually inspired them all, started out as a vaudeville theatre on March 24, 1913. It continued in that use until November of 1932 when it began showing movies under the direction of RKO. This continued until 1966, when it became a legitimate theatre. For most of the memory of those alive today, it was a non-movie theatre, and is, indeed, perhaps best remembered as the “Valhalla of Vaudeville” as it was dubbed in the day and age when to ‘play the Palace’ referred to the acme of aspirations of vaudevillians and to this day a way of saying that one has ‘made it big!’

When the Palace Theatre debuted its 1,733 seats at 1564 Broadway, it was within a ten story office building that was squeezed between previous buildings on some of the most expensive real estate frontage in the world. Architects Charles Kirchoff and Thomas Rose of Milwaukee were therefore limited to showing their artistry in the three-level auditorium with its sixteen boxes cascading down the walls toward the stage, while being under a graceful arch forming a stylized sunburst above them on either side. In 1920, a grille in this arch was used to front the new organ chambers for the recently installed two manual, four rank Wurlitzer theatre pipe organ to accompany occasional film novelties that would become not so novel in the next decades. The organ was remarkably small in size for so prestigious a house, but perhaps the management of the time did not foresee the future dominance of film and the need that silent movies had for a good sized organ. Projectors had been installed in March, 1915 under a slight remolding by architect James S. Gavigan. The theatre was wired for sound movies in 1929, a pivotal year in many respects.

Just why an architectural firm in far away Milwaukee was selected for the prime Palace Theatre, is not known, since it would be years to come before this team was well known for the movie palaces with which they would grace that and other cities, ten in Milwaukee alone. Perhaps it was Martin Beck himself, impresario of the Palace Theatre, who was touring his Orpheum Vaudeville theatres across the land and happened to admire the gracefulness of the 2,500-seat Alhambra Theatre there, and resolved to have its architect design his new showplace in a somewhat similar style.

Here in the Palace Theatre, it was also to be a combination of Neo-Classical and Adam periods. A relatively simple styling that did nothing to suggest the movie palaces to come, it was characterized by moldings of such as fruit festoons and bead-and-reel to outline the panels into which the walls and ceiling were divided. Perhaps there were very elaborate draperies on the proscenium, but the only found photos are from 1951 and reflect replacements to accommodate the large movie screen of the era, so that as of then, only simple panels of velour in 50% fullness constitute the grand drapery and the house curtain, any draperies in the boxes having by then been removed. Both sides of the main floor seating also boasted a cascading line of elevated (parquet style) boxes from the balcony line forward to the annunciator frames of the drop-card style. In 1939 the lobby and marquee had been altered, and were later completely redone again. The entire facade was largely demolished in the 1980’s, but the interior is virtually intact.

Why did this one theatre rise to such prominence? It is a long and complicated story, as one might expect of a theatre created at the joining of eras in exhibition, but perhaps it is as claimed in the noteworthy book: “Show Biz: From Vaude to Video” by Abel Green and Joe Laurie, Jr., that it was the coup in obtaining the appearance of the great French tragedian Mme. Sarah Bernhardt, that capped the very long list of notables of both the Vaudevillian and legitimate stages, as so ably brought out in this book, and in the book: “The Palace” by Marian Spitzer in 1969. This was for years the ‘Flagship’ theatre of the RKO circuit and even once housed the offices of this dominant national theatres/vaudeville circuit.

Today, it is often the host to long-running Disney stage epics and other hit musicals, and in that vein may it long continue!

Contributed by James H. (Jim) Rankin

Recent comments (view all 226 comments)

DavidZornig
DavidZornig on October 2, 2015 at 6:24 pm

1978 photo added courtesy of the NYC 1950 to Present Facebook page.

DavidZornig
DavidZornig on October 19, 2015 at 9:39 am

1953 photo added, photo credit Samuel Gottscho.

DavidZornig
DavidZornig on October 21, 2015 at 9:23 pm

1929 photo added courtesy of the Duke University Collection.

1938 photo added courtesy of Al Ponte’s Time Machine – New York Facebook page. B.F. Keith’s Palace marquee.

DavidZornig
DavidZornig on November 16, 2015 at 1:20 pm

1920’s photo added courtesy of the What Was There website. Fade from then to Now on website below.

http://www.whatwasthere.com/browse.aspx#!/ll/40.759449,-73.985184/id/19195/info/sv/zoom/14/

Mike (saps)
Mike (saps) on November 16, 2015 at 4:23 pm

I’ll be here Wednesday night for An American in Paris.

Kind of bittersweet…

DavidZornig
DavidZornig on November 25, 2015 at 5:51 pm

Current article about expansion plans. Requires an e-mail sign-in to access.

http://newyorkyimby.com/2015/11/palace-theater-to-be-lifted-29-feet-for-expanded-facilities-and-retail.html

NYer
NYer on January 25, 2016 at 3:01 pm

A very missed Marquee in Times Square. The new “modern” marquee is an epic failure. Would be wondrous if they restored a proper marquee when they renovate.

vindanpar
vindanpar on January 28, 2016 at 4:37 pm

This makes so much sense when the retail space can go above it instead. Even if this succeeds what are the long term consequences for such an old building? Nobody has any idea. For God’s sake why can’t they leave the theater as it is?

Miserable wretched Ed Koch who did everything he could to destroy the Morosco and Helen Hayes(not to mention the Gaiety, Astor and Bijou)must be dancing a jig in hell.

robboehm
robboehm on January 29, 2016 at 7:59 am

Concept boggles the mind.

Mikeoaklandpark
Mikeoaklandpark on January 29, 2016 at 1:15 pm

NYer I agree 100% about the marquee.

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