245 E Avenue,
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Normally a cinema of only 200 seats in a town of 2200 people would not create much note among theatre historians, but the little Lincoln Theatre in Limon, Colorado is certainly memorable for at least one quality: it is one of the few “reverse” or ‘backwards’ theatres in the world! Turns out that when it was built in 1938, the then owner of this cinema which he called the Cactus, wanted to save $300 in excavation fees, and so had the simple rectangular building situated so that the slope of the seats was upon the higher grade of the land at the rear, and had patrons enter via front doors on the lower grade at the street level at 246 ‘E’ Ave. Yes, the audience had to go up the aisles towards the rear and turn around to see the movie on the screen since the seats faced that way, of course. This ‘reverse’ format was only used in nine other cinemas in the USA, as far as is known, and in possibly only two in England.
The little Lincoln could not be called an architectural gem, but its apparently brick construction is solid, having survived a tornado on June 6, 1990 with but cosmetic damage, according to a letter to this writer from the current owner, Marlene L. Steele. It is a simple block shape building with an attraction board built flat against the building after the tornado, and the theatre’s name in five-foot-high letters flat on the “earth-tone” wall adjacent to the fluorescent board. Double plate glass doors are the entry with poster frames for one sheets taking on the remainder of the 1-½-story facade.
The small auditorium has paneled walls with some recent movie posters adding interest as one notices the cut out shapes upon the ceiling and the simple double panel, traveler-type drapery in front of the screen enlivened by changing colored light upon it. The red fabric seats are coped in aluminum and the air conditioning makes even sweltering days seem pleasant. This is how the Lincoln looks, since little is known of how the Cactus looked, since it was sold to others, as is brought out in a letter from Mrs. Steele which reeked of ‘cotton candy’ when I received it in Sept. of 1998:
“Dear Mr. Rankin:
The Cactus (now the Lincoln) was built in 1938 by Egon WG Wieselman. It was sold in 1945 to John L. Steele, who is not a relative as far as we know. He ran the movie house until 1947 when his son, Johnny Steele took over. Then in 1949 it was sold to Sam Feinstein and Charles McCarthy. They changed the name to the Lincoln Theatre in January of 1950. In 1951, Mr. McCarthy’s wife, Wanna, took over running the theatre and she and her husband were the owners until July of 1984, when my husband, Larry, and I bought and began running it.
In 1991 we replaced the carbon arc lamp houses with used 1961 Strong Xenon lamp houses. Now we are only 30 years behind the times. But they still work great. Last year, with the threat of 6000-ft. reels becoming a reality, we decided to take the plunge and installed a platter. We still have the two projectors, running the previews on one and switching to the other for the movie which is on the platter. Our projectionist is Marianne Johnson. She still makes up the movies for us and takes over when we need to be gone. Someone in her family has been running the booth at the Lincoln for over 30 years, including both her brothers, Marty and Morris.
“The population of Limon is only 2200 people there are only 4500 people in all of Lincoln County [hence the name of the theatre], so we feel very fortunate that we are still able to keep our theatre open. We generally are able to book in movies 6-8 weeks after they open in Denver. And most of our patrons know this, and are willing to wait until they come to the Lincoln. Our prices are reasonable: $4.00 for adults and $2.50 for children. We run four evenings per week Thursday through Sunday. You can still get a soft drink for 60 cents and a bag of popcorn for $1.25. We are very proud of our theatre and its place in our community. We hope to keep it open as long as possible, as it is a labor of love. Sincerely yours”
In a story in the “Lincoln Leader” newspaper by Dan Jennings of Oct. 23, 1997, he points out that they book PG-rated films during the weekends when the high school is in session, and R-rated flicks when it is not so as to serve a greater audience. He quotes Mrs. Steele as to the difficulty of keeping a small, independent single-screen open these days when she says: “The film industry believes a movie screen needs a population of 15,000 to be profitable.” The article continues: “Marlene’s favorite part of running a theatre is knowing when the audience really likes a movie. She can tell this when she hears their reaction while she is working in the lobby during the film.” Maybe that is why her letter smelled so memorably of cotton candy!
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