Bijou Cinema

Hello-

well i was in the area again this past weekend and decided to see exactly what was at 100 3rd Ave.

in my post on the other page i noted there was a fairly tall new structure in the middle of the block which i had viewed from the other side of the street. well guess what? that new structure which is either 6 or 7 stories is in fact 100 3rd Avenue. its now a fancy upscale bar. the door was open and i noticed a doorman/bouncer. its possible he knew nothing about the history of the building but it didn’t hurt to ask. so i asked him if the new structure was in fact a completely new building. well he did in fact know of the Lyric Theater. i hope i correctly understood him in that the trendy upscale bar and the additional floors are built within and upon the original building and not is not completely new.

the famous photo with the Chaplin cut out next to the box office always made the theater look bigger than it actually was. it was viable as a theater in that it was quite long as opposed to wide so a decent number of seats could have been accomodated.

Great stuff, Lloyd38. Thanks!

I can clarify some of this. I built and owned the Pocket Theatre at 100 Third Avenue, an Off Broadway house. Our company, Sans Souci Theatre Corp took over the old Comet Theatre. At the time, 1962, the Comet occupied the space on Third Avenue, AND the space behind it, now the Classic Stage Co. at 136 East 13th Street. The projectors were in the Third Avenue space and the screen was on the far west wall of the 13th Street space. We put the wall back up between the two spaces, intending to have 2 Off Broadway Theatres, one on Third Avenue and one on 13th Street. We didn’t enough money to do both so we ran the Pocket Theatre at 100 Third Avenue and rented out the big space in back to some scenery builders who used the space for a workshop and storage. The Pocket Theatre had a variety of shows in it over the ten or so years we ran it. “America Hurrah” was the hit that ran there for over two years. John Cage and I produced the first performance of Erik Satie’s “Vexations” there in 1962. You can read about it in Wikipedia.

The history of the two spaces is this. Back before the turn of the last century this area was the German community in New York City. The space in back of 13th Street was an open beer garden, accessed through a bar at 100 Third Avenue. When nickelodeons became popular the owner walled off the beer garden and opened a nickelodeon at 100 Third Avenue. Later as films became more and more popular he took the wall down, roofed over the beer garden and created the odd T shaped movie house. When we took it over it was showing a western and a feature every day, for 25 cents admission. These owners, the Ansons, from whom we bought the Comet, also owned the Star at 15th Street and Third Avenue. They ran both theatres with the same program. While the Comet showed the western, the Star showed the feature. A “reel boy” ran between the theatres at the break, carrying the western uptown to the Star then bringing the feature down to the Comet. Mrs. Anson, who was living at 100 Third Avenue when we bought the place, told me this history. Her husband is mentioned in the news articles logged on to the EVGrieve website. We sold the Pocket Theatre in the early 70s to some shady lads from 42nd street. They, Arista Theaters Inc., closed the Pocket, I took our sign down, they put up theirs, The Jewel.

We always called them ‘hawkers’. I had never heard the term ‘candy butcher’ before.

A candy butcher?

Here’s a 1947 trade article including history of the Comet Theatre: boxofficemagazine

MarkieS, sounds like it could have been part of the Theatre Unique but I haven’t seen any sign it was ever called the Lyric.

In March 1964 this was shut down (along with the Gramercy) for showing ‘unlicensed avant-garde films’.

It was then known as the Sans Souci Pocket Theatre

This from the book THE TRANSFORMATION OF CINEMA (Eileen Bowser).

“In September 1910 a WORLD reporter visiting the Comet at Third Avenue near Twelfth Street in New York’s Lower East Side tenement district approved the lighting conditions there. He wrote there was enough diffused light to read by, yet the screen was bright. Men, women and children filled the hall. He also approved the ventilating system and reported that an usher wandered the aisles spraying a sweet-smelling liquid. Unfortunately, he added, they ran ‘junk’ films- a Vitagraph and a Selig missing their titles, recognized by their trademarks on the sets and believed to be a year old.”

…and to think that sweet little ‘Annie Warbucks’ went to the Variety in the mid 1990s!!!

Sorry for the double post! (And I should have said WHICH the New York Times has for sale…)

I believe back on April 15th, 2005, Lost Memory linked to this 1910 photo when the theater had re-opened as the Comet. Anyway, Lost’s link is now broken, so thought I’d add it again.