Cineworld Cinema - Leicester Square

5 Leicester Square,
London, WC2H 7NA

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Empire Cinema

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The Empire Theatre was designed and built as a music hall by architect Thomas Verity and could seat 3,000. It opened on 17th April 1884. The old Pit seating entrance can still be seen today if you go around to the left of the theatre into Leicester Street. In 1893 a new facade and foyer was built on Leicester Square, designed by Frank T. Verity. This facade and entrance is what is seen today, as on 22nd January 1927, the old Empire Theatre was closed, after it had been taken over by Loew’s Inc. in 1925. The auditorium was demolished and a new one built to the plans of Scottish born theatre architect Thomas W. Lamb (from the USA) assisted by F.W. Boettcher (from the UK) and associated architect was Frederick G.M. Chancellor of the noted UK theatre architectural firm Frank Matcham & Company.

The new Empire Theatre opened on 8th November 1928 with Norma Shearer in “Trelawney of the Wells” and for the following 33 years became the London premier home to MGM feature films. It housed 3,330 seats in its massive and decorative auditorium. There were 1,916 seats in the stalls, 180 loge seats in the front of the circle and the remainder of the circle seated 1,234. The Empire Theatre had a fully equipped stage and for a period in the late-1940’s until February 1952, it was put to full use when a stage show accompanied the main feature film. The proscenium was 54 feet wide and the stage 35 feet deep. It was equipped with a WurliTzer 4Manual/21Rank organ. The Leicester Square landmark also had an opulent lobby and all the normal regalia of an American movie palace, its interior resembled the Adam style Thomas Lamb designed Capitol Theatre in Manhattan, New York, its exterior is in the Italian Renaissance style.

Of course, as the Empire Theatre was Loew’s premier theatre in the UK, all the MGM films which opened at the Empire Theatre over the years were UK premiere presentations, as were the occasional productions from other studios, but there were also many special premieres: the first of these being a midnight charity premiere-4th September 1935 Eleanor Powell in “Broadway Melody of 1936”, gala late night premiere-31st March 1938 Robert Taylor “A Yank at Oxford”, evening premiere-concurrent with the Palace Theatre and the Ritz Cinema 18th April 1940 Vivien Leigh “Gone With the Wind” (which ran at the Empire Theatre for 12 weeks), Charity Premiere-10th August 1944 Irene Dunne “The White Cliffs of Dover”, Royal Command Performance (the first to be held)-1st November 1946 David Niven “A Matter of Life and Death”, Royal Command Performance-29th November 1948 John Mills “Scott of the Antarctic”, Royal Command Performance-30th October 1950 Irene Dunne “The Mudlark”, Royal Premiere-12th June 1952 Robert Taylor “Ivanhoe”, Royal Film Performance-27th October 1952 Mario Lanza “Because Your Mine”, Royal Film Performance-15th November 1954 Stewart Granger “Beau Brummel”, Royal World Premiere-16th May 1955 Richard Todd “The Dam Busters”, Royal Charity Premiere-16th November 1955 Jose Ferrer “Cockleshell Heroes”, Gala Charity Premiere-19th September 1956 Marlon Brando “Guys and Dolls”, Royal Charity Premiere-29th June 1957 Marlon Brando “Teahouse of the August Moon”, The Royal Film Performance-2nd February 1959 Alec Guinness “The Horses Mouth”.

A Gala European Charity Premiere-16th December 1959 Charlton Heston “Ben Hur” which ran for 76 weeks until 28th May 1961. This was the last film to be screened in the original auditorium. For this final presentation a new projection box was built in the centre of the stalls, beneath the front of the balcony (loosing half the stalls seating due to the projection box and bad sightlines of seating on the extreme edges). The projection had a straight throw of 78 feet to a new 52 feet masked wide screen which had been erected just in front of the proscenium arch. The seating capacity was reduced to 1,723.

With its attendance already declining before the “Ben Hur” run, and mounting criticism of the theatre’s technical quality, it had been decided to ’re-do' the theatre. It was closed and totally gutted internally. The building had been purchased by Mecca Ltd.

It re-opened on 19th June 1962 with Doris Day in “Jumbo”. The cinema had a completely new look inside the shell of the old theatre. Designed by noted cinema architect George Coles, his last major project, it was in a ‘modern’ style for the 1960’s. Seating was provided for 1,330 on a single floor which was formerly the circle, now extended forward. There were 688 in the front seating section and 642 in the former stepped section of the circle. The former stalls area became a Mecca Dance Hall (which in 2006, became a casino). The original facade was entirely covered by a new advertising hoarding. On 25th November 1965 the World Premiere of “Lasy L” was held at the Empire Theatre. On 26th April 1966 a Royal European Gala Charity Premiere of “Doctor Zhivago” was held at the Empire Theatre.

Later incorporating two other spaces, the adjacent Ritz Cinema and another small space off the foyer which opened as the 80 seat, Screen 3, on 29th November 1985 with Harrison Ford in “Witness”, the Empire Cinema was now a triplex. Many more premieres were held in the Empire Cinema’s magnificent main auditorium (Screen 1), which in 1989 was refurbished and was THX certified.

Seating 1,330 in the main Screen 1 (with a huge 60 feet wide by 25 feet high screen) and 77 in Screen 3. (Screen 2 in the former adjacent Ritz Cinema is listed seperately as ‘Cineworld at the Empire Theatre – Screen 2’ on this site, and has a current seating capacity of 349). The facade has since been restored. After many years being operated by UCI it was taken over by the Irish based Empire Cinemas Ltd. as part of a new circuit they are now operating in the UK. On 20th June 2008, two new screens 4 & 5 opened in spaces that had originaly been a toilet area and green room. In August 2009, a further four screens were created in the building, giving a total of eight screens, plus one screen in the former adjacent Ritz Cinema which was known as ‘Screen 2’.

The final world premiere held in Screen 1 was the One Direction film “One Direction:This Is Us” on 21st August 2013. George Coles designed Screen 1 was closed for redevelopment on 26th August 2013 with the horror film “Big Bad Wolves” screening as part of the annual weekend ‘Frightfest’.

Screen 1 was then sub-divided to provide a 398-seat ‘Impact’ screen with Atmos sound, which has a stadium seated main floor and also seating provided in a balcony (in the former Empire Theatre’s stage house). It opened on 16th May 2014. It is located in the screen end of the former Empire 1, with its huge ‘Impact’ screen now back to back with the new IMAX screen next door.

The 751-seat IMAX screen which opened on 30th May 2014 is located in the former rear seating area of Screen 1, and has retained some of the cinema’s 1962 George Coles designed decoration, with illuminated troughs across the ceiling and down the side-walls which have ever-changing colours. The conversion was carried out to the plans of architectural firm UNICK Architects.

The Empire was one of five Empire cinemas purchased by Cineworld in July 2016, the others were Basildon, Hemel Hempstead, Poole and Bromley. The deal also included that Empire Theatres would take over the Cineworld Haymarket. The Cineworld Cinema Leicester Square was closed on 7th January 2018 for refurbishment and re-opened 9th February 2018.

Contributed by Ross Melnick, Ken Roe

Recent comments (view all 564 comments)

CF100 on February 25, 2018 at 11:08 am

Zappomatic: Thank you for the additional photos, looks like things are progressing, albeit I still can’t quite make sense of it—I’ll have a look this week for myself.

The “purple” coloured plasterboard looks like British Gypsum SoundBloc, although it looks like some of the paper has peeled off? I can’t imagine they’ve pained it “purple.”

Shame about the flithy porthole glass. :–( Presumably, you could take a microfibre cloth with you and clean it yourself! “Sounds like” (pun intended) a Superscreen visit is in order…

Zappomatic on March 5, 2018 at 1:13 pm

New concessions counter is now open (photo added). I may be imagining things but it seems to take up less room than the old one and the ice cream counter has swapped ends. It has a glossy black front and black marble effect top. Back wall is a black paint effect with some subtle lighting. It’s all a little more understated than other recent openings and returns which have a backlit counter and hexagonal tiles on the back wall.

Now the area on the other side of the foyer (under the sloped ceiling) is hoarded off.

Zappomatic on March 5, 2018 at 3:10 pm

Having looked again the wall finish behind the concessions counter is temporary and presumably will be tiled.

Zappomatic on March 9, 2018 at 12:53 pm

The work they’re doing to the ceiling is starting to make sense now – I’ve uploaded a photo of the new recesses.

CF100 on March 10, 2018 at 3:34 am

Thanks Zappomatic for all the updates and photos.

The recent inclement weather particularly affected rail services in my area, so I’ve still not had a chance to take a look.

I’ll be in the West End today, but it looks like there’s an “IMAX Film Festival”—trying to complete an online booking for a single seat results in a message stating that there is a minimum number of seats required. (The pricing is also odd, e.g. £3.70 adult (without “My Cineworld Plus” or an “Unlimited” card.) It works if I try to book 3 seats, at which point it turns out the IMAX auditorium is already fully booked from Row C to N in the central section.

Looks like all plans I have to get there before the foyer is complete are jinxed!

The new concessions counter is looking rather good, I must say.

Zappomatic on March 10, 2018 at 4:04 am

The pricing looks odd because it includes a 70p per ticket online booking fee. In cinema it will be £3.

CF100 on March 10, 2018 at 5:07 am

Indeed! Expressed that way, though, even more odd. £3 for an IMAX with Laser screening in the West End?

Zappomatic on March 10, 2018 at 5:29 am

They do this nationwide every year, a one off screening of the top IMAX films over the past year at £3 per film. But this is the first time Leicester Square has been included – they’ve practically sold out all of the screenings and I’d imagine they’ll make a fortune in popcorn sales!

CF100 on March 11, 2018 at 3:54 am

I suppose it’s a different situation to the first weeks of a first run film where the distributor gets a large percentage of the net box office. Given the high level of seat fill, it seems that it would be good for Cineworld to do more of these “IMAX Film Festival” programmes off-season.

Regarding the positioning of the new concessions counter, I think you are right that it has been moved back.

Looking also at the “Cinema Level” plan in the 2016 licensing documents, it looks like it’s now in line with the kink in the wall for the store room/fire exit doors to Leicester Place/(what was then) Screen 4, liberating what I estimate to be ~5ft. of space—and thereby alleviating the “concession queues block toilets” scenario.

Is the “fake marble” counter material the same as used in other current generation Cineworld refurbs/new builds?

Zappomatic on March 11, 2018 at 6:05 am

The fit-out here seems to be more bespoke – others have a backlit frontage and use a white top, as shown here:

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