This 1952 35 mm analog film projector is made by AEG Telefunken with spoolboxes for 1200 meters film and a soundhead for mono optical soundtracks by Klangfilm Siemens located in germay.
the picture show a Norelco DP 70 projector for 35 mm & 70 mm 6 track stereo film with a lamp by Super Cinex for a bright projection developed by Mike Todd & American Optical and produced by Phillips locacded in Holland Eidhoven
The image shows the format Sovscope 1:2.35 (comparable with CinemaScope and optical sound 1:2.35).
The screen consists of 9 movable panels wich can be arranged flat or in 129 degree curve for 70 MM 1:2.1 or 146 degree curve for 3 strip Kinopanorama 1:2.75 (compatible to 3 strip Cinerama 1:2.75).
In the pictures no changes to 1958 are to be recognized, exept new seats and a Dolby Digital sound system. Even the blue and red curtain, the Kinopanorama surround speakers and the special acustic celing were not removed.
Presumabbly the cinema screen is still in its original condition.
It is wonderful that an original deeply curved Kinopanorama (aka Cinerama) theatre is not damaged and still in use as a living cinema.
“Tommy”
was the only picture presented in Quintaphonic Sound
This 1952 35 mm analog film projector is made by AEG Telefunken with spoolboxes for 1200 meters film and a soundhead for mono optical soundtracks by Klangfilm Siemens located in germay.
a promotion picture by Screen X
it seems the live theater was shortly after 1922 two times remodeled
1926/27 stage auditorium and magazine and 1932 façade and lobby
This is a 35 / 70 mm Universalprojector for mono optical and stereo magnetic 6 and 4 channel sound reproducer by Cinemeccanica located in Milano Italy
It looks like a deeply curved Cinerama screen.
projector by Kinoton model FP 25 D
Munich germany
projector by Ernemann model VII B,
Kiel germany
This is a picture of the UFA Filmbuehne Wien in Berlin, but not of the Metropol theatre am Nollendorfplatz.
1955
Film Festival Berlinale aka Internationale Filmfestspiele
Film Festival Berlinale 1955
the Krung Sri IMAX auditorium at Paragon Cineplex
blue ribbon auditorium at Paragon Cineplex
Later the screen was enlarged for CinemaScope.
The open curtain was tucked away in side pockets so that the full with of the hall could be used for maximum image with.
original Interior
European roadshow presentation in TODD AO 70 MM
a 3 strip Kinopanorama presentation
the picture show a Norelco DP 70 projector for 35 mm & 70 mm 6 track stereo film with a lamp by Super Cinex for a bright projection developed by Mike Todd & American Optical and produced by Phillips locacded in Holland Eidhoven
The original interior of the Cinerama Dome
special 3 strip Cinemiracle engagement of
Windjammer
later a pair of DP 70 MM projectors by Norelco/ Phillips Eidhoven were installed
back side of the theatre with emergency exits
This is a multi-format screen.
The image shows the format Sovscope 1:2.35 (comparable with CinemaScope and optical sound 1:2.35).
The screen consists of 9 movable panels wich can be arranged flat or in 129 degree curve for 70 MM 1:2.1 or 146 degree curve for 3 strip Kinopanorama 1:2.75 (compatible to 3 strip Cinerama 1:2.75).
In the pictures no changes to 1958 are to be recognized, exept new seats and a Dolby Digital sound system. Even the blue and red curtain, the Kinopanorama surround speakers and the special acustic celing were not removed.
Presumabbly the cinema screen is still in its original condition.
It is wonderful that an original deeply curved Kinopanorama (aka Cinerama) theatre is not damaged and still in use as a living cinema.
not demolished
before World War II
screening
Around The World in 80 Days
presented in 70 mm TODD AO 6-channel stereophonic sound