I noticed this with certain other films in that period with “adult content.” Apparently it was a type of local blue-law restriction on certain entertainments deemed inapropriate for Sundays.
Another related item I found was that later in 1951 the manager of the Delavan Theatre in Delavan, Wisconsin, quit after the Lions Club protested the showings of “Bitter Rice.” Many locals expressed indignation and suggested that the theatre should be boycotted.
Item in Boxoffice magazine, December 30, 1950:
“Mario Votolato and his wife, who recently leased the Johnston Theatre in Thornton, R.I., from Sam Richmond, were in [boston] booking at Monogram.”
George Kraska, managing director of the Beacon Hill, said that the opening day of the Italian film “Bitter Rice,” broke every record for the showing of a foreign film in the house and that “it looks like a six weeks' or longer run.” The picture cannot play Sundays. The previous record for the theatre was held by “The Bicycle Thief,” which ran eight weeks.
“Showing of pictures in three dimensions has been started at the Embassy Theatre, where admission until 4:30 p.m. is 25 cents."
(Item in Boxoffice magazine, September 12, 1953.)
“The Elmwood Theatre, Providence, has just completed the successful engagement of "Around the World in 80 Days” for an all-time Providence boxoffice record. In 29 weeks the Michael Todd film took in $152,000.“
(Item in Boxoffice magazine, May 12, 1958)
Boxoffice magazine of September 15, 1956 had a number of photos of the renovation of the Carlton Theatre and renaming it the Surf for its transformation into an art house. They are part of a long article called “Art Policy Revives a Shuttered Theatre." View link
The Capitol and the Palace appear almost side-by-side in this photo in Boxoffice magazine from May 28, 1955. Each house was playing a different Davy Crockett film. View link
The Capitol and the Palace appear almost side-by-side in this photo in Boxoffice magazine from May 28, 1955. Each house was playing a different Davy Crockett film. View link
I noticed this with certain other films in that period with “adult content.” Apparently it was a type of local blue-law restriction on certain entertainments deemed inapropriate for Sundays.
Another related item I found was that later in 1951 the manager of the Delavan Theatre in Delavan, Wisconsin, quit after the Lions Club protested the showings of “Bitter Rice.” Many locals expressed indignation and suggested that the theatre should be boycotted.
Item in Boxoffice magazine, December 30, 1950:
“Mario Votolato and his wife, who recently leased the Johnston Theatre in Thornton, R.I., from Sam Richmond, were in [boston] booking at Monogram.”
Small photo of marquee on election day, Boxoffice magazine, December 16, 1950:
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Photo in Boxoffice maghazine, January 6, 1951:
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Item in Boxoffice magazine, January 6, 1951:
George Kraska, managing director of the Beacon Hill, said that the opening day of the Italian film “Bitter Rice,” broke every record for the showing of a foreign film in the house and that “it looks like a six weeks' or longer run.” The picture cannot play Sundays. The previous record for the theatre was held by “The Bicycle Thief,” which ran eight weeks.
Small photo of Belvedere Theatre, Boxoffice magazine, January 6, 1951:
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Small photo of front of Strand, Boxoffice magazine, January 6, 1951:
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A photo of the Farman Theatre appeared on the cover of Boxoffice magazine, January 6, 1951:
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An article, with several photos, appeared in Boxoffice magazine, May 4, 1957:
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(See following pages as well.)
A feature article, with photos, on the Lone Tree Drive-In appeared in Boxoffice magazine, May 4, 1957:
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A small photo of the front of the Mercury Theatre at the local premiere of Lili appeared in Boxoffice magazine, August 29, 1953:
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“Showing of pictures in three dimensions has been started at the Embassy Theatre, where admission until 4:30 p.m. is 25 cents."
(Item in Boxoffice magazine, September 12, 1953.)
Small photo in Boxoffice magazine, May 12, 1958:
View link
(Top right.)
“The Elmwood Theatre, Providence, has just completed the successful engagement of "Around the World in 80 Days” for an all-time Providence boxoffice record. In 29 weeks the Michael Todd film took in $152,000.“
(Item in Boxoffice magazine, May 12, 1958)
“Display CinemaScope 55 Changeover Equipment"
Small photo in Boxoffice magazine, April 7, 1956:
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“Glamor Treatment for Neighborhood House"
Article with photos in Boxoffice magazine, April 7, 1956:
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Here is an article, with plenty of photos, in Boxoffoce magazine from April 7, 1956:
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An article with several photos of this place appeared in Boxoffice magazine, September 15, 1956:
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Boxoffice magazine of September 15, 1956 had a number of photos of the renovation of the Carlton Theatre and renaming it the Surf for its transformation into an art house. They are part of a long article called “Art Policy Revives a Shuttered Theatre."
View link
Boxoffice magazine of September 15, 1956 has two small photos of the revamping of the marquee:
View link
Boxoffice magazine of September 15, 1956 has two small photos showing the restoration of the marquee:
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Boxoffice magazine of September 15, 1956 has small photos of the restoraton of the marquee:
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Report of bomb-threat hoax, Boxoffice magazine May 28, 1955:
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The Capitol and the Palace appear almost side-by-side in this photo in Boxoffice magazine from May 28, 1955. Each house was playing a different Davy Crockett film.
View link
The Capitol and the Palace appear almost side-by-side in this photo in Boxoffice magazine from May 28, 1955. Each house was playing a different Davy Crockett film.
View link