I only ever attended the Pantages after this remodeling took place, and have not been back since the restoration done some years ago by Nederlander, so I remember the house looking pretty much like it does in the photos with this article. Even with the proscenium hidden behind the gold curtains and the 55x27 foot screen the auditorium was very impressive.
Very belated linkrot repair: The August 6, 1955, Boxoffice article about the Golden Mile Theatre can now be seen at this link.
I’ve been unable to find the 1978 article about the conversion to a twin, as Boxoffice has moved its archive to a user-hostile web site that is nearly impossible to search from either inside or outside.
A brief article with two photos depicting the recently-opened family dining room and television lounge at the Chief Drive-In appeared in the May 9, 1960, issue of Boxoffice.
Given the number of streamlined cars in this photo it is more likely to have been taken around 1939 than 1929. If somebody has larger version in which the names of the movies on the marquee could be made out, we could date it from those.
The October 23, 1915, issue of The American Contractor announced that the Star Theatre in Ogdensburg would undergo a $5,000 remodeling job. Plans for the project had been prepared by local architect George Edward Wilson. Mr. F. W. Gilroy was the owner of the theater.
Wilson, who lived in Ottawa, Canada, from 1901 to 1908, did sufficient work in Canada to rate a brief entry in the Biographical Dictionary of Architects in Canada 1800 – 1950.
AlanCo4 is correct. The Village Theatre building is still standing, and is now occupied by an event center called The Venue Creekside. It’s a nice little Midcentury Modern building of red brick, set back from the street quite a bit and facing its parking lot. The Village was of modest size- I’d guess no more than about 500 seats as a single-screener.
Although the three arched windows above the entrance and the massy base bear some resemblance to the Romanesque Revival style, I’d say this somewhat eclectic building is predominantly Colonial Revival in style.
In 1923, architect Frank W. Frewen was a partner in the firm of Mountjoy & Frewen with Frederick E. Mountjoy. The firm was best known for the numerous school buildings it designed.
In its biography of architect Rudolph Tietig, the Biographical Dictionary of Cincinnati Architects, 1788-1940 attributes the design of the Strand Theatre to him and his firm of Tietig & Lee, with Walter H. Lee. (Lee’s own rather brief entry in the dictionary lists him as William H. Lee, and a 1909 city directory lists him as Walter L. Lee, but I’m inclined to go with Walter H. Lee, which appears in several reliable sources.)
A Cincinnati city directory published in June, 1910, lists a house called the American Theatre at 531 Walnut Street. As this would be under the Strand’s footprint, I’m wondering if it was an earlier name for the same house or if the American was demolished to make way for the Gaiety. A Gaiety Theatre is also listed in 1910, but at the address 1211 Vine Street.
The Alhambra Theatre was listed at 144 W. Fifth Street in the 1910 city directory. I don’t know if the theater later moved or was expanded or if the building was renumbered.
CinemaTour has three photos of the Park Cinema building taken in 2008, and says the house opened on March 21, 1986. Google Maps indicates that the building is now occupied by two television studios.
The building looks much too large to have had only 375 seats, and General Cinema was building multiplexes with well over 1,000 seats during the 1980s. Is it possible the number is missing a 1 at the front?
A May, 1939, program from the Avon Theatre can be seen on this web page. The page also has a recipe for Cincinnati chili (it has spaghetti in it, a Cincinnati tradition.)
The program has a line reading “A Jackson Theatre” suggesting that it might have been owned by Jerome M. Jackson, a pioneer Cincinnati exhibitor. His obituary in the April 24, 1943, issue of The Billboard said that at the time of his death he owned the Jackson and Lookout Theatres, and served as manager of the Taft Theatre. Earlier in has career he had operated the Lyric Theatre and the Grand Opera House.
An earlier Avon Theatre was listed in a 1910 city directory as being on the north side of Rockdale Avenue off of Reading Road. Rockdale Avenue is several blocks north of the later Avon Theatre.
After taking over the Carrol Theatre in 1918, Jerome Jackson had the house enlarged, per this item from the October 25, 1919, issue of The American Contractor:
“Theater (add.): $12,000. 1 sty. 50x 60. Eastern av. Archt. Oscar Schwartz, 311 Provident Bank bldg. Owner Jerome M. Jackson. McGregor & Reading rd. Brk. walls, mill floor & roof constr. Drawing plans. Ready for bids abt. Nov. 1.”
The Biographical Dictionary of Cincinnati Architects has only a brief entry for Oscar Schwartz:
“Listed 1916-1931. Designed a synagogue in Avondale. A considerable number of drawings from his office are preserved in the Cincinnati Historical Society Library collection.”
I wonder if any drawings of this theater are among those preserved?
Cheersdan: A city directory published in June, 1910, lists the Century Theater as being on the west side of Gilbert Avenue south of McMillan Avenue. The Peebles Theatre is not listed in the directory, so your surmise that the Peebles and the Century might be one and the same is probably correct.
There is a mention of a Peebles Theatre in the August 1, 1891, issue of The Cincinnati Enquirer, but the mention doesn’t give enough information to determine if it was the house at 2445-2449 Gilbert. If it was, though, the Moving Picture World item I cited previously was mistaken (not at all unusual for such trade journals) about the house having been built in 1909. It would probably have been converted to a movie house that year.
There is also a classified ad in the May 22, 1930, issue of the Enquirer offering for sale “A PROMINENT CORNER McMillan St. Brick building, consisting of 3 large stores and 10 flats; Peebles theater: $10,000 cash, balance good terms or trade.” If that item referred to this Peebles Theatre, then the building still housed a theater in 1930 and the planned conversion to retail noted in MPW item must not have taken place, or was reversed at some point.
I’ve been unable to find the Peebles Theatre listed in any available editions of any of the theatrical guides from the late 19th century, so I don’t know anything about it. The entrance building is too small to have held a significant theater, but the building across the alley behind it and extending up to McMillan Street looks like it could have been converted from an auditorium. The best way to find out is if you can get hold of some old Sanborn Fire Insurance maps from the period. It’s possible that Cincinnati’s public library has some. I’ve never been to Cincinnati myself and live in California, so I won’t be able to unearth anything that isn’t on the Internet.
This item about a movie theater at the Guild’s address appeared in the March 1, 1913, issue of Motography:
“The Cincy theater, a moving picture theater on McMillan street, near Peebles corner, Cincinnati, was transferred from John Hagerty to George W. Vaughn on a lease which is written for one year. The theater is at 782 East McMillan street. The lease is at $100 a month.”
While it’s possible that the Cincy Theatre was in an earlier building on the same site, the side walls of the Guild’s building do look sufficiently worn to have been there since the 1910s or earlier (it was listed at this address in the 1910 city directory.)
Also, I doubt that a brand new neighborhood house built in 1939 would have been as narrow as the Eden, which is another indication that it was most likely an older theater remodeled and reopened at that time. However, I’ve been unable to find any references to the house between 1913 and 1939. It might have operated under other names.
An article about Gainesville’s movie theaters in the September 26, 2010 issue of the Gainesville Times said that Frank Plaginos, operator of the State and Royal Theatres, opened the Ritz Theatre in 1934. Two years later it was destroyed by a tornado that also damaged the Royal Theatre. The Ritz was rebuilt and reopened, but not until 1940.
Here is news from the November 1, 1924, issue of The Moving Picture World:
“Definite information that the new State Theatre, Gainesville, Ga., will open on October 20 has been received. Frank Plaginos is owner and Jack Lewis is manager. ‘The Sea Hawk’ is the opening attraction.”
An article about Gainesville’s movie theaters in the September 26, 2010, issue of the Gainesville Times said that a fire swept the block the State Theatre was in five months after the house opened, but Plaginos quickly rebuilt the theater on the same site.
According to an item in February 3, 1993, issue of the Whitby Free Press, the Brock Theatre opened on April 7, 1938, and closed in 1985. The building was gutted and the interior rebuilt to accommodate a bar in 1990.
The front of the building has been so drastically altered as to be unrecognizable, and I would imagine that the interior has undergone equal transformation. A few photos of the original streamline modern interior can be found on this page of the Whitby Public Library web site.
This house replaced an earlier theater down the street which had opened in 1910 as the Royal Theatre and had been renamed the Brock Theatre in 1934, according to the May 15, 1991 Free Press.
The Hairston 8 was one of eight identical or nearly identical multiplexes designed for GCC by the Port Washington, New York, architect James Thomas Martino.
Center Street is the dividing line for east-west addresses in Springfield, and the New Sun was on the northwest corner of Center and Main, fronting on Main, so its lot was probably numbered 100-102-104. I’m sure the address is correct.
The Ohio Theatre in the photo is still standing. I’ve just discovered that it is the house now called the Renaissance Theatre, located in Mansfield, Ohio.
The May 9, 1960, issue of Boxoffice featured an article about the remodeling of the Pantages which had been completed the previous year.
I only ever attended the Pantages after this remodeling took place, and have not been back since the restoration done some years ago by Nederlander, so I remember the house looking pretty much like it does in the photos with this article. Even with the proscenium hidden behind the gold curtains and the 55x27 foot screen the auditorium was very impressive.
Very belated linkrot repair: The August 6, 1955, Boxoffice article about the Golden Mile Theatre can now be seen at this link.
I’ve been unable to find the 1978 article about the conversion to a twin, as Boxoffice has moved its archive to a user-hostile web site that is nearly impossible to search from either inside or outside.
An illustrated article about the Absecon Drive-In appeared in the “Modern Theatre” section of Boxoffice, August 6, 1955.
A brief article with two photos depicting the recently-opened family dining room and television lounge at the Chief Drive-In appeared in the May 9, 1960, issue of Boxoffice.
Linkrot re-repair: The May 9, 1960, Boxoffice article about the reopening of the former Melba Theatre as the Capri is now at this link.
Given the number of streamlined cars in this photo it is more likely to have been taken around 1939 than 1929. If somebody has larger version in which the names of the movies on the marquee could be made out, we could date it from those.
The October 23, 1915, issue of The American Contractor announced that the Star Theatre in Ogdensburg would undergo a $5,000 remodeling job. Plans for the project had been prepared by local architect George Edward Wilson. Mr. F. W. Gilroy was the owner of the theater.
Wilson, who lived in Ottawa, Canada, from 1901 to 1908, did sufficient work in Canada to rate a brief entry in the Biographical Dictionary of Architects in Canada 1800 – 1950.
AlanCo4 is correct. The Village Theatre building is still standing, and is now occupied by an event center called The Venue Creekside. It’s a nice little Midcentury Modern building of red brick, set back from the street quite a bit and facing its parking lot. The Village was of modest size- I’d guess no more than about 500 seats as a single-screener.
Although the three arched windows above the entrance and the massy base bear some resemblance to the Romanesque Revival style, I’d say this somewhat eclectic building is predominantly Colonial Revival in style.
In 1923, architect Frank W. Frewen was a partner in the firm of Mountjoy & Frewen with Frederick E. Mountjoy. The firm was best known for the numerous school buildings it designed.
In its biography of architect Rudolph Tietig, the Biographical Dictionary of Cincinnati Architects, 1788-1940 attributes the design of the Strand Theatre to him and his firm of Tietig & Lee, with Walter H. Lee. (Lee’s own rather brief entry in the dictionary lists him as William H. Lee, and a 1909 city directory lists him as Walter L. Lee, but I’m inclined to go with Walter H. Lee, which appears in several reliable sources.)
A Cincinnati city directory published in June, 1910, lists a house called the American Theatre at 531 Walnut Street. As this would be under the Strand’s footprint, I’m wondering if it was an earlier name for the same house or if the American was demolished to make way for the Gaiety. A Gaiety Theatre is also listed in 1910, but at the address 1211 Vine Street.
The Alhambra Theatre was listed at 144 W. Fifth Street in the 1910 city directory. I don’t know if the theater later moved or was expanded or if the building was renumbered.
CinemaTour has three photos of the Park Cinema building taken in 2008, and says the house opened on March 21, 1986. Google Maps indicates that the building is now occupied by two television studios.
The building looks much too large to have had only 375 seats, and General Cinema was building multiplexes with well over 1,000 seats during the 1980s. Is it possible the number is missing a 1 at the front?
A May, 1939, program from the Avon Theatre can be seen on this web page. The page also has a recipe for Cincinnati chili (it has spaghetti in it, a Cincinnati tradition.)
The program has a line reading “A Jackson Theatre” suggesting that it might have been owned by Jerome M. Jackson, a pioneer Cincinnati exhibitor. His obituary in the April 24, 1943, issue of The Billboard said that at the time of his death he owned the Jackson and Lookout Theatres, and served as manager of the Taft Theatre. Earlier in has career he had operated the Lyric Theatre and the Grand Opera House.
An earlier Avon Theatre was listed in a 1910 city directory as being on the north side of Rockdale Avenue off of Reading Road. Rockdale Avenue is several blocks north of the later Avon Theatre.
After taking over the Carrol Theatre in 1918, Jerome Jackson had the house enlarged, per this item from the October 25, 1919, issue of The American Contractor:
The Biographical Dictionary of Cincinnati Architects has only a brief entry for Oscar Schwartz:I wonder if any drawings of this theater are among those preserved?Cheersdan: A city directory published in June, 1910, lists the Century Theater as being on the west side of Gilbert Avenue south of McMillan Avenue. The Peebles Theatre is not listed in the directory, so your surmise that the Peebles and the Century might be one and the same is probably correct.
There is a mention of a Peebles Theatre in the August 1, 1891, issue of The Cincinnati Enquirer, but the mention doesn’t give enough information to determine if it was the house at 2445-2449 Gilbert. If it was, though, the Moving Picture World item I cited previously was mistaken (not at all unusual for such trade journals) about the house having been built in 1909. It would probably have been converted to a movie house that year.
There is also a classified ad in the May 22, 1930, issue of the Enquirer offering for sale “A PROMINENT CORNER McMillan St. Brick building, consisting of 3 large stores and 10 flats; Peebles theater: $10,000 cash, balance good terms or trade.” If that item referred to this Peebles Theatre, then the building still housed a theater in 1930 and the planned conversion to retail noted in MPW item must not have taken place, or was reversed at some point.
I’ve been unable to find the Peebles Theatre listed in any available editions of any of the theatrical guides from the late 19th century, so I don’t know anything about it. The entrance building is too small to have held a significant theater, but the building across the alley behind it and extending up to McMillan Street looks like it could have been converted from an auditorium. The best way to find out is if you can get hold of some old Sanborn Fire Insurance maps from the period. It’s possible that Cincinnati’s public library has some. I’ve never been to Cincinnati myself and live in California, so I won’t be able to unearth anything that isn’t on the Internet.
This item about a movie theater at the Guild’s address appeared in the March 1, 1913, issue of Motography:
While it’s possible that the Cincy Theatre was in an earlier building on the same site, the side walls of the Guild’s building do look sufficiently worn to have been there since the 1910s or earlier (it was listed at this address in the 1910 city directory.)Also, I doubt that a brand new neighborhood house built in 1939 would have been as narrow as the Eden, which is another indication that it was most likely an older theater remodeled and reopened at that time. However, I’ve been unable to find any references to the house between 1913 and 1939. It might have operated under other names.
The Fiesta Four Drive-In, opened in 1949 as the Whittier Drive-In, was actually in Pico Rivera, a few miles south of El Monte.
An article about Gainesville’s movie theaters in the September 26, 2010 issue of the Gainesville Times said that Frank Plaginos, operator of the State and Royal Theatres, opened the Ritz Theatre in 1934. Two years later it was destroyed by a tornado that also damaged the Royal Theatre. The Ritz was rebuilt and reopened, but not until 1940.
Here is news from the November 1, 1924, issue of The Moving Picture World:
An article about Gainesville’s movie theaters in the September 26, 2010, issue of the Gainesville Times said that a fire swept the block the State Theatre was in five months after the house opened, but Plaginos quickly rebuilt the theater on the same site.This photo depicts the first Brock Theatre, originally the Royal Theatre, at 173 Brock Street N.
According to an item in February 3, 1993, issue of the Whitby Free Press, the Brock Theatre opened on April 7, 1938, and closed in 1985. The building was gutted and the interior rebuilt to accommodate a bar in 1990.
The front of the building has been so drastically altered as to be unrecognizable, and I would imagine that the interior has undergone equal transformation. A few photos of the original streamline modern interior can be found on this page of the Whitby Public Library web site.
This house replaced an earlier theater down the street which had opened in 1910 as the Royal Theatre and had been renamed the Brock Theatre in 1934, according to the May 15, 1991 Free Press.
The Hairston 8 was one of eight identical or nearly identical multiplexes designed for GCC by the Port Washington, New York, architect James Thomas Martino.
The Parkside 8 was one of eight multiplexes designed for General Cinema by architect James Thomas Martino.
Center Street is the dividing line for east-west addresses in Springfield, and the New Sun was on the northwest corner of Center and Main, fronting on Main, so its lot was probably numbered 100-102-104. I’m sure the address is correct.
The Ohio Theatre in the photo is still standing. I’ve just discovered that it is the house now called the Renaissance Theatre, located in Mansfield, Ohio.