Odeon Luxe London Leicester Square
26 Leicester Square,
London,
WC2H 7LQ
26 Leicester Square,
London,
WC2H 7LQ
45 people
favorited this theater
Showing 376 - 400 of 756 comments
Re: Bond premieres at the OLS—
Licence to Kill – 1989.
Exterior Shot of Large Format Advert on Facade.
GoldenEye – 1995.
Tomorrow Never Dies – 1997.
The World Is Not Enough – 1999.
Casino Royale – 2006 (Empire Leicester Square and Odeon West End also.)
Quantum of Solace – 2008 (Page features a photo of the facade with “ROYAL WORLD PREMIERE” banner, and links to other exterior photos.)
N.B. Not all of the above are “world” premieres.
“Die Another Day,” “Spectre,” and “Skyfall” all premiered at the Royal Albert Hall.
Thinking about it, having pleated fabric to floor level makes no sense, being too exposed to potential wear or outright damage. I expect it will be an acoustic wood product.
LARGE_screen_format: The early figures given for the projected cost were ~£10-15m, the actual cost of works has not been disclosed AFAIK. However, without knocking the building down and starting again, there are physical constraints.
As mentioned, the screen is marked as the same size as previous on the submitted licensing application plans, with horizontal viewing angles marked also. Revisiting the plans, given the positioning of the stalls' front row, I can’t see how a new screen could be placed ahead of the proscenium.
The screen is shown, however, as being moved to the front of the stage house compared to the existing. (c.f. 2015 licensing plans.)
The emphasis of these works, besides presumably essential to work to keep the OLS intact for the forseeable future, seems to me to be the creation of a luxury facility, including a “Royal Box” and other features (VIP rooms, keeping the stage, etc.) to cater to special events and premieres?
Perhaps you could think of it as being a “preview” of Dolby Cinema pending installation in a site that more readily allows for a larger screen and better optimised auditorium geometry, whilst keeping those who would like to hear the old “Dutchess” Compton organ happy? :–)
The Cineworld (Empire) Leicester Square IMAX is, as previously discussed, as near a “no compromise” PLF giant screen as it could be, both in size and auditorium geometry—(strikingly so) given the building’s history and physical constraints. I imagine it, and the Superscreen, will remain the only auditoria equipped with giant screens* in the heart of London’s West End—and equally, no cinema will be able to compete with the OLS as a premiere location?
(* Per the Giant Screen Cinema Association’s giant screen specifications. Whilst the IMAX of course exceeds requirements, strictly, the Superscreen actually misses out width-wise by ~1m, not being quite 70ft. wide—however, the auditorium’s geometry does place all seating under one screen width away from the screen, and otherwise the auditorium’s geometry, projection and sound should all fall within specifications.)
There are a number of IMPACT screens in Empire Cinemas across the country that are around that width. Disappointing, if that is the case, for a flagship cinema after almost one year of remodelling at a cost of ~£10M! 82 feet (25 metres) wide would be nicer otherwise IMAX across the Square at Cineworld may still be the place to watch movies in a PLF for that immersive experience.
moviebuff82: The Odeon Leicester Square is always worth visiting but purely technically it might not be better than your local, in terms of acoustics, seat positioning relative to the screen, and screen size, which might well remain ~48ft. wide.
It will be worth the trip as my local dolby cinema in rockaway has fewer seats than the Imax and a regular theater.
Great news that I have been anticipating for a very long time.
Wonder if this flagship Dolby Cinema will be the largest worldwide and have the highest seat?
Hopefully, once this first Dolby Cinema in the UK has opened, many more will open across the country in 2019 and beyond?
Here’s hoping…
antovolk: Many thanks for the heads up!
Good to finally get some idea of what the auditorium will look like, and interesting that it will branded as “LUXE.”
From a “heritage” standpoint, with so much missing—ceiling, and the splay walls/proscenium—indeed, all of the stage end—of the auditorium missing it’s really difficult to see what’s been (or being) restored?
It looks like the ribbed plasterwork on the circle sidewalls is being kept, presumably extending across the ceiling. I’m assuming that stretched fabric over acoustic absorption is used from there to the screen.
What looks like wooden panelling from stalls level up towards circle level is shown—possibly pleated fabric as certainly the cavity under the balcony should be heavily acoustically treated. For those who wish to see the flying ladies back, I’m thinking this could curve upwards as before to form that feature.
Not sure what to think! I suspect that, what appears to be a new darker colour scheme, will go down like a lead weight here… but renderings can be misleading!
On the bright side, the “glass box” feature on the LSQ facade looks like a fantastic addition and place to dwell before a movie.
Official announcement now live – Dolby Cinema confirmed, opening this December, CG renders of auditorium included https://www.odeon.co.uk/cinemas/leicester_square/105/
Premieres from 1953-1987 including the Bond films are listed in the Overview at the top of the page. It appears to be 7 from my title count.
How many of the James Bond movies premiered here?
Footage of the June 12, 1967 world premiere of “You Only Live Twice” at the Odeon. Brief shots of the exterior.
https://www.dailymotion.com/video/x2vxpy3
Would be the perfect showcase to launch “Mary Poppins” at Christmas although 2019 is beginning to look more likely for the Odeon as year-end looms ever closer.
Being in Leicester Square today, on this occasion the sheeting had been removed. Work continued past sunset, and thus afforded a good look into the foyer from LSQ; a photo has been uploaded.
Would seem to be a some prospect of it reopening this year, if not early next year.
Thinking further, considering that lift and escalator installation may not yet have been initiated and the extent of work required to create the “glass box” feature is also unknown, perhaps early next year is more likely.
As of last weekend, the opening into the OLS circle foyer had been largely obscured by flame retardant sheeting. Looks like Zappomatic took a photo at an opportune time!
Photo uploaded.
The producer of the first two star wars movies died today. Rest in peace gary Kurtz …
Zappomatic: Thank you for the update and photo.
I see there is lots of new plasterboard (looks like British Gypsum SoundBloc) under the circle stadia and walls.
Empire strikes back pro rata opening week record
What is the highest grossing movie at this theater?
Scaffolding and barrier material has been removed from the front of the building revealing a gaping hole where once there was glass. It’s possible to see scaffolding inside the auditorium (photos added)
LARGE_screen_format: At a “constant” 50ft. high (about that of the LSQ IMAX), the screen width needed for 2:35 would be 120ft. And for a 1.4:1 IMAX like the BFI, it would be ~140ft.
Getting a bit impractical, isn’t it? ;–)
moviebuff82: These things are usually region or country-specific, regardless of parent company.
AMC Stubs T&C’s.
To quote:
“Membership is valid at participating AMC Theatres in U.S. locations.”
CF100
I never got tired of watching the side masking open out to reveal a 2.35:1 scope screen at various venues including UCI Wycombe 6. Bigger is better! :o)
I was wondering if US moviegoers can use their AMC Stubs card at this venue since Odeon is owned by AMC. They have to get used to the british pound too.
LARGE_screen_format:
“There is nothing that says cinema better than watching side masking move out to reveal a full 2.35:1 widescreen image.”
I agree… however, this seems to be a convenient way of differentating Dolby Cinema from IMAX, whilst not requiring the vertical field of view that IMAX requires, and—not wishing to issue amateur legal advice here!—possibly infringing IMAX’s patent(s), e.g. Conversion of cinema theatre to a super cinema theatre.
Taller, wider… seems to me that using either between 1.78:1 (aka 16:9) or 1.9:1 would make the most sense!
Update: Having a quick look a couple of days ago, the outside of the Odeon Leicester Square is essentially the same as mentioned in previous posts, with the facade largely covered by fire retardant sheeting, hiding scaffolding behind.
A couple of extra photos, including a view behind the LSQ facade fire retardant sheeting taken from the left side, to follow.
‘If’ it turns out to be a flagship Dolby Cinema…
The final aspect in Dolby’s quest for the perfect projected image is the use of a constant height screen. That means the screen is the width of the auditorium and uses an aspect ratio of 2.35:1. When projecting films made in a 1.85:1 aspect ratio there is masking at the sides but when switching to a widescreen film the projector zooms, shifts and refocuses to the full width of the screen and the side masking moves out to reveal the 2.35:1 aspect ratio. There is nothing that says cinema better than watching side masking move out to reveal a full 2.35:1 widescreen image.
With all the talk in the comments below about a new screen, can I take it that it will still be a 2.39 Scope screen rather than a so called ‘Large Screen Format’ one at 1.90.
I hope so.