Ziegfeld Theatre
141 W. 54th Street,
New York,
NY
10019
141 W. 54th Street,
New York,
NY
10019
131 people
favorited this theater
Showing 4,101 - 4,125 of 4,511 comments
The Ziegfeld has been temporarily closed to the public during slow periods for years. Former owners Walter Reade and Cineplex Odeon also shuttered the Ziegfeld on occasion.
Has anybody found out any information? I call moviefone and it shows no showtimes. This has me extremely concerned. It seems to be closed.
When will it re open or will it?
Question: When did the Ziegfeld put in a smaller screen…and WHY??? I remember seeing “Apocalypse Now” and others on what I thought was one of the largest screens I ever saw…until I went to the Astor Plaza (now closed)
Sorry their should be they’re. See how angry theive gotten me.
It’s closed at the moment. They have at least for now put it out of it’s misery
Vito I have found in life to my chargrin that when people seem as if they have no reason or plan they usually have no reason or plan. They really DON’T know what their doing.
Of course they really could be waiting for the right condo or office deal.
On my way to MoMA the last couple of nights (why isn’t there a listing for that legendary venue?) and THE BAXTER is on the marquee, but the theatre is dark. I think the Ziegfeld’s days are numbered. Theatres that large are anachronisms, unfortunately.
Anyone know if (when) RENT will be playing at Ziegfeld?
Good question Vincent, just what the heck is going on with that theatre? What they are doing has to have a reason or a plan of some kind. Clearly they aren’t that stupid as to run the theatre the way they do. It’s really irritating.
totoro do you work for the Ziegfeld?
Then why do the people who run the place treat it just like another screening room in a multiplex? What is the point? Shouldn’t they just tear it down and build another office or lux condo building?
Or else treat it like a special event movie theater. Put in a larger curved screen, use it for 70mm special events and show contemporary films as one can see them no where else like the Cinerama Dome in LA.
What is it that I’m missing here?
Yeah, The Baxter pretty much killed us at the Ziegfeld. As far as I know, the theater is going to be closing down for a little while soon, except for a couple premieres and special functions, then will reopen with Flightplan on the 23rd. I think.
Cablevision owns both Clearview Cinemas and IFC, so The Baxter will continue to run at the Ziegfeld for a while.
Labor Day weekend the perfect time to go to the Movies, and this great theatre is still showing The Baxter? The place must be empty! Clearview wake up!
Only one is a genuine 70mm film but Sweet Charity, Chips and Sixpence I think are 3 very underrated films and certainly deserving of a reevalution with a roadshow type presentation.
Well this past year I was hoping for 70mm anniversary presentations of Lady and SOM but neither came to pass.
I’m still waiting for a cinephile like Scorsese who has a passion for widesceen films to join in the fray and begin to raise funds for a desperately needed widescreen museum. Just lets make it a real one. 50 ft just doesn’t cut it.
Forrest, you have selected some of the worst 70mm musicals ever made; it was over-produced, lumbering dinosaurs like these that helped close some of our best picture palaces. Audences didn’t come to see these movies then, and they won’t come now.
That said, I do agree that a well booked and promoted 70mm fesival is a great idea; any well-selected and well-advertised fesival would help fill the seats in this last example of a New York showplace.
Forrest, you’ve picked some of the worst examples of 70mm musicals, or any 70mm films for that matter; it was these over-produced, bloated spectacles that helped close some of our best picture palaces. Nobody came to see these movies on their original release, and no one will come see them now.
But I do agree that a 70mm festival, or any decently booked and promoted festival, would help fill some seats here.
Imagine seeing “Sweet Charity” , “Goodbye Mr. Chips”, “Finians Rainbow”, “STAR!”,or “Half A Sixpence” again in 70mm complete with Overtute Entra Act and Exit Music again!
Imagine seeing “Sweet Charity” , “Goodbye Mr. Chips”, “Finians Rainbow”, “STAR!”,or “Half A Sixpence” again in 70mm complete with Overtute Entra Act and Exit Music again!
Imagine seeing “Sweet Charity” , “Goodbye Mr. Chips”, “Finians Rainbow”, “SATR!”,or “Half A Sixpence” again in 70mm complete with Overtute Entra Act and Exit Music again!
“We’ll probably never see a 70MM classic on the big screen again (unless we go to England)”…or L.A. Thank you American Cinematheque!
The Ziegfeld has shown revivals during the late summer/early fall period when quality first run films are often scarce. “Funny Girl” was playing at the Ziegfeld on 9/11 (I remember walking by the Ziegfeld on my way home from the office on that terrible day) and “The Way We Were” was revived during a similar time frame in 2003. I passed on “Funny Girl” but went to a sparsely attended weekend screening of “The Way We Were.”
If Clearview is considering booking a revivial at the Ziegfeld during the upcoming slow season, why not take a chance on a non-Streisand film this time?
In regards to above postings it all goes back to what we originally said. The people in charge of these theaters are NOT movie pople, just corporate hacks. We’ll probably never see a 70MM classic on the big screen again (unless we go to England)
Vincent’s idea about making the Ziegfeld into an East Coast American Cinematheque is so logical. How can we get the Clearview executives to read these posts? Right now the Ziegfeld is going to waste and it’s really sad. Remember back in 1996 when “Vertigo” played there to big crowds for weeks? A Friday night show I attended a couple of weeks into the run was a complete sellout. Forget stuff like “The Baxter”: the Ziegfeld would be the perfect home for classic movies. We can all see it – why can’t Clearview?
Clearview has booked a string of bombs in this place recently…The Island, The Great Raid, and now The Baxter. Over 1100 empty seats at each performance. Good Lord!