Criterion Theatre
1514 Broadway,
New York,
NY
10036
1514 Broadway,
New York,
NY
10036
28 people
favorited this theater
Showing 476 - 500 of 615 comments
Just curious, how did the 1971 re-release of “My Fair Lady” do at the boxoffice? My guess is not well because by that time (1971) film was just entering it’s 70s golden age (arguable) and a film like Fair Lady just would'nt “jive” with audiences.
I could be wrong but I’m curious…
Vito, the “Looking for Trouble” number was not filmed all in long shots. They had two cameras filming a medium and a close-up, and those are the angles which were used in the 3-D release of the film.
The long shot was only used in the re-cut which RKO did to get censor approval for the flat release of the film.
I remember “The French Line” in 3-D, it did very very well.
Towards the end of the run at the Criterion, when the 3-D craze was nearing it’s end, the Criterion finished the run in 2-D. Jane wore a very skimpy outfit in the big dance number at the end of the movie and it had to be filmed with one camera at a long shot as not to show too much of Ms Russell. Today,“French Line” would be rated G
Howard Hughes had to go to court to get this film released because it was considered indecent. All this fuss over Ms Russels assets in 3D. It was sometimes advertised at the time as “JR in 3D, need we say more?”. Did anyone ever see it in the 3D process? The only time I ever saw it was on the old Million Dollor Movie.
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I think this was from the 1971 re-release because it was still being shown in 70mm.
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Does anyone know if Courage of Lassie opened at the Loews Criterion in Times Square in July 1946?
I know the summer of 1977 the Astor Plaza had “Star Wars”, and the State must have had 2 better pictures for “Orca” to have opened at the Criterion. Paramount films usually played Loew’s Theatres.
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Here is the Criterion day and dating with the Sutton.
This theatre was called the Criterion Center 4 when, around Christmas of 1980, I saw Martin Scorsese’s Raging Bull here in a kind of basement cinema.
Alien was the last movie I saw at the Criterion. I went because I had just seen Funny Girl at the Music Hall and was feeling very nostalgic. Superman was the last movie I saw at the Criterion that I liked. I had first seen it in the suburbs. Oh why couldn’t it have opened at the Criterion instead of the Astor Plaza? And two years before why couldn’t Star Wars open there instead of the Astor Plaza?
If only people had realized it was a far greater movie theater than the Ziegfeld.
With the Gordon’s Gin sign above it and the Bond store and the Woolworths it was one of New Yorks greatest blocks. In later years I actually heard while walking on the opposite side of the street on a few occasions strangers comment to each other how the block had really deteriorated and they couldn’t believe it. I guess they had seen it for many years before its descent into cheap camera and souvenir stores and the Criterion’s descent into black exploitation.
When the National(ugh)was playing the ‘73 revival of SOM the Criterion was playing Wattstoxx. A block above Loew’s State was playing Lost Horizon.
How did the Criterion which was New Yorks greatest house in the 60'so quickly lose all its luster and turn into a grind house? Even the Rivoli and the Loew’s State had far better bookings into the 70’s.
“May 25,1979 when Fox opened ‘Alien’ it was only at 70mm houses.” (RobertR, Jun 15, 2005)
This is only partially correct. Most of the initial engagements were 70mm, including all of the NYC area showings. San Diego showed it in 35mm, and other markets had 70mm and 35mm showings. This is explained in detail in this article:
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Re the Criterion, there are photos from the the “Alien” engagement on the “Alien Quadrilogy” DVD.
Robert, fun looking at those ads, thanks!
It also reminded me of how in the 60s, the ads no longer carried tags like Roadshow or 70mm stereophonic sound. Of course
“Funny Girl” should have read, “Presented in washed out 70mm blow up. I’m not bitter, I prefered the 70mm to 35mm, even the blow ups. I just wished there had been more movies shot in 70mm.
Still, the Criterion was a great place to see a roadshow. Would you happenen to have any "10 Commandments” ads or from any during the fabulous 50s?
The great days of the Criterion!!
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May 25,1979 when Fox opened “Alien” it was only at 70mm houses. The Criterion played it around the clock 24 hours the first 2 days. It also opened at Loews Orpheum and Loews New York Twin. In Long Island it played UA Syosset and in New Jeresy RKO Paramus Quad and the General Cinema Menlo Park Cinema.
Boy how times had changed on Sept 27, 1972 “Blacula” from American International Pictures was playing here in its Exclusive New York Engagement. Nice to know the Criterion was still getting pictures exclusive before they opened all over town. This was the time of all those blacksplotation films. At the same time “Super Fly” was playing at Loews State 2 and Loews Cine.
Look at the Criterion Center from the 1980's
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The basement theatres were tiny. I saw Bill & Ted’s Excellent Adventure at one of them and it felt like you were watching the film on a big screen television. The screen was that small!
The Warner Cinerama kept the Cinerama orchestra just as it was after they separated the balcony without putting in a low ceiling. So the 70mm on Broadway festival at the end of the 70’s was wonderful.
The Criterion during its road show era was one of the greats. Too bad they didn’t maintain this instead of the Ziegfeld. The Criterion was champagne, the Ziegfeld coca cola.
I never went into the basement theatres at the Criterion. Over at the Egyptian UA built a twin in an old store, it was the pitts. Loews did a nice job with the State.
William
To call the Egyptian run down at it’s sad UA end is actually a compliment. It was WORSE then the 42nd St houses in their waning days. I never got to see the Criterion again after they made it a sixplex. As a twin it was not horrible compared to the things we have now, at least the auditoriums were large. How small were the basement theatres? By the way I think the only theatre that survived twinning and was still a class house was the original Loews State. The upstairs theatre contained the whole original house except for under the balcony where they built the new auditorium.
Celluloid Freak thats the way UA Theatres let many of their once pristine houses go. During its last days as a movie house UA let their prize Hollywood house the Egyptian run down.
Unlike most people, I was happy to see the Criterion go to make way for the new Loews E-Walk and AMC Empire. In the summer of ‘90 I entered the Criterion for the first and only time to see “Die Hard 2” in 70mm on “balcony” level auditorium, then sneaking onto the “orchestra” theatre before that was twinned. Not impressed with what I saw I checkout the restrooms in the basement which were in pityful condition. Also, to my surprise there was this long abandoned hallway that eventually lead to an emergency exit door to one of the cheap, poorly constructed auditoriums in the basement. This was truly one of the grossest filmgoing experiances of my life. The place was dark and ugly and thought “what the hell have I gotten myself into” and wondered if the NYPD should close this place down. I checked out all four theatres and all had THE worst projection and sound I ever seen. The place was just filthy and the patrons seedy. I didn’t want to sit next to any of those weirdos. Luckily I managed to get out of there alive and never went back. Good-bye Criterion!
This was posted today on a theater chat site regarding the question of film musicals adapted from the stage. I wish I knew who the person is who wrote it and where they saw this. I am not registered on this site so could not respond. Maybe somebody out there knows where this took place. World premiere was at the criterion.
I understand a lot of people think “South Pacific,” as a film, is boring and the color is overdone.
But recently, I had this privilege to see the film in its complete premiere version (170 mins — 20 minutes longer than the video, TV, LD, and DVD version). Not only this — most important of all, it was shown in its original Todd-AO format, on a gigantic deep-curved screen, with the magnificent six-channel magnetic soundtracks! When the song “Bali Hai” reached its climax, with the close-up of Juanita Hall’s tremendous face on that 25-odd feet high, 60-odd feet long deep-curved screen, I was transfixed. And if there is a musical heaven, one of its greatest attractions must be when Alfred Newman’s orchestra doing “I’m in Love with a Wonderful Guy” and is played on the six-channel Todd-AO stereophonic sound system. I can still feel the chills down my spine when writing this. It is an experience of lifetime.
Many said that the musical numbers filmed with the color-filter were overdone, but on the contrary, the problem of this film is within the segments WITHOUT the color filters. Just as the director, Joshua Logan, once predicted, the glorious on-location scenes of Hawaii are too beautiful. Much too beautiful and colorful that we were often drawn away from the dramatic center to appreciate the glorious color possessed by some flowers in the background…
That’s astounding as it seems to me one of the worst adaptations of a musical I have seen. Earlier that year in ‘71 I had seen the Broadway production only a few blocks north of the Rivoli at the Broadway theater and I was overwhelmed. Magnificently stage by Jerome Robbins and designed by the genius of Boris Aronson it was filled with joy and color. The grainy, washed out neutered bore I saw on the curved screen at the Rivoli to a huge sold out house was a huge dissapointment. I watched a little of it recently on TCM and it was just as dull and unimaginative as I remembered. It played on roadshow for over a year and I never went back. Too bad as it was the last successful musical roadshow. I’m glad though you liked it as in and of itself it is a great work. I haven’t seen the current production but you might want to take your daughter to it.