The Huntington Hartford Theatre always looked to be a fairly drab building to my eyes, and it always seemed to be ‘closed’ whenever I visited LA, so I never went into it. Maybe I will have more luck on my next visit in a couple of weeks time! Last time I was there it was shrouded in scaffolding during its recent renovation.
This opened as the 980 seat capacity Carter DeHaven Music Box Theatre on 20th October 1926. It was designed by noted theatre architects Octavious Morgan, J.A. Walls and Stiles O. Clements in a Spanish Colonial style.
Initially it was used for staging elaborate musical revues in which artists such as Fanny Brice starred in productions designed to rival the ‘Zeigfeld Follies’. After the show, theatregoers could mingle with the stars and dance and watch cabaret shows in an open-air room located above the theatre’s main entrance. This room was also a well known ‘speakeasy’ serving alcohol during the prohibition era. Within a year the theatre had become a drama playhouse and productions included Clark Gable starring in “Chicago” and Bella Lugosi starring in “Dracula” following on from his first big screen success in that role.
In 1936 it became a radio studio theatre and artists such as Mae West, Al Jolson, Joan Crawford, James Cagney, Barbara Stanwyck, Gary Cooper and Jean Harlow all graced the stage, broadcasting dramas as ‘The Lux Radio Theatre’. This possibly only lasted until 1938 as CBS had then taken over the former Vine St Theatre (now the Ricardo Montalban Theatre) and broadcasts of ‘The Lux Radio Theatre continued from there. The Music Box Theatre was most likely 'dark’ until it returned to legitimate stage use briefly in the early 1940’s when, again known as the Music Box Theatre, a production of “Life With Father” had an extensive run in 1942. Again, the theatre possibly had another ‘dark’ period.
It became a full time movie theatre known as the Guild Theater from February 1945 when Fox West Coast Theatres took control and it was re-modelled in the foyer areas to an Art Deco Moderne design, which included a stylish pavement mounted pay-box. Cladding was put on the facade of the theatre hiding the original Spanish style decorations and the auditorium was given the ‘Skouras’ style treatment that many Fox West Coast Theatres were given at this time. It later became the Fox Theatre, showing first run movies.
A later change of management in the mid-1950’s altered the name to Pix Theater (the Fox name was transfered to the former Iris Theatre further West on Hollywood Blvd) and a spectacular neon display was mounted on the new marquee and vertical sign. Many ‘Sneak Previews’ were held at the Pix and in 1975 the premier of “Jaws” was held here, followed in 1976 by the premier of “Rocky”. But this was a last gasp as it briefly went over to screening Spanish language movies and closed as a full time move theatre in 1977, after which it lay empty and un-used for many years.
In March 1985 it re-opened as the Henry Fonda Theatre, a legitimate theatre with a production of “Twelve Angry Men” and it came under the management of Nederlander Theatres. Many Broadway productions have played here in recent years including “Driving Miss Daisy”, Glengary Glen Ross", “Lend Me A Tenor” and “Nunsense”. It has also been used for concerts by Marianne Faithful, Cyndi Lauper, Ray Davies and Adam Ant, among many others to numerous to name.
The current seating capacity is 863 and in June 2002 it was getting started on an on-going restoration which has now brought many of the original architectural features back into sight. The former open-air cabaret room has been restored back into use again and serves as a reception area. The theatre now thrives on a mixed diet of concerts, live performances and special events. The current lessee’s hope to eventually remove the cladding on the front of the theatre and reveal and restore the original Spanish style facade.
Joe;
I have notes that the Music Box Theatre became a radio studio theatre in 1936, the same year as the Mirror Theatre became the Studio Theatre.
It could be that ‘The Lux Radio Theatre’ was broadcast initially from the Music Box, then transfered over the CBS Playhouse in 1938.
The Music Box could have become ‘dark’ when this happened.
I have notes on stars such as Mae West, Al Jolson, Joan Crawford, Barbara Stanwyck, Gary Cooper and Jean Harlow all gracing the stage at the Music Box Theater when ‘The Lux Radio Theatre’ was being broadcast.
The Music Box Theatre returned to legitimate stage use briefly in the early 1940’s when a production of “Life With Father” had an extensive run in 1942. Possibly ‘dark’ again until it then went over to full time movies as the Guild Theater from February 1945 when Fox West Coast Theatres took control.
These are the offical names that the theater has had over the years;
Wilkes' Vine St Theatre
Vine St Theatre
Mirror Theater
Studio Theatre
CBS Radio Playhouse
Huntington Hartford Theatre
James A. Doolittle Theatre
Ricardo Montalban Theatre
The new neon lit marquee and vertical sign that S.CHarles Lee designed in 1936 for the Studio Theatre only lasted a couple of years, as in 1938 a new slim plain marquee was errected when the name changed to the CBS Radio Playhouse (Pictured in the book ‘Hollywood Then & Now’ by Rosemary Lord PRC Publishing 2003 on page 120).
Just to point out you have a couple of the former names mixed up. It was never called Lux Radio Playhouse (‘The Lux Radio Theatre’ was the name of a show broadcast from the theatre which had Cecil B DeMille hosting and featured stars such as Gloria Swanson and George Raft)
For CBS Radio Theatre-this should read CBS Radio Playhouse.
In its early years, actor Edward Everett Horton starred in many productions at the theatre between March 1928 and January 1929.
I believe that in recent years it was leased to the Nederlander Theatres Org?
The Ricardo Montalban Theatre showed movies again in November 2004 when for 3 days the 1st Annual Nosotros American Latino Film Festival was held. Is the theatre fully equipped with projectors, screen and sound system now, or was this a temporary insallation?
Just to add a few more pieces of the historical time line of this theatre to the above notes;
Wilkes' Vine Street Theatre opened on 19th January 1927.
It became a full time movie theater from 15th March 1931 and was re-named the Mirror Theater. This lasted until 1936 when CBS Radio took over and it became known as the Studio Theater. It was at this time that architect S. Charles Lee added a dazzling neon lit marquee and vertical sign on the front of the building and a new air conditioning plant was installed.
It re-opened as a legitimate playhouse again in September 1954 and was re-named the Huntington Hartford Theater, when Helen Hayes starred in “What Every Woman Wants”.
The Hove Cinematograph Theatre was a part conversion of the Belvedere Club and Tea Rooms. It opened in late 1911.
In 1922 it became the Tivoli owned by George Beyfus and the seating capacity was given as 500. In 1948 it was acquired by Harry Jacobs and re-named the Embassy.
In 1967 Miles Byrne took over and after a few years, business was dropping and he planned to divide the building into a gambling club on the orchestra floor, with a small auditorium in the circle but planning permission was refused in 1979.
The Embassy continued as a single screen cinema until it closed down at the end of March 1981 with the movie “Smokey and the Bandit Ride Again”.
The building was then converted into the Black Cat bingo club until the late 1980’s when it was converted into retail use. It is has been used as an amusement arcade in recent years.
The street address of the Odeon was 38 St. Georges Road, Kemp Town, Brighton.
It was an original Oscar Deutsch built Odeon (this one a conversion of former stables) which opened on 1st February 1934, the architect was Andrew Mather. The seating capacity was 958 in a stadium style, with no overhanging balcony.
It closed as the Odeon Theatre on 5th November 1960 and lay empty until 1962 when it re-opened as a bingo club. It was used for a short while as a church after bingo ceased and was demolished in January 1986 and a block of flats built on the site.
Ok Warren, we will give it the majority view that Krapp was the architect.
I just find it strange that in an architectural magazine like The Architectural Forum was, there would be a ‘mistake’ in captions to photographs of theaters illustrated as having been designed by the architect and writer of the article-Charles Sandblom. Maybe a correction was printed in the following issue, eh?
The opening date of the Keith’s Theater was 17th September 1928, built as a vaudelville theatre for the B.F. Keith Circuit. It went over to a films only policy in 1932.
On the side walls each side of the proscenium arch were a series of three boxes set within a tall arched opening which was draped similar to the proscenium.
The large painted murals by Willy Pogany were set in tall recesses on the side walls from the front to rear of the balcony, possibly four on each sidewall. On a photo I have, it shows two panels, one in the front balcony section which has an elephant ridden by an Indian Raja, the details on the second one, at cross aisle level unfortunately can’t be made out.
The Rialto Theatre opened on 16th March 1916 with the movie “The Ne’re Do Well” starring Harry Lonsdale and Kathlyn Williams. It’s opening seating capacity was 1,542.
The ‘headers’ for the Shore Theatre need changing as follows;
Architectural Style: French Renaissance
Chain: Loew's
Architectural Firm: Reilly & Hall
Opened as Loew’s Coney Island Theater on 17th June 1925 with the movie “The Sporting Venus” starring Blanche Sweet & Ronald Colman. Film stars Ben Lyon and Mae Bush attended the opening.
A week after opening, an attraction on the stage was The Hilton Sisters-a pair of Siamese Twins who were born joined together.
The Loew’s Kings was joint 2nd/3rd to open of the five ‘Wonder Theaters’. It opened on the same day (7th September 1929) as the Loew’s Paradise, Bronx, New York.
The opening programme at the Loew’s Kings was the ‘part talkie’ movie “Evangeline” starring Dolores Del Rio and Robert Drew. On stage was a revue “Frills and Fancies”, Wesley Eddy and his Kings of Syncopation and the Chester Hale Girls.
It is the 25th largest movie theater built in the USA.
The advert I have in the S.F. Chronicle 24th Nov 1976 lists the Sutter Street Theatre playing ‘Live Burlesque’ opening daily at 11am with adult films and live shows daily at 12 noon, 2:30, 5:30 9:00.
The Huntington Hartford Theatre always looked to be a fairly drab building to my eyes, and it always seemed to be ‘closed’ whenever I visited LA, so I never went into it. Maybe I will have more luck on my next visit in a couple of weeks time! Last time I was there it was shrouded in scaffolding during its recent renovation.
I have just posted a fairly comprehensive history up on the Music Box Theatre page /theaters/493/
This opened as the 980 seat capacity Carter DeHaven Music Box Theatre on 20th October 1926. It was designed by noted theatre architects Octavious Morgan, J.A. Walls and Stiles O. Clements in a Spanish Colonial style.
Initially it was used for staging elaborate musical revues in which artists such as Fanny Brice starred in productions designed to rival the ‘Zeigfeld Follies’. After the show, theatregoers could mingle with the stars and dance and watch cabaret shows in an open-air room located above the theatre’s main entrance. This room was also a well known ‘speakeasy’ serving alcohol during the prohibition era. Within a year the theatre had become a drama playhouse and productions included Clark Gable starring in “Chicago” and Bella Lugosi starring in “Dracula” following on from his first big screen success in that role.
In 1936 it became a radio studio theatre and artists such as Mae West, Al Jolson, Joan Crawford, James Cagney, Barbara Stanwyck, Gary Cooper and Jean Harlow all graced the stage, broadcasting dramas as ‘The Lux Radio Theatre’. This possibly only lasted until 1938 as CBS had then taken over the former Vine St Theatre (now the Ricardo Montalban Theatre) and broadcasts of ‘The Lux Radio Theatre continued from there. The Music Box Theatre was most likely 'dark’ until it returned to legitimate stage use briefly in the early 1940’s when, again known as the Music Box Theatre, a production of “Life With Father” had an extensive run in 1942. Again, the theatre possibly had another ‘dark’ period.
It became a full time movie theatre known as the Guild Theater from February 1945 when Fox West Coast Theatres took control and it was re-modelled in the foyer areas to an Art Deco Moderne design, which included a stylish pavement mounted pay-box. Cladding was put on the facade of the theatre hiding the original Spanish style decorations and the auditorium was given the ‘Skouras’ style treatment that many Fox West Coast Theatres were given at this time. It later became the Fox Theatre, showing first run movies.
A later change of management in the mid-1950’s altered the name to Pix Theater (the Fox name was transfered to the former Iris Theatre further West on Hollywood Blvd) and a spectacular neon display was mounted on the new marquee and vertical sign. Many ‘Sneak Previews’ were held at the Pix and in 1975 the premier of “Jaws” was held here, followed in 1976 by the premier of “Rocky”. But this was a last gasp as it briefly went over to screening Spanish language movies and closed as a full time move theatre in 1977, after which it lay empty and un-used for many years.
In March 1985 it re-opened as the Henry Fonda Theatre, a legitimate theatre with a production of “Twelve Angry Men” and it came under the management of Nederlander Theatres. Many Broadway productions have played here in recent years including “Driving Miss Daisy”, Glengary Glen Ross", “Lend Me A Tenor” and “Nunsense”. It has also been used for concerts by Marianne Faithful, Cyndi Lauper, Ray Davies and Adam Ant, among many others to numerous to name.
The current seating capacity is 863 and in June 2002 it was getting started on an on-going restoration which has now brought many of the original architectural features back into sight. The former open-air cabaret room has been restored back into use again and serves as a reception area. The theatre now thrives on a mixed diet of concerts, live performances and special events. The current lessee’s hope to eventually remove the cladding on the front of the theatre and reveal and restore the original Spanish style facade.
Joe;
I have notes that the Music Box Theatre became a radio studio theatre in 1936, the same year as the Mirror Theatre became the Studio Theatre.
It could be that ‘The Lux Radio Theatre’ was broadcast initially from the Music Box, then transfered over the CBS Playhouse in 1938.
The Music Box could have become ‘dark’ when this happened.
I have notes on stars such as Mae West, Al Jolson, Joan Crawford, Barbara Stanwyck, Gary Cooper and Jean Harlow all gracing the stage at the Music Box Theater when ‘The Lux Radio Theatre’ was being broadcast.
The Music Box Theatre returned to legitimate stage use briefly in the early 1940’s when a production of “Life With Father” had an extensive run in 1942. Possibly ‘dark’ again until it then went over to full time movies as the Guild Theater from February 1945 when Fox West Coast Theatres took control.
These are the offical names that the theater has had over the years;
Wilkes' Vine St Theatre
Vine St Theatre
Mirror Theater
Studio Theatre
CBS Radio Playhouse
Huntington Hartford Theatre
James A. Doolittle Theatre
Ricardo Montalban Theatre
The new neon lit marquee and vertical sign that S.CHarles Lee designed in 1936 for the Studio Theatre only lasted a couple of years, as in 1938 a new slim plain marquee was errected when the name changed to the CBS Radio Playhouse (Pictured in the book ‘Hollywood Then & Now’ by Rosemary Lord PRC Publishing 2003 on page 120).
Just to point out you have a couple of the former names mixed up. It was never called Lux Radio Playhouse (‘The Lux Radio Theatre’ was the name of a show broadcast from the theatre which had Cecil B DeMille hosting and featured stars such as Gloria Swanson and George Raft)
For CBS Radio Theatre-this should read CBS Radio Playhouse.
In its early years, actor Edward Everett Horton starred in many productions at the theatre between March 1928 and January 1929.
I believe that in recent years it was leased to the Nederlander Theatres Org?
The Ricardo Montalban Theatre showed movies again in November 2004 when for 3 days the 1st Annual Nosotros American Latino Film Festival was held. Is the theatre fully equipped with projectors, screen and sound system now, or was this a temporary insallation?
Just to add a few more pieces of the historical time line of this theatre to the above notes;
Wilkes' Vine Street Theatre opened on 19th January 1927.
It became a full time movie theater from 15th March 1931 and was re-named the Mirror Theater. This lasted until 1936 when CBS Radio took over and it became known as the Studio Theater. It was at this time that architect S. Charles Lee added a dazzling neon lit marquee and vertical sign on the front of the building and a new air conditioning plant was installed.
It re-opened as a legitimate playhouse again in September 1954 and was re-named the Huntington Hartford Theater, when Helen Hayes starred in “What Every Woman Wants”.
The Hove Cinematograph Theatre was a part conversion of the Belvedere Club and Tea Rooms. It opened in late 1911.
In 1922 it became the Tivoli owned by George Beyfus and the seating capacity was given as 500. In 1948 it was acquired by Harry Jacobs and re-named the Embassy.
In 1967 Miles Byrne took over and after a few years, business was dropping and he planned to divide the building into a gambling club on the orchestra floor, with a small auditorium in the circle but planning permission was refused in 1979.
The Embassy continued as a single screen cinema until it closed down at the end of March 1981 with the movie “Smokey and the Bandit Ride Again”.
The building was then converted into the Black Cat bingo club until the late 1980’s when it was converted into retail use. It is has been used as an amusement arcade in recent years.
The street address of the Odeon was 38 St. Georges Road, Kemp Town, Brighton.
It was an original Oscar Deutsch built Odeon (this one a conversion of former stables) which opened on 1st February 1934, the architect was Andrew Mather. The seating capacity was 958 in a stadium style, with no overhanging balcony.
It closed as the Odeon Theatre on 5th November 1960 and lay empty until 1962 when it re-opened as a bingo club. It was used for a short while as a church after bingo ceased and was demolished in January 1986 and a block of flats built on the site.
Thanks Ian,
You are correct. The current status of the Classic Cinema should be ammended to Demolished. I believe a supermarket was built on the site.
The street address of the Classic Cinema is 129B Western Road, Brighton.
It was modernised into an Art Deco style in 1936.
It closed as a cinema on 31st August 1979 with the films 2The Spaceman & King Arthur" + “The Warriors”.
The last time I visited the building, about 5 years ago, it was use as an amusement arcade.
The architect of the Empire Theatre was Herbert Brewster, it opened with a seating capacity of 1,810.
It went over to showing movies in 1938 and was later part of the Brandt Theatres Circuit. It closed as a movie theatre in 1953.
Film Daily Yearbook’s, 1941 and 1950 give a seating capacity of 500.
OK Bryan, can we cancel this listing and transfer comments over to the Regency III listing.
I agree that it should be listed as Stage Door Theatre as it was known as that much longer than Regency III.
Ok Warren, we will give it the majority view that Krapp was the architect.
I just find it strange that in an architectural magazine like The Architectural Forum was, there would be a ‘mistake’ in captions to photographs of theaters illustrated as having been designed by the architect and writer of the article-Charles Sandblom. Maybe a correction was printed in the following issue, eh?
The opening date of the Keith’s Theater was 17th September 1928, built as a vaudelville theatre for the B.F. Keith Circuit. It went over to a films only policy in 1932.
On the side walls each side of the proscenium arch were a series of three boxes set within a tall arched opening which was draped similar to the proscenium.
The large painted murals by Willy Pogany were set in tall recesses on the side walls from the front to rear of the balcony, possibly four on each sidewall. On a photo I have, it shows two panels, one in the front balcony section which has an elephant ridden by an Indian Raja, the details on the second one, at cross aisle level unfortunately can’t be made out.
Opened in September 1914, the Flatbush Theatre was a vaudeville theatre on the B.S.Moss circuit. It was known as Werba’s Theatre from 1925 – 1929.
It was equipped with a Wurlitzer 2 Manual/8 Rank theater organ.
In later years it was taken over and operated by the Brandt Theatres Circuit and they closed it in 1952.
I last saw it four years ago when it was being used as a furniture showroom and part office space. It still looked pretty much intact then.
Headers for the Astor Theatre need changing;
aka: Trans-Lux Theatre
Screens: 1
Architect: Thomas W. Lamb
The Trans-Lux opened in 1933 and it closed as the Astor in 1977.
The Rialto Theatre opened on 16th March 1916 with the movie “The Ne’re Do Well” starring Harry Lonsdale and Kathlyn Williams. It’s opening seating capacity was 1,542.
The header Function should be changed to; Church
The ‘headers’ for the Shore Theatre need changing as follows;
Architectural Style: French Renaissance
Chain: Loew's
Architectural Firm: Reilly & Hall
Opened as Loew’s Coney Island Theater on 17th June 1925 with the movie “The Sporting Venus” starring Blanche Sweet & Ronald Colman. Film stars Ben Lyon and Mae Bush attended the opening.
A week after opening, an attraction on the stage was The Hilton Sisters-a pair of Siamese Twins who were born joined together.
The Loew’s Kings was joint 2nd/3rd to open of the five ‘Wonder Theaters’. It opened on the same day (7th September 1929) as the Loew’s Paradise, Bronx, New York.
The opening programme at the Loew’s Kings was the ‘part talkie’ movie “Evangeline” starring Dolores Del Rio and Robert Drew. On stage was a revue “Frills and Fancies”, Wesley Eddy and his Kings of Syncopation and the Chester Hale Girls.
It is the 25th largest movie theater built in the USA.
The address was Moody Street, Waltham, MA.
The original architectural style of the Academy Picture Palace was Moorish. It was re-modelled by Gaumont into an Art Deco style in the 1930’s.
The Academy was demolished in 1974 and an office block – Academy House – was built on the site.
That looks like a very nice terra cotta facade on the building. I will check it out when I am in San Francisco in February.
The advert I have in the S.F. Chronicle 24th Nov 1976 lists the Sutter Street Theatre playing ‘Live Burlesque’ opening daily at 11am with adult films and live shows daily at 12 noon, 2:30, 5:30 9:00.
I have it still listed as the Bijou, operated by the Mitchell Brothers in the S.F. Chronicle dated 24 Nov 1976