Radio City Music Hall
1260 6th Avenue,
New York,
NY
10020
1260 6th Avenue,
New York,
NY
10020
116 people
favorited this theater
Showing 526 - 550 of 3,325 comments
Spoiler alert. ..his mom gets shot.
Seventy-one? Hypocrite!
NYer I appreciate what you wrote I need to accept change and be happy we still have the “Grande Dame”, as you wrote we almost lost her. I just like the Hall to stay as it was and seeing it now I get nervous we will loose the charm of the original but since this is only temporary In will try and be more accepting. Thanks again for your response to my rant I guess I needed that.
Also, you have to remember, television transmission from RCMH is high-definition now, which amps up the intensity of this visual in a big way, giving it a bit of Las Vegas gloss and less of the old-school opulence that we all love!
I recalled seeing the movie version of “1776” 40 years ago on an 8th grade class trip, in a huge Manhattan theatre. Thinking it might be The Ziegfeld I checked the NY Times archive, and it actually played here. The movie was a bore but at least I can say I once saw a film in Radio City Music Hall.
Last nights “America’s Got Talent” was televised from RCMH; not a fan of the show but I wanted to see the Hall so tuned in. What I saw was a set that completely covered the proscenium and the gold curtain. I was not amused.
The 1922 Robin Hood is shown at a Broadway theater in new The Great Gatsby film. If anyone knows where, you might wish to post on that theater’s page.
That Robin Hood movie is still my favorite Robin Hood movie of all time. Much better than the Disney, Kevin Costner, Mel Brooks, and Russell Crowe versions.
I wonder if the nfl draft will continue its run at the hall…seems that it’s a popular venue for nfl fans across america. As for awards shows, the Oscars should not play at this venue….it was meant to be in hollywood.
I watched the Tony Award nominations this morning and was happy to hear that after two years at the Beacon the award ceremony will return to Radio City this year.
I forget which movie attraction it was (maybe “Tom Sawyer?” or Disney’s “Robin Hood?”) but I can recall seeing the trailer for “Mame” at the Hall, and it was so long, that I remember my aunt rhetorically asking, “why come to see the movie, they’re practically showing the whole thing right now?!”
Ironically, we did go back and see “Mame” at the Hall, anyway!
Thanks Robert I knew you would be the one to answer that trailers question. I recall loving the days when a new fresh box of snipes arrived from Filmack. Mike that “Curtain Raiser” term comes from the company that supplies many of the personalised trailers used today. But yes policy trailers are what they basically are.
Vito calls those strips “curtain raisers” but aren’t they also called “policy trailers?”
Since those snipes are so fondly remembered I thought I’d add a couple of comments about how they were produced. When I was a student at the U. of Ill. my film class visited Filmack in Chicago as it came as close to a “movie studio” as anything we had out there at the time.
The black and white snipes always featured white letters superimposed over an art background which could be a theatre auditorium, or as in the case of Radio City’s snipes just a pattern. In reality,they were black letters on a white card, with the “background” art in negative on a glass plate in a frame that closed over the card. To do an angled “wipe” another white card was put over the lettered card, and the camera operator slowly pulled it out of the bottom of the frame revealing the lettering. Since the snipe was actually the camera negative, everything was reversed and the foreground art became the background with the now white lettering on top. There were plates containing artwork as well as photos of feature’s one-sheets in a cart next to the camera and the operator could just select the one he needed as per the order. Filmack also had an extesive printing operation which contained type in hundereds of fonts to print the cards. (They also owned one of two Oxberry animation stands in Chicago at the time. The other owned by Sears.) While my teacher who had been a cinematographer in L.A. wasn’t impressed, I thought it was a remarkably cheap and easy way to create what looked like a fully animated clip.
A lot of the color ads with still images from local merchants were done at Alexander Films in Colorado. They had touring salesmen who would come into town, sell the spot, take the slides and then arrange for them to be shown in the theatre. Not as technically proficient as the digital clips used pre-show today, but not bad for their time.
VITO — I still play LET’S ALL GO TO THR LOBBY as a show starter — It’s real retro and our patrons also love it! I also use YUM YUM. The teenagers always thought the one where the hot dog slips into the bun was always suggestive!!
Aww, that’s nice to hear Bill, thanks
Whenever Vito and/or Rob Endres post anything on Cinema Treasures, it just makes my day. Thanks, guys.
Oh yes Robert I remember fondly those Filmack strips we all used them all thru the 50s and before my time as well. They were as you wrote cheaply made but they always had wonderful musical accompaniment lovely little march like bounce your head to the music sort of thing. Most common use was to insert before the trailers things like “Previews of our coming attractions”, “Coming Soon” or specific dates like “Starts Wednesday”. The trailers would end with be “also selected short subjects” Now a days they use highly produced what are called “Curtain Raisers” with Welcome to the show please don’t smoke or use your phone and visit the concession stand that sort of thing. Not to sound like the grumpy old “In my day” guy but the ones use today don’t have the charm of those old fashion Snips Many of you may recall seeing one of the old concession snipes in the movie “Grease” where the hot dog jumps into the bun. Yup that was real we actually showed that one which was so darn cute.In addition, we would show small advertisements from the local merchants in town, just a still shot with once again that wonderful music, and we would splice three or four of those together to show prior to the trailers. Theatre advertisements are nothing new we did it back then and no one seemed to mind and it brought us a little extra revenue form the local diner or hardware store. Ah the neighborhood theatre who could ever forget those.
We did run some trailers when I was at the Hall, and I found a trailer for “Cowboys” which played before I worked there, in the film cabinet. (I remember that one because there was a question about light levels on “Harry and Walter Go To New York” and I spliced the normal density “Cowboys” Tr. to one of their reels to show that it was a film problem, not a light problem with our projectors.)
We also ran the trailer for “That’s Entertainment” with the thought that we were going to get the picture which MGM ultimately gave to the Ziegfeld.
The snipes you refer to which promoted special shows at individual theatres were common in the industry. In Illinois the Filmack Company turned them out quickly and cheaply and I have a whole reel of them I saved from a theatre I worked in out there. The Hall used them as noted to not only promote the upcoming feature, but also plug the stage show that accompanyed it. While cheaply made (image you saw projected was actually the camera negative so there was no print cost)the personalized snipes added a touch of class and individuality to a promotional presentation.
I recall seeing a trailer at the Hall, followed by the scroll advertising the name of the stage show with the upcoming feature film.
I would imagine our resident RCMH expert REndres has the answer to the trailer question. In addition to the trailers the Music Hall also made up their own news reel; rather than just show one from a major studio they would take bits and pieces from many of the news reels from Paramount, MGM and Fox and make up a special RCMH newsreel.
I suppose one might say the answer as to why they did those things would be, hey, we are Radio City Music Hall and we are very special in everything we do :)
It’s funny that you mention that. I don’t know the answer but I was going through the film vault a few weeks ago and found that snipe along with many others.
For years I have enjoyed all the comments from people who have intimate knowledge and information about RCMH. I have attended the theatre many, many times when it was operating as a movie theatre ( and for the last some 30 years as a concert venue and for the Christmas show). I have a very trivial question to ask. Why did they run a specially made trailer (rather than the studio trailer) to advertise the next feature to play? If I remember correctly it was a simple graphic presentation or scroll accompanied by the organ. Was it to personalize the information and to also say something about the next stage presentation? Just wondering. I mean it was not an introduction to a studio trailer (as most theatres did at the time) but and entity to itself.
A view of the foyer taken in 2000 here:–
RADIO CITY FOYER
Both “Gunga Din” and “Stagecoach” are bona fide all-time greats. Two bright and shiny jewels in the magnificent crown that was 1939 for the motion picture industry. “Made For Each Other,” its legendary stars notwithstanding, perhaps not so much.