Radio City Music Hall
1260 6th Avenue,
New York,
NY
10020
1260 6th Avenue,
New York,
NY
10020
116 people
favorited this theater
Showing 976 - 1,000 of 3,325 comments
The NFL Draft will be held at this venue next week.
I remember reading someplace many years ago that seating was 6,400.
did you guys walk around and count? whats the difference? shea stadium had 55,400 now it has zero!! lets be happy yhe music hall is still with us!!!
If the AAA to DDD rows are added above the the orchestra pit, RCMH has a maximum capacity for 5989
one day i got an emergency organ technician to the stageannouncement on the house system, the organist was trying to change a burned out bulb&the whole top came off &he was holing it from dropping into the audience,i won’t say who it was but it seemed comical how blown out he was, well, i changed the bulb returned the top&went back to our office/shop to wait for the nativity to start, always a fun part for problems on the organ
thats correct, i’d forgotten about the dummy
Actually, at one point the ruse was carried even further with a dummy placed at one console.
my boss Ron Bishop told me they used both consoles for glory of easter&his wife Emmie used to sit at the oposit prompt organ console, 50th street side to give the illusion of 2 organists playing
its quite a funny story when Ron tells it, in those days both Dick Liebert&Ray Bohr could handle the show by themselves being the great organists they were
Though I’ve never seen a Christmas show, I was able to catch an Easter show one time. I was pretty young, but I do remember thoroughly enjoying it! (sigh) I still regret not being able to catch a movie and stage show at Radio City when I show up as an NYC tourist.
Thanks Rob, I love that Blue Cross story, it’s the backstage fun stuff we rarely get to hear about
I must disagree with the statement that the Easter Show wasn’t as memorable as the Christmas Show. The “Glory of Easter” prelude always blew me away, and I was actually kind of disappointed when I first saw the “Nativity” Prelude as originally done. The “Glory” is all about choreography, and you don’t realize where it’s heading until the final chords of music when the “novices” kneel and form a living cross on the steps to the altar as the contour comes in.
That cross was lit by two high intensity spots in th projection booth, the brightest of all the spots in the theatre. The only lamps run by projectionists rather than stage hands, they could project patterns as well as having cutters that could mask the image to strips, with one lamp doing the horizontal bar of the cross and the other doing the vertical. As the contour just ticked the tip of the vertical strip lighting the cross the lamps faded.
The incident Vito is referring to came about because the previous cue for the lamps was a blue strip across the front of the stage as the Rockettes came down from their positions on the Choral Stairs. When that cue was finished the blue gels in the lamps were pulled out and the lamps were put into “spot focus” mode which reduced the spread of the lamps and produced a very intense white light for the cross. As the girls kneeled, the stage manager would buzz the booth for the lamps to come on together.
At one performance, the two operators must have gotten into a conversation (or an argument) and forgot to pull the blue gels, so when the cue came, the light on the cross wasn’t the brilliant white it was suppoosed to be. After the show an angry stage manager called the booth to chew out the crew. “What was that?” he asked angrily. The projectionist on the phone was unfazed. “What? Haven’t you ever heard of Blue Cross?!”
Easter 1955 click on picture to enlarge
View link
I wonder if I could ask REndres to retell the great story about the
color mix up of the Rockettes forming the cross.
hint: Blue cross :)
It’s not as memorable a show as the Christmas show. I’ve seen it dozens of time and don’t remember a thing about it.
WHY INDEED!!!
I do….why don’t they do it anymore much like the xmas special? It doesn’t get promoted a lot like the xmas shows.
who remembers the great EASTERshow?
As far as I know, when I left the Hall the asbestos curtain was still in use (although it isn’t publicized as being asbestos.) It is in two sections because it is over 70' in height (the proscenium is an arch with a 60' radius which starts 10' off the deck.) The two sections are easier to handle in terms of sheer weight as well as not requiring over 140' plus in fly space as a single piece would require. As I think has been mentioned above, the curtain in free fall is stopped by weights hitting water in pnuematic tubes. No one, or thing, is allowed to stand on the curtain line, since that would block it’s fall. As of the time I left, the curtain was still tested in a free fall drop on a regular basis — a truly impressive sight (and sound).
I’m wondering if the asbestos curtain is raised first in the morning in its telescoping manner,since the flyspace is not tall enough to accomodate its heighth? And why wasn’t more room allowed for this safety device in its original building design?
Thank you oldjoe with help contacting Charles francisco.!!!
This site has contact info for Charles Franciso
View link
Contact Information: Agent- Julia Copersmith Literary Agency 10 West 15th Street New York, New York 10011
Does anyone know how to contact author of ,“Radio City Music Hall an affectionate history of the world’s greatest theater”, 1979 by Charles Francisco?
Later this month, the cast of Fox’s hit tv show Glee will be doing a concert live at this venue.
Lost link. Registering again.
I was at Radio City again 2 weeks ago to see Celtic Woman in concert. It always gives me a thrill to be back in this beautiful theater and brings back memories of the films I saw here with my family and friends during the 1960s. We were seated in the third row orchestra and you don’t realize just how big this theater is until the lights go on and you look back. Absolutely enormous.
Thanks for the info, Al.