Nearby Middlebury College has esteemed foreign-language schools, with special summer programs. Hence the programming of the French “There’s Always a Price Tag.” (“Retour de manivelle,” 1957.)
“The Witch” was a 1952 Finnish film, “Noita Palaa Elamaan” by Roland Af Hallstrom. “The Cupboard Was Bare” was the 1948 French film “L'Armoire volante” by Carlo Rim.
During the 1950s the State Theatre had an admirable policy of running mostly newer American films Sun-Tues & Thurs-Sat while on Wednesdays they would show what they called a “Better films picture.” This would be a noted foreign film of the art house type. People could attend as part of a series ticket or else by regular single admission ticket. This would expand their programs beyond the restrictive policy of new domestic releases only.
From the film titles, this looks like 1949.
“La femme nue” from 1949 and “Dedée d'Anvers” from 1948.
Pier Paolo Pasolini was one of the numerous script writers on this Italian film directed by Mario Soldati.
This is the kind of program the Thalia Theatre in Manhattan might include in their screenings.
Previously known as the Opera House.
In 1971.
In 1941.
Nearby Middlebury College has esteemed foreign-language schools, with special summer programs. Hence the programming of the French “There’s Always a Price Tag.” (“Retour de manivelle,” 1957.)
“The Witch” was a 1952 Finnish film, “Noita Palaa Elamaan” by Roland Af Hallstrom. “The Cupboard Was Bare” was the 1948 French film “L'Armoire volante” by Carlo Rim.
This was an American-made Yiddish film, released in 1932, directed by Adolf Gartner. No cast available. It may be a lost film.
This is an Alfred Hitchcock film, the now-little-seen
1934 “Waltzes from Vienna.”
Looks like 1945.
That’s County Cinema, sorry.
Lost film.
A John Ford film.
Those performers are Ferruccio Tagliavini and Umberto Spadaro.
Ad in The Daily Worker, the American Communist Party newspaper.
Week’s program includes an “art house” Wednesday most weeks.
Called “The Kidnappers” in the U.K.
Embodiment of the 1970s in movies.
“Jubal” was released in 1956.
Week’s program includes an “art house” Wednesday most weeks.
During the 1950s the State Theatre had an admirable policy of running mostly newer American films Sun-Tues & Thurs-Sat while on Wednesdays they would show what they called a “Better films picture.” This would be a noted foreign film of the art house type. People could attend as part of a series ticket or else by regular single admission ticket. This would expand their programs beyond the restrictive policy of new domestic releases only.
Brexit, 1940s?
Ingmar Bergman.