What a bizarre theatre. I was here on vacation in December ‘05 when “Brokeback Mountain” was here on both twinned auditoriums. The twinned-plex is far too narrow and the screens are small even at 1.85 common width. (Imagine watching a scope movie there on even smaller of a screen!) And as Eric Hooper mentioned, the (still comfy) seats were not rearranged so watching your movie with your head constantly turned was annoying.
(With that said, my dad and I watched the film in seats right behind some wheelchair spots, so the ample legroom was great! All that was missing were stools.)
DTS sound is also installed, although since this is an art house, most of the films will probably be in Dolby Stereo.
I guess it survives as a art-house double now. I can’t imagine seeing a big-budget movie in this place.
I visited the Daly City 20 back in December, 2005 for a screening of “Munich” on screen #3. And while I am not a huge fan of megaplexes, this is a beautifully designed theatre. Tickets are purchased at outside kiosks and you go up an escalator to find 10 cinemas in two wings.
The projection and sound quality (THX/SR-D) was superb on #3, even though it was a medium sized cinema. I’m sure that if it this good in here, it will be even better in the largest cinemas. Might have something to do with the fact that THX and Dolby are in San Francisco? ;)
I also believe that there are “self-serve” concessions here, although I didn’t get to visit them.
I for one am very thankful that Leonard Schein rebirthed his Vancouver art-house chain, Festival Cinemas, and took this cinema back under his wing. As with Alliance Atlantis' run from 1999 to 2005, the theatre plays mostly art house and independent, with the occasional high profile blockbuster (Spike Lee’s flick “The Inside Man” was a recent film that played there).
The theatre is easily accessible by the #15 Cambie bus
I visited the cinema in about 2001 to see “Mulholland Drive” and was quite impressed by the large single screen cinema, although I found the rows to be very narrow and the seats somewhat stiff$. The Park also played 70mm for several films back in the day.
It has now been fully restored with new seats (very comfortable and with more legroom, making its seat total around 500 instead of 640 before), a gorgeous new screen that is adaptable to play pre-widescreen era academy ratio (1.37:1) films as well as the current flat (1.85) and scope (2.40) formats, and Dolby Digital.
My only gripe is that it is really expensive to see a movie here; $12.00 for an adult evening ticket, unless you have a $12 annual membership and that knocks the price down a few dollars. I am also cuirious as to how the theatre will stay afloat through over the next year or so of construction of Translink’s “Canada Line” skytrain which may make access to the cinema more difficult.
Still, The Park is a really nice theatre that is worth supporting; not just for the fact that these single screeners are struggling in Vancouver, but it has a more refreshing atmosphere than the overloud megaplexes out in suburbia.
A fine theater in downtown Victoria, BC, that is still going along strong thanks to good programming and a good fanbase, and is surviving despite yet another moronic Famous Players Silvercity out of town.
I never saw a film in the theater’s original glory, having grown up in the 80’s and therefore having no choice but to see films in the triplexed theater (although if memory serves, I’ve been told that the theater was duplexed in the 70’s before the downstairs cinema was divided). The upstairs theater was still a fine place to see film, with Dolby SR and a large common height wide-screen. Sadly, the downstairs cinemas were a victim of the time and were given smaller top-masking screens and mono sound (although there were surround speakers there, which never were used). DTS was installed into the upstairs #1 around 1994. Also, the whole theater ran on 6000ft changeover reels prior to the 1997 renovation, so it required a unioned projectionist on duty who needed timing and precision to change every reel on cue. (I also remember the theater used automation so just in case the projectionist missed the changeover, the film would just stop instead of the audience watching the film tail out.) Surprisingly, the new platter-deck systems were put into operation in early 1996 even while the older three screens ran.
The 7-screen renovation was finally complete around March, 1997. “Sling Blade”, “Ridicule”, “Lost Highway” and “Dante’s Peak” were the first films to show on the newer theaters, each seating around 240. DTS and Dolby SR were installed into all four new theaters, each also boasting large, curved wide-screens. Projection on these newer theaters are razor-sharp, even to this day. The old triplex still ran as it was before, old curtains and seats and all, but was upgraded with new seats and curtains around fall, 1997 (they closed those theaters while the newer four screens were still open). The old upstairs theater is now cinema #5 and has a seat count just over 400. Ironically, theater #2 has more seats than the newer theaters with about 280, so you’ll sometimes see a newer film open on there first if cinema #5 is busy. And most of the older films get to cinema #1 (210 seats), which is small and cramped, although around 1999 DTS systems were also installed into these smaller old cinemas.
The Odeon 7 frequently picks up more foreign and independent films than its competitor, Famous Players Capitol 6, across the street. The Odeon normally books films from 20th Century Fox, Columbia, Universal and Alliance Atlantis (because of that, the Capitol normally gets all Disney, Warner and Paramount product), but since the largest cinema at Capitol (#2) has more seats (530), sometimes they get booking first.
As of 2004, The Odeon is the closest anyone is going to get to the grandeur of old-fashioned moviegoing in Victoria.
What a bizarre theatre. I was here on vacation in December ‘05 when “Brokeback Mountain” was here on both twinned auditoriums. The twinned-plex is far too narrow and the screens are small even at 1.85 common width. (Imagine watching a scope movie there on even smaller of a screen!) And as Eric Hooper mentioned, the (still comfy) seats were not rearranged so watching your movie with your head constantly turned was annoying.
(With that said, my dad and I watched the film in seats right behind some wheelchair spots, so the ample legroom was great! All that was missing were stools.)
DTS sound is also installed, although since this is an art house, most of the films will probably be in Dolby Stereo.
I guess it survives as a art-house double now. I can’t imagine seeing a big-budget movie in this place.
Does anyone have pictures
I visited the Daly City 20 back in December, 2005 for a screening of “Munich” on screen #3. And while I am not a huge fan of megaplexes, this is a beautifully designed theatre. Tickets are purchased at outside kiosks and you go up an escalator to find 10 cinemas in two wings.
The projection and sound quality (THX/SR-D) was superb on #3, even though it was a medium sized cinema. I’m sure that if it this good in here, it will be even better in the largest cinemas. Might have something to do with the fact that THX and Dolby are in San Francisco? ;)
I also believe that there are “self-serve” concessions here, although I didn’t get to visit them.
I for one am very thankful that Leonard Schein rebirthed his Vancouver art-house chain, Festival Cinemas, and took this cinema back under his wing. As with Alliance Atlantis' run from 1999 to 2005, the theatre plays mostly art house and independent, with the occasional high profile blockbuster (Spike Lee’s flick “The Inside Man” was a recent film that played there).
The theatre is easily accessible by the #15 Cambie bus
I visited the cinema in about 2001 to see “Mulholland Drive” and was quite impressed by the large single screen cinema, although I found the rows to be very narrow and the seats somewhat stiff$. The Park also played 70mm for several films back in the day.
It has now been fully restored with new seats (very comfortable and with more legroom, making its seat total around 500 instead of 640 before), a gorgeous new screen that is adaptable to play pre-widescreen era academy ratio (1.37:1) films as well as the current flat (1.85) and scope (2.40) formats, and Dolby Digital.
My only gripe is that it is really expensive to see a movie here; $12.00 for an adult evening ticket, unless you have a $12 annual membership and that knocks the price down a few dollars. I am also cuirious as to how the theatre will stay afloat through over the next year or so of construction of Translink’s “Canada Line” skytrain which may make access to the cinema more difficult.
Still, The Park is a really nice theatre that is worth supporting; not just for the fact that these single screeners are struggling in Vancouver, but it has a more refreshing atmosphere than the overloud megaplexes out in suburbia.
A fine theater in downtown Victoria, BC, that is still going along strong thanks to good programming and a good fanbase, and is surviving despite yet another moronic Famous Players Silvercity out of town.
I never saw a film in the theater’s original glory, having grown up in the 80’s and therefore having no choice but to see films in the triplexed theater (although if memory serves, I’ve been told that the theater was duplexed in the 70’s before the downstairs cinema was divided). The upstairs theater was still a fine place to see film, with Dolby SR and a large common height wide-screen. Sadly, the downstairs cinemas were a victim of the time and were given smaller top-masking screens and mono sound (although there were surround speakers there, which never were used). DTS was installed into the upstairs #1 around 1994. Also, the whole theater ran on 6000ft changeover reels prior to the 1997 renovation, so it required a unioned projectionist on duty who needed timing and precision to change every reel on cue. (I also remember the theater used automation so just in case the projectionist missed the changeover, the film would just stop instead of the audience watching the film tail out.) Surprisingly, the new platter-deck systems were put into operation in early 1996 even while the older three screens ran.
The 7-screen renovation was finally complete around March, 1997. “Sling Blade”, “Ridicule”, “Lost Highway” and “Dante’s Peak” were the first films to show on the newer theaters, each seating around 240. DTS and Dolby SR were installed into all four new theaters, each also boasting large, curved wide-screens. Projection on these newer theaters are razor-sharp, even to this day. The old triplex still ran as it was before, old curtains and seats and all, but was upgraded with new seats and curtains around fall, 1997 (they closed those theaters while the newer four screens were still open). The old upstairs theater is now cinema #5 and has a seat count just over 400. Ironically, theater #2 has more seats than the newer theaters with about 280, so you’ll sometimes see a newer film open on there first if cinema #5 is busy. And most of the older films get to cinema #1 (210 seats), which is small and cramped, although around 1999 DTS systems were also installed into these smaller old cinemas.
The Odeon 7 frequently picks up more foreign and independent films than its competitor, Famous Players Capitol 6, across the street. The Odeon normally books films from 20th Century Fox, Columbia, Universal and Alliance Atlantis (because of that, the Capitol normally gets all Disney, Warner and Paramount product), but since the largest cinema at Capitol (#2) has more seats (530), sometimes they get booking first.
As of 2004, The Odeon is the closest anyone is going to get to the grandeur of old-fashioned moviegoing in Victoria.
Jason Whyte, efilmcritic.com