Radio City Music Hall
1260 6th Avenue,
New York,
NY
10020
1260 6th Avenue,
New York,
NY
10020
118 people
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I don’t think there were ever any serious consideration of multiplexing the Hall even during the crisis when it looked as if the Hall were closing in the late ‘70’s. There was also talk of putting supports through the roof of the auditorium to support a high rise structure above the auditorium and stage house, but again these were largely ideas bandied about in the press of the “how do we save the Music Hall” category. As I’ve mentioned in earlier posts one of the Vice-Presidents who had lunch years later with the former head of Rockefeller Center told me that Alton Marshall told him that there never was a real consideration of destroying the Hall, but rather it was a ploy to allow them to change the format to something economically more feasible. Whether or not that was the case I don’t know (after the Center did destroy both the Center Theatre and the Roxy), but the only times I heard mention of multiplexing the theatre was by the stage hands joking about how many screens could be squeezed in.
Ron, I have been reluctant to take up so much space but here are the thirties. Surely someone will let me know of a better way to share these…
Opening dates are within five days:
33/01/15 Bitter Tea of General Yen, The (1933)
33/01/15 Sign of the Cross, The (1932)
33/01/22 King’s Vacation, The (1933)
33/01/29 State Fair (1933)
33/02/05 Sign of the Cross, The (1932)
33/02/12 Topaze (1933)
33/02/19 GREAT JASPER, THE
33/02/26 Our Betters (1933)
33/03/05 King Kong (1933)
33/03/12 Christopher Strong (1933)
33/03/19 Sailor’s Luck (1933)
33/03/26 Sweepings (1933)
33/04/02 YOUNG KING, THE
33/04/09 Cavalcade (1933)
33/04/23 Working Man, The (1933)
33/04/30 Zoo in Budapest (1933)
33/05/07 Silver Cord, The (1933)
33/05/14 WARRIOR’S HUSBAND, THE
33/05/21 ADORABLE
33/05/28 Elmer the Great (1933)
33/06/04 COCKTAIL HOUR
33/06/11 ANN CARVER’S PROFESSION
33/06/18 I LOVED YOU WEDNESDAY
33/06/25 Melody Cruise (1933)
33/07/02 Bed of Roses (1933)
33/07/09 PRIVATE DETECTIVE 62
33/07/16 Professional Sweetheart (1933)
33/07/23 DOUBLE HARNESS
33/07/30 Devil’s in Love, The (1933)
33/08/06 NO MARRIAGE TIES
33/08/13 Pilgramage
33/08/20 Morning Glory (1933)
33/08/27 PADDY, THE NEXT BEST THING
33/09/03 ONE MAN’S JOURNEY
33/09/10 Lady for a Day (1933)
33/09/10 Power and the Glory, The
33/09/24 MY WEAKNESS
33/10/01 Ann Vickers (1933)
33/10/08 Dr. Bull (1933)
33/10/15 Private Life of Henry VIII, The (1933)
33/10/22 AGGIE APPLEBY, MAKER OF MEN
33/10/29 Berkeley Square
33/11/05 AFTER TONIGHT
33/11/12 Only Yesterday (1933)
33/11/19 Little Women (1933)
33/12/10 Counsellor-at-Law (1933)
33/12/17 RIGHT TO ROMANCE, THE
33/12/24 Flying Down to Rio (1933)
34/01/07 If I Were Free (1933)
34/01/14 MAN OF TWO WORLDS
34/01/21 I AM SUZANNE
34/01/28 AS HUSBANDS GO
34/02/04 Nana (1934)
34/02/18 CAROLINA
34/02/25 It Happened One Night (1934)
34/03/04 David Harum (1934)
34/03/11 Spitfire (1934)
34/03/18 George White’s Scandals (1934)
34/03/25 BOTTOMS UP
34/04/01 WILD CARGO
34/04/15 This Man Is Mine (1934)
34/04/22 Stand Up and Cheer (1934)
34/05/06 Twentieth Century (1934)
34/05/13 CHANGE OF HEART
34/05/20 STINGAREE
34/05/27 WHERE SINNERS MEET
34/06/03 Little Man, What Now? (1934)
34/06/10 SISTERS UNDER THE SKIN
34/06/17 Life of Vergie Winters, The (1934)
34/06/24 LET’S TRY AGAIN
34/07/01 Of Human Bondage (1934)
34/07/15 WHOM THE GODS DESTROY
34/07/22 GRAND CANARY
34/07/29 HAT, COAT AND GLOVE
34/08/05 World Moves On, The
34/08/12 One More River (1934)
34/08/19 Cat’s Paw, The (1934)
34/09/02 Fountain, The (1934)
34/09/09 One Night of Love (1934)
34/09/23 Richest Girl in the World, The (1934)
34/09/30 Caravan (1934)
34/10/07 POWER (1934)
34/10/14 Judge Priest (1934)
34/10/21 Age of Innocence, The (1934)
34/10/28 PURSUIT OF HAPPINESS, THE
34/11/04 We Live Again (1934)
34/11/18 Gay Divorcee, The (1934)
34/12/02 Broadway Bill (1934)
34/12/16 Music in the Air (1934)
34/12/23 Bright Eyes (1934)
34/12/30 Little Minister, The (1934)
35/01/13 Evergreen (1934)
35/01/20 Romance in Manhattan (1934)
35/01/27 Iron Duke, The (1935)
35/02/03 Good Fairy, The (1935)
35/02/10 Scarlet Pimpernel, The (1935)
35/02/24 ONE MORE SPRING
35/03/03 Whole Town’s Talking, The (1935)
35/03/10 Roberta (1935)
35/03/24 Little Colonel, The (1935)
35/04/07 Life Begins at Forty (1935)
35/04/14 Star of Midnight (1935)
35/04/21 Cardinal Richelieu (1935)
35/05/05 Scoundrel, The (1935)
35/05/12 Informer, The (1935)
35/05/19 Break of Hearts (1935)
35/05/26 ESCAPE ME NEVER
35/06/02 UNDER THE PAMPAS MOON
35/06/09 Our Little Girl (1935)
35/06/16 Becky Sharp (1935)
35/06/30 Love Me Forever (1935)
35/07/21 GINGER
35/07/28 She (1935)
35/08/04 Curly Top (1935)
35/08/11 Farmer Takes a Wife, The (1935)
35/08/18 Alice Adams (1935)
35/09/01 Top Hat (1935)
35/09/22 Steamboat ‘Round the Bend (1935)
35/09/29 She Married Her Boss (1935)
35/10/06 Return of Peter Grimm, The (1935)
35/10/13 Gay Deception, The (1935)
35/10/20 Metropolitan (1935)
35/10/27 FEATHER IN HER HAT, A
35/11/03 Three Musketeers, The (1935)
35/11/10 Peter Ibbetson (1935)
35/11/17 Man Who Broke the Bank at Monte Carlo, The (1935)
35/11/24 Crime and …Punishment (1935)
35/12/01 I Dream Too Much (1935)
35/12/15 In Person (1935)
35/12/22 Littlest Rebel, The (1935)
35/12/29 Magnificent Obsession (1935)
36/01/12 Sylvia Scarlett (1935)
36/01/19 Strike Me Pink (1936)
36/02/02 Next Time We Love (1936)
36/02/09 Petrified Forest, The (1936)
36/02/23 Follow the Fleet (1936)
36/03/15 COUNTRY DOCTOR, THE
36/03/29 Sutter’s Gold (1936)
36/04/05 Little Lord Fauntleroy (1936)
36/04/19 Mr. Deeds Goes to Town (1936)
36/05/03 Under Two Flags (1936)
36/05/17 Show Boat (1936)
36/05/31 King Steps Out, The (1936)
36/06/14 Private Number (1936)
36/06/21 SINS OF MAN
36/06/28 Poor Little Rich Girl (1936)
36/07/12 Bride Walks Out, The (1936)
36/07/19 Green Pastures, The (1936)
36/08/02 Mary of Scotland (1936)
36/08/23 MY AMERICAN WIFE
36/08/30 Swing Time (1936)
36/09/20 My Man Godfrey (1936)
36/10/04 Craig’s Wife (1936)
36/10/11 Gay Desperado, The (1936)
36/10/25 Adventure in Manhattan (1936)
36/11/01 Woman Rebels, A (1936)
36/11/08 As You Like It (1936)
36/11/15 Theodora Goes Wild (1936)
36/11/22 Garden of Allah, The (1936)
36/12/06 Winterset (1936)
36/12/13 More Than a Secretary (1936)
36/12/20 RAINBOW ON THE RIVER
37/01/03 That Girl from Paris (1936)
37/01/10 Lloyds of London (1936)
37/01/31 Plough and the Stars, The (1936)
37/02/07 On the Avenue (1937)
37/02/21 When You’re in Love (1937)
37/03/07 Fire Over England (1937)
37/03/14 Wings of the Morning (1937)
37/03/21 When’s Your Birthday? (1937)
37/03/28 Seventh Heaven (1937)
37/04/11 Quality Street (1937)
37/04/18 WOMAN I LOVE, THE
37/04/25 Star Is Born, A (1937)
37/05/16 Shall We Dance (1937)
37/05/30 This Is My Affair (1937)
37/06/13 Woman Chases Man (1937)
37/06/20 Another Dawn (1937)
37/06/27 Ever Since Eve (1937)
37/07/04 New Faces of 1937 (1937)
37/07/11 Knight Without Armour (1937)
37/07/25 Toast of New York, The (1937)
37/08/08 Stella Dallas (1937)
37/08/22 Vogues of 1938 (1937)
37/09/05 Prisoner of Zenda, The (1937)
37/09/26 Lost Horizon (1937)
37/10/10 Stage Door (1937)
37/10/31 Victoria the Great (1937)
37/11/07 Awful Truth, The (1937)
37/11/21 Stand-In (1937)
37/11/28 Nothing Sacred (1937)
37/12/19 I’ll Take Romance (1937)
38/01/02 Tovarich (1937)
38/01/16 Snow White and the Seven Dwarfs (1937)
38/02/20 Adventures of Tom Sawyer, The (1938)
38/03/06 Bringing Up Baby (1938)
38/03/13 Jezebel (1938)
38/03/27 Fools for Scandal (1938)
38/04/03 Divorce of Lady X, The (1938)
38/04/10 Adventures of Marco Polo, The (1938)
38/05/01 There’s Always a Woman (1938)
38/05/08 Joy of Living (1938)
38/05/15 Adventures of Robin Hood, The (1938)
38/06/05 Vivacious Lady (1938)
38/06/19 Blockade (1938)
38/06/26 Holiday (1938)
38/07/10 Having Wonderful Time (1938)
38/07/17 Algiers (1938)
38/08/07 Mother Carey’s Chickens (1938)
38/08/14 Four’s a Crowd (1938)
38/08/21 Four Daughters (1938)
38/09/04 You Can’t Take It With You (1938)
38/09/25 Carefree (1938)
38/10/02 Drums (1938)
38/10/16 There Goes My Heart (1938)
38/10/23 Mad Miss Manton, The (1938)
38/10/30 Young Dr. Kildare (1938)
38/11/06 Young in Heart, The (1938)
38/11/20 Sixty Glorious Years (1938)
38/11/27 Cowboy and the Lady, The (1938)
38/12/11 Dramatic School (1938)
38/12/18 Duke of West Point, The (1938)
38/12/25 Christmas Carol, A (1938)
39/01/01 Topper Takes a Trip (1939)
39/01/08 THERE’S THAT WOMAN AGAIN
39/01/15 Trade Winds (1938)
39/01/22 Great Man Votes, The (1939)
39/01/29 Gunga Din (1939)
39/02/19 Made For Each Other (1939)
39/03/05 Stagecoach (1939)
39/03/19 Love Affair (1939)
39/04/02 Story of Vernon & Irene Castle, The (1939)
39/04/23 Dark Victory (1939)
39/05/07 East Side of Heaven (1939)
39/05/14 Only Angels Have Wings (1939)
39/05/28 Captain Fury (1939)
39/06/11 Sun Never Sets, The (1939)
39/06/18 CLOUDS OVER EUROPE
39/06/25 Good Girls Go to Paris (1939)
39/07/02 Bachelor Mother (1939)
39/07/16 Man in the Iron Mask, The (1939)
39/07/30 Winter Carnival (1939)
39/08/06 In Name Only (1939)
39/08/27 5th Ave. Girl (1939)
39/09/10 Golden Boy (1939)
39/09/24 Nurse Edith Cavell (1939)
39/10/08 Intermezzo (1939)
39/10/22 Mr. Smith Goes to Washington (1939)
39/11/12 Ninotchka (1939)
39/12/03 We Are Not Alone (1939)
39/12/17 Balalaika (1939)
39/12/31 Hunchback of Notre Dame, The (1939)
1970 Radio City prices were $1.50-$3.50 and considered a bargain even then, even if much of the audience travelled in from the burbs.
My first experience with RCMH was back in the early or mid 60’s, whenever “Come Blow Your Horn” played there! My parents took a trip to NY City and took me along, saw all the regular tourist attractions but my fondest memory was that night at the Music Hall, it also began my life-long love affair with pipe organs. I’m pretty sure it was the first time I ever heard a theatre organ, (I was about 11 or 12) and in the years that followed I made it a point to always visit the Hall when I was in town. Over the years I met several of the staff organists, Ashley Miller & Jack Ward, who were kind enough to give me a personal tour of some of the pipe chambers and also gave me a short personal “concert” and best yet, LET ME PLAY THE THING! Unfortunately, these days, the organ isn’t heard all that often, at least in a concert setting, my understanding is that the cost to use the hall for an organ concert rivals the cost of a NASA space launch. That’s really too bad, it’s a wonderful treasure as part of a great historic theatre, maybe one day the hall management will figure that out.
That was 1970 ticket prices. The price of Broadway shows were in the $15.00-$20.00 range. The payroll costs were much cheaper to run shows. What was the cost of a ticket to Radio City at that time?
The 1970 article mentions “the sanctum” of Gus Eyssell, President of Rockefeller Inc., as the source, citing the rising costs of live shows and the lack of popular G and GP films. It also states that RCMH needs to sell 6 million tickets a year in order to stay to in business but had been operating at just over 5 million.
I think Warren is right. It would have been highly impractical anyway, due to the theater’s immense size. REndres didn’t join the RCMH family until a few years later, but perhaps he could shed some light as to whether he had ever heard any stories of the like.
I wonder what that configuration would have looked like! A left/right split with some rows up front removed? Or some kind of up/down segregation (hard to imagine with the multiple balconies, though they may have planned on ripping them out altogether as part of the conversion). Thankfully, whatever the plans might have been, they are left only to supposition.
For those of you so inclined, the July 15, 1970 issue of Variety,(Music Hall has Mulled Twins) covers the possibilty that Radio City may have been twinned with one screen showing R rated “now” films.
Whew!
The radio show started in ‘33 or '34. I don’t know when they ended the series, but it was quite popular and selections from them were available on 78s for a while.
Erno Rapee was the Hall’s first conductor, and had finished previously working as head of the Rivoli, Capitol and Roxy. He died in 1945.
It was wonderful to see the ad for “Ginger” starring Jane Withers. It only played a week at the Hall July 18 – 24 in 1935. It’s gross of $59,000 for the week was one of the lowest of the year, but it actually beat the following one-weeker “She” starring Helen Gahagan by $1,000. 1935 was an historical year for the Hall as it premiered the first Technicolor film “Becky Sharp” earlier that summer (June 13 – 26). But more importantly “Top Hat” opened in September and grossed $134,800, breaking the house gross and attendance record and playing 3 weeks. It held that record well into the 1940s. A Shirley Temple film “Curly Top” followed “She” and also only played one week grossing a fairly sizable $82,000. Temple’s “Littlest Rebel” played 11 days over Christmas.
Check out this short film about television. There is a quick shot of a sold out Music Hall audience.
View link
Hi there theatre geeks.. I think someone above posted they would like this.. so here is a list of Rockettes:
1940 Daily News Rockettes Exponents of Precision Dancing
(two page photo spread)
Left to Right
Ann Hastings, Meadville, PA
Virginia Wallace, Auburn, Me
Mary Marchetti, Cambridge, MA
Ann Kalman, Cleveland, OH
Peggy Todd, Kearny, NJ
Kay Birk, St. Louis, Mo
Iris Harris, Norfolk, Va
Helene Dernell, Albany, NY
Miriam Morgan, Atlanta, Ga
Olga Burke, Newark, NJ
Marie Graham, Queens, NY
Joan Mann, Winchester, Ky
Eleanor Bellman, New York City
Pat O’Neill, St. Louis, Mo
Muriel LeCount, Brooklyn, NY
Margo Linder, Cisco, Tx
Betty Sasscier, Brooklyn, NY
Terry Adams, Lousiville, Ky
Dean Myles, Hollywood, Ca
Bonnie Bradley, Youngstown, Oh
Marjorie Gaye, Dallas, Tx
Jane Stribling, St. Louis Mo
Helen Fried, Astoria, Queens
Virginia Vollmer, St. Louis, Mo
Louise Newman, Brooklyn, NY
Betty Collette, Glendale, Queens
Jeanette Dix, Hallwood, Va
Isobel Block, New York City
Georgina Yaeger, New York City
Judy Sammons, Toronto, Canada
Florence Malle, New York City
Jane Everett, Kansas City, Mo
Mitzi Perry, Niagara Falls, NY
Frances Peterson, Chicago
Dorothy Laxson, Minneapolis, MN
Lee Marshall, Lincoln Neb
1942 Daily News Rockettes Artists of Precision Dancing
(two page photo spread)
Left to Right:
Ann Hastings, Meadville, PA
Virginia Wallace, Auburn, Me
Vini Likely, Haverhill, Mass
Kay Birk, St. Louis, Mo
Bettie Vincent, Chester, Pa
Miriam Morgan, Atlanta, Ga
Muriel LeCount, New York City
Kathryn Harkin, Philadelpia, PA
Ruth Bannon, Newark, NJ
Dorothea Frank, Newark, NJ
Marion Block, Columbus, OH
Betty Colette, Glendale, Queens
Louise Newman, Brooklyn, NY
Jeanne Phillips, Jersey City, NJ
Jane Everett, Kansas City, MO
Florence Mallee, New York City
Mitzie Perry, Niagara Falls, NY
Dorothy Laxson, Minneapolis, MN
Gene Martin, Naugatuck, CT
Judy Sammons, Toronto, Ont
Mary Ann Crawford, Columbus, OH
Jeanette Dix, Hallwood, VA
Virginia Volmer, St. Louis, MO
Marjorie Gaye, Dallas TX
Helen Fried, Astoria, Queens
Virginia Henry, Newburyport, Mass
Eleanor Bellman, New York City
Iris Harris, Norfolk, Va
Pat O’Neill, St. Louis, Mo
Marie Graham, Winfield, Queens
Olga Burke, Newark, NJ
Helen Dernell, Albany, NY
Muriel Kilduff, Chicago
Mary Woods, Mount Royal, NJ
Suzanne Graves, Kansas City, Mo
I believe the queue was for the ‘61 film if I’m not mistaken which would have been Babes in Toyland which started late in the month. I wonder why Flower Drum Song wasn’t the Christmas film that year. From what I’ve heard Babes is pretty bad.
In the 70’s I don’t remember the lines ever being that long. The longest I remember is it winding around 3 times.
Does anybody remember it filling up the plaza then going down to Fifth Av then going back up 51st St?
Yeah, I knew what you were talking about Warren… I just didn’t read the caption in my souvenir booklet correctly. As Bill corrected, the caption also referred to Cary Grant the star not the movie itself. My error. I remember standing in line for “Mame” and other shows, but then, I mostly attended the Hall during holiday shows (though I can also remember at least one non-holiday show that featured Gershwin’s “Rhapsody in Blue”). I’m sure there were times we just marched right in, but the queue depicted in that photo is how I tend to remember waiting to get into the Hall. And we always sat somewhere in the orchestra – perhaps because we’d get there early enough to ensure those seats.
I remember when I was eight waiting on line with my parents for three hours to see the 1958 Christmas show which was “Auntie Mame”. Can still visualize seeing it on the huge screen and the stage show after. That was the first of many trips and long lines to both the Christmas and Easter shows. Still have many of the Showplaces which bring back memories of what a wonderful place it was.
For both “Mink” and “The Odd Couple” we walked right in, went up to the 3rd mezzanine and found seats. The movie had probably already started, but that was a common practice back then – to stay and see what you missed, then get up and leave at the point where you came in.
The only time I was stuck in a really bad line was for “A Boy Named Charlie Brown”, the 1969 Christmas show. The line filled Rockefeller Plaza in a Disney World-like zigzag, as seen in the final picture in Ed Solero’s Feb. 20th post. It took hours – can’t remember how many, but we got on the line around noon and it had gotten dark by the time we entered the Hall.
Bill I’m very curious about hit films like Mink and Odd Couple which played for months.As I have mentioned before I was told back in 76 by an old manager that Couple had as many people on the last day as on the first.
Were there continual lines for these films? Or did you just walk up to the box office buy a ticket and then go in? Was it crowded or were you able to sit where you wanted to quite easily?
I have this impression that from 68 and before when the Hall had a hit film you always had to wait on line and the theater was always crowded especially during the summer. Did you find this was the case?
By the 70’s the only time you had to wait on line was for the holiday show and that was only during the weekends and the holiday week. And even this only lasted until Mame in 74. A film that not only damaged Ball’s reputation but the Music Hall’s as well.
Ed: I think that caption is referring to Cary Grant, and not the movie, as the Music Hall’s all-time box-office champ, which Warren pointed out right above your post. I always thought “The Odd Couple” was the biggest-grossing movie to play there. I was lucky enough to see both “That Touch of Mink” and “The Odd Couple” at the Hall.
Wouldn’t they have done so much better with Walk Don’t Run rather than Kaleidascope which I have the impression did rather poorly?
Did Touch of Mink really do better than Odd Couple with a 10 week run?
And while I like glossy starry 60’s comedies Mink is pretty bad.
Warren… the Grant & Doris Day comedy “That Touch of Mink” is listed in my souvenir booklet as RCMH’s all time box office champ:
View link
And note that “The Odd Couple”, which played 6 years after “Mink”, had a record breaking 14-week run at the Hall – though apparently not well enough attended to top the business that “Mink” brought in.
B.O.Bill… Unfortunately, I do not still have the Showplace Program for “Crossed Swords”.
Ed— Many thanks— I have a bunch of such booklets from the early ‘50s, along with programs from RCHM of that vintage, which I’ll post on these pages when I return later in the Spring. I’d love to see the Showplace Program for “Crossed Swords” if you still have it.
BoxOfficeBill… this was a souvenir booklet about the movie itslef – with cast and credits and production stills – not a program in the sense of the old Playbill-types that the RCMH used to distribute for free. I paid for this booklet at the candy counter. Many films used to sell these kinds of books at the concession stands (I still have a great deal of them – “Star Wars”, “Rocky II”, “Moonraker”, “Reds”, “Raiders of the Lost Ark”, etc.) even at the neighborhood theaters. I just posted a couple of vintage booklets for “How the West Was Won” (on the Capitol Theater page) and “Its a Mad Mad Mad Mad World” (on the Strand Theater page).
EdSolero— Was the program for “Crossed Swords” a booklet for the film only, or did it include a list of the stage acts such as the “Showplace Program” presented in earlier years? The colorful cover bears no resemblance to the older monochrome programs. The stucker about “final attraction” is sad—a perverse parody of the “next attraction” announcements that graced the former programs.