Radio City Music Hall

EdSolero, As I ponder what you have written I must say I hope you are right. In addition to the demands for live music from the theatre going public, the producers themselves would propably not be so inclined as to allow canned music. This is why it is so important not to allow what is going on at RCMH to continue, so that the new blood of producers present and future will never be tempted to change the way we see, and more importantly hear, live theatre. Once we begin to slide back and allow what is going on at RCMH to continue, it will spread, and sophisticated and demanding as Broadway audiences are, I worry they will begin to shrug their shoulders and begin to accept and get used to it. Then, there will be no turning back.
Now I’m not trying to be a chicken little here but as impossible as it may seem today, I am not so sure that in the future, if push comes to shove, as unspeakable as it may seem today, the absence of a live orchestra will not stop people from attending musical plays.

Vincent, much of what you say is sad but true. One of the biggest discussions at ShowEast was patrons unruly behavier, MPAA president Dan Glickman adressed the many ways theare owners must work to combat this problem, along with piracy, another big problem for the industry. I read the Daily news article, however it won’t hurt ticket sales, what I don’t understand is why the strike continues.

Actors' Equity Association had asked its members to support musicians striking the Radio City Music Hall’s Christmas Spectacular by joining a muscians picket line Friday. Equity members showed up in solidarity for the 2 pm appointment, but the American Federation of Musicians, Local 802 had decided not to picket. Later, the musicians chose to don tuxedos and spend the evening across the street from Radio City, playing for the public. Equity was hoping to get members to support that effort.

Equity and Local 802 joined forces in 2003 when the musicians' strike shut down Broadway. Although Equity had a “no-strike” clause in its contract with producers-meaning a union will not strike to support another union’s walkout-Equity used the stagehands' striking in support of Local 802 as its rationale for not performing. Actors would not work in conditions made unsafe by the absence of stagehands, Equity contended. Actors then joined the picket lines. The strike lasted four days before musicians and producers came to terms on a new pact. The Rockettes need to put those beautifull legs to better use on a picket line in solidarity with the rest of the behind the scenes workforce at RCMH. End this madness now!

Sorry, obviously I meant the last line to read WITH a live orchestra.

Last nights “opener” proved what todays audience is like. I stood at the rear of the theatre while the executive producer was on stage welcoming them to the 2005 Christmas spactacular. As he was speaking of a beloved member of the theatre who passed away this year the volume level( talking & whinning) came up 70 decibels. Attention span 53 seconds!!… The poor sound guys have to raise levels where they are, you have to be able to hear over the chatter. SO, I guess Vincent is CORRECT! Canned, or Manned, its all the same. Oh, by the way, the organ was canned also. Might as well put plastic on the consoles and role ‘em in..

Vito a certain amount of irony was intended in my post however I am very serious when I claim that live music sounds canned. I’ve found that the sound you hear today in a broadway theater or the Music Hall is so processed by the engineers that you might as well be at home listening to recording on a great sound system.
Also we know that the way Cablevision treats this great treasure is an absolute scandal from which it is only seeking the maximum amount of profits from whatever dreck it throws on the stage.
The execs there have only one goal and they are profiting from the house that Roxy, Leonidoff and Markert built with all the sensitivity of great white sharks.

Vincent, Of course I respect you right to your opinion but your remark is so ridiculous it is not even worth a responce.

Denapiano and Patsy, what is even more disturbibg is, did you notice that over half the audience members were senior citizens? I can almost forgive the kids, they don’t know any better, but the seniors?, that is disturbing I thought surely they would be on our side. I worry also that management will say, hey look at that we got away with it. That is why we must continue to pressure them, surly the folks wanting live music must out number the ones who do care. I also honestly believe this whole thing will be settled very soon. As of last night no new talks were scheduled, perhaps today that will change. Hang in there Denapiano.

“…unfortunately most culturally challenged show goers did not care about the live music. What do you expect?? this is ths I-Pod generation. Download
free music, blow your ears out with constant headphone use!” Denpiano: This is the perfect scenario for most of today’s youth!

To BOB
Speaking of Conrad Ludlow another Balanchine dancer Melissa Hayden was featured in the previous stage show with Prince and the Showgirl. Did you see it?

Well the shows did go on. However when musicians president, David Lennon and the rest of the orchestra arrived in good fath to begin work for the 11AM show, they were greeted by security guards and told they were locked out. The guards looked like night club bouncers which made the whole experience more difficult. Mikyl Cordova, spokesman for for the hall, came out and explained the position that untill a signed contract was in place, the musicians were considered on strike and would not be allowed to work. The musicians remained outside the stage door, a couple of them playing Christnas music. The 3PM show was a repeat of the earlier show with musicians not permitted to enter the hall. As the parons exited what looked like a sold out 11AM performance, some said the show was “fantastic” and that they did not mind the pre recorded music while others said they felt cheated and it just was not the same.
Most agreed however, that the show would have been better with the live orchestra. I wish the other unions could have gone out as well, but they all have a no strike clause in their contracts and had to work. My hope is that this will all be settled for tommorrow’s 2PM show, there is no performance tonight. Mayor Bloomberg has asked both sides to get together and come to terms. I hope music hall management will allow all those talented, hard working musicians back to work, they are willing and ready to play even without a contract. Radio City should be ashamed of themselves for locking out the musicians and charging top broadway ticket prices for canned music. Cablevision, shame on you!

Regarding calling Jim Dolan (516) 803-1002 about the lack of a live orchestra for the Xmas Show – I did call and was very polite but firm. I am afraid that there will not be enough protest and another great tradition will
disappear. Its too damn bad that the NY press can’t get on their case.

There was mention of a Kay Kendall in a previous post that I can’t find at the moment. I see that she was in the film Les Girls with Gene Kelly and Mitzi Gaynor. What happened to Ms. Kendall as I my recall that she died about the time this film was being shown at RCMH?

BoxOfficeBill: Thanks for posting the 1957 RCMH programs. Really neat to see!