In 1977, my father, brother and I saw a fanciful World War I action drama at the Commodore called SHOUT AT THE DEVIL, starring Lee Marvin and Roger Moore. At the time, the theater was showing Bollywood films late in the evening after the mainstream releases. I remember the crowd for the south Asian feature was much larger than the group who saw SHOUT AT THE DEVIL.
Moir named this theatre “Boston” because he owned the adjacent “Boston Oyster House” restaurant in the Morrison Hotel. The Boston Oyster House was a landmark restaurant at Clark and Madison from the time of the Civil War until it was demolished with the Morrison in 1964-65. The restaurant’s cuisine was upscale seafood patterned after New England seafood restaurants. Naming the theatre after the restaurant amplified advertising for both. In the 1920s, Moir sacrificed the theatre — which was in a small building constructed right after the Great Chicago Fire, for the new 45-story tower wing of the hotel. Moir was ruined in the Depression, having overleveraged to expand the hotel to the world’s largest. He lost the hotel in the early 1930s. The First National Bank of Chicago acquired the property and demolished it about three decades later.
In 1977, my father, brother and I saw a fanciful World War I action drama at the Commodore called SHOUT AT THE DEVIL, starring Lee Marvin and Roger Moore. At the time, the theater was showing Bollywood films late in the evening after the mainstream releases. I remember the crowd for the south Asian feature was much larger than the group who saw SHOUT AT THE DEVIL.
Moir named this theatre “Boston” because he owned the adjacent “Boston Oyster House” restaurant in the Morrison Hotel. The Boston Oyster House was a landmark restaurant at Clark and Madison from the time of the Civil War until it was demolished with the Morrison in 1964-65. The restaurant’s cuisine was upscale seafood patterned after New England seafood restaurants. Naming the theatre after the restaurant amplified advertising for both. In the 1920s, Moir sacrificed the theatre — which was in a small building constructed right after the Great Chicago Fire, for the new 45-story tower wing of the hotel. Moir was ruined in the Depression, having overleveraged to expand the hotel to the world’s largest. He lost the hotel in the early 1930s. The First National Bank of Chicago acquired the property and demolished it about three decades later.