KEYSTONE PROBLEMS SCOPE CINERAMA DOME NEW LASER

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Tiny terrywade

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Barry Lyndon opens at the Cinerama Dome, 1975

Cinerama Hollywood

Los Angeles, CA

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Taken on: June 22, 2019

Uploaded on: July 10, 2019

Exposure: 1/20 sec, f/4.5, ISO 2500

Camera: Canon Canon PowerShot A1300

Size: 833.1 KB

Views: 2,122

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Digital zoom ratio: 0

Aperture value: 139/32

F number: 9/2

Focal plane y resolution: 864000/91

Pixel Y dimension: 1728

Date time original: Sat Jun 22 19:35:18 +0000 2019

Y resolution: 180

Resolution unit: 2

Focal plane resolution unit: 2

Flash: 16

YCbCr positioning: 2

Focal length: 463/40

Date time digitized: Sat Jun 22 19:35:18 +0000 2019

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Exposure bias value: 0

Custom rendered: 0

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Max aperture value: 139/32

ISO speed ratings: 2500

Exposure mode: 0

Compressed bits per pixel: 3

Make: Canon

Date time: Sat Jun 22 19:35:18 +0000 2019

Sensing method: 2

Color space: 1

Focal plane x resolution: 1152000/121

Shutter speed value: 69/16

Exposure time: 1/20

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Model: Canon PowerShot A1300

Pixel X dimension: 2304

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X resolution: 180

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KEYSTONE PROBLEMS SCOPE CINERAMA DOME NEW LASER

Here is another image taken last week during the 3D run of Toy Story #4 at the Pacific Cinerama Dome Hollywood. While the brand new laser projectors looked very crisp and the colors very bright the bottom of the image for scope curved up on the bottom corners of the semi giant curved screen. You would think with modern alignment and keystone adjustment they could pull the image back down a little to make it a nice clean image like they had before. You better bring a flashlight as when you enter the Cinerama Dome the blue curtain lights and ceiling gold lights are set so low you won’t be able to find your reserved seat at least on the bottom level. The stereo sound does not sound as good as It was before. New surround speakers have been placed and the base is not as good many sound people have told me. There are no covers on the wall speakers and you can see the treble cones reflect light. Pacific needs to visit the Seattle Cinerama and see what lens and adjustment system they use. Probably to late for the new 70mm blow up'Once Upon A Time In Hollywood' do to open at the Dome soon. Tarantino is not going to like what he see’s on the bottom corners unless they can change the masking for film projectors?

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