I now know that the Orpheus Theatre was not the house built for the American-Irish Players Company in 1918. In fact, that project might never have been carried out. Articles in various Marin County newspapers from the 1920s through the 1960s indicate that the Orpheus was built by the Tunstead estate in 1919 and leased to Max Blumenfeld and Sam Gordon before it was completed. An item in the May 3, 1919, issue of The Moving Picture World had these lines:
“These
same architects [Reid Brothers] are working on plans for a 1,500-seat house to be erected at San Rafael, a suburb of San Francisco. This theatre, which will cost about $125,000, has been leased to Max Blumenfeld and Sam Gordon for a period of twenty years.”
The opening of the Orpehus Theatre on January 21, 1920, was recorded in this article from the following day’s edition of the Marin Journal
Several sources say that the 1938 rebuilding of the Orpheus as the Rafael Theatre was designed by S. Charles Lee. That could be the case, but the Rafael dates from the period when a number of northern California theaters were designed by the unlicensed William B. David and his plans were signed by other architects, including Lee in some cases, so there is some possibility that the Rafael was one of David’s designs. He designed several projects for Blumenfeld over the years.
The October 16, 1915, issue of the Sausalito News listed the upcoming movies at the Princess Theatre:
“PRINCESS THEATER
Sausalito Special Feature Nights, week Commencing October 18, 1915. TUESDAY, OCT. 19th, 1915 A Paramount entitled The Country Boy, in 5 reels. WEDNESDAY and THURSDAY — The Diamond From the Sky, changed from Mondays. FRIDAY, OCT. 22, 1915 A Paramount entitled Pretty Mrs. Smith, 5 reels. SUNDAY, OCT. 24th, 1915 The Goddess, 13th chapter. On Tuesdays and Fridays the prices for adults is 15 cents. Children 5c at all performances.“
In 1916, the February 12 issue of The Moving Picture World mentioned both the Grand and Colonial Theatres in Green Bay in one paragraph. They were apparently under the same management, as the item said: “The Triangle program was switched to the Colonial in Green Bay, Wis., while ‘The Birth of a Nation’ was at the Grand.”
If the two houses were owned by the same company it’s possible that both theater names would have appeared on the company letterhead, in which case the organ might have been installed in either house. The Colonial was an older house, in operation by 1913, and slightly smaller at 650 seats, but I haven’t found an address for it, nor do I know its fate.
There are a couple of references to an Edward Benjli who was the organist at the Colonial in the early 1920s (he later became manager of both the Colonial and the Grand) so the Colonial definitely had an organ. Both the Grand and Colonial were Fox Midwesco houses by the late 1920s.
Despite a slight address discrepancy, the Hippodrome was probably the project noted in the August 7, 1915, issue of The Music Trade Review: “A new moving picture theater will be erected at 2509 Peach street, Erie, for D. A. Billig.” A Mr. D. E. “Billie” (Billig was apparently the correct name, as it appears in several other sources) was noted as operator of the Hippodrome Theatre at Erie in the February 26, 1916, issue of The Moving Picture World. The house must have opened in late 1915 or early 1916.
The Gem Theatre at 552 W. Fourth Street, Erie, Pennsylvania, opened in 1915, according to an announcement in the October 9 issue of The Music Trade Review.
The Folly Theatre is on a 1918 list of Erie’s theaters that can be found on this page at Old Time Erie, though the address is given as 648 W. 26th Street. The May 22, 1915, issue of The Music Trade Reviewnoted that the Folly Theatre in Erie had just opened. It, too, gives the old address of 648 26th Street.
This web page has a biographical sketch of B. G. Neyland, published in 1925. It says that he founded the Folly Theatre at 654 W. 26th Street in 1915, so the address was changed sometime between 1915 and 1925.
A Twentieth Century History of Erie County, Pennsylvania, by John Miller, didn’t cover much of the twentieth century, as it was published in 1909, but it was able to note the origin of the Colonial Theatre, which opened that year:
“Early in 1909 A. P. Weschler, a prominent real estate dealer, bought of the Church of Christ the building that for years had been known as the Tabernacle. Although it was built for church purposes, in appearance, both inside and out, it was as unlike the traditional church as possible. The floor was of the amphitheatre form or style; the rostrum or platform was in reality a stage, and it was provided with a gallery. There was therefore but little reconstruction necessary, and before the spring was over the Colonial Theatre had been dedicated as an addition to Erie’s playhouses, to be devoted to the vaudeville line.”
Although it was mentioned in The Moving Picture World at least as early as July 31, 1915, the Colonial sometimes offered two-a-day vaudeville shows for many years. Variety of September 20, 1918, reported:
“The Colonial, Erie, Pa., booked by the United Booking Offices, is the only house now there playing regular vaudeville. The Majestic, last season booked through the Loew Circuit, has taken up another policy.”
There were listings in Variety for vaudeville shows at the Colonial at least as late as 1923.
This post at Old Time Erie says that Shea’s was also known as the Perry Theatre. The December 3, 1921, issue of Exhibitors Trade Review had an announcement that Rowland & Clark had recently opened their Perry Theatre in Erie. I haven’t yet discovered when it became Shea’s.
I’ve been doing a Google image search for theaters designed by J. B. McElfatrick to see if there are others resembling the Majestic, but I’ve found none that are very close. It’s remarkable how varied his designs were.
The Columbia Theatre opened in 1909 as the Alpha House (a 1910 issue of Variety calls it the Alpha Theatre) at 812 State Street, according to a 1962 book, Erie, a History, by Herbert Reynolds Spencer, which also said that the entrance was moved to the 8th Street side of the building when the house was renamed.
The 1913-1914 Cahn guide lists the Columbia Theatre in Erie as a ground-floor house with 1,354 seats. It was being operated by Colonial Enterprises Co., also operating the smaller Colonial Theatre in Erie. The Columbia was playing Gus Sun vaudeville. By 1917, the Columbia was a movie house, and was mentioned a few times in the trade publications.
The August, 1918, issue of Safety Engineering reported that a fire on May 18 had severely damaged the Columbia Theatre. The fire was of electrical origin and started in the basement under the organ. The building and contents were valued at $75,000, and property loss was $30,000. The theater was described as being “…back from street, and surrounded by other buildings,” so it sounds as though the auditorium had been shoehorned into the middle of a block of existing structures.
I haven’t found anything about the rebuilding of the Columbia after the fire, but the house was mentioned fairly often in the trade publications from 1919 on, and in the 1940s the house hosted a number of live music acts, mentioned in various issues of The Billboard.
A twentieth century history of Erie County, Pennsylvania, by J. Miller, says that the Majestic Theatre was dedicated on January 28, 1904. It was designed by architect J. B. McElfatrick.
In 1907 the house was sold to Moses Reis, who continued the original policy of legitimate stage productions. By 1912, the theater had been transferred to the Shuberts.
The earliest mention of movies at the Majestic I’ve found is from the September 16, 1916, issue of The Moving Picture World, which said the house had been reopened by O. A. Potter with a policy of vaudeville and moving pictures.
DesR: to add a photo to Cinema Treasures click on the “Photos” button (between “Overview” and “Comments”) above; on the photo page, scroll down and click the “Add New Photo” button; on the next page, click the “choose” button and select from the menu that appears the file of your photo wherever you have it stored on your computer. The file’s name should automatically appear in the adjacent box when you click on it. Adding a title and description are optional. Then click the “Upload Photo” button. License will default to “Creative Commons (Attribution)” but if you want a different one select it from the drop-down menu.
I just stumbled across a very interesting map prepared by Fox Midwest Theatres in 1950. It shows all the theaters in the greater Kansas City area, and the legend lists all the theaters by their clearance zones. It can be seen online at this link.
There are towns called Rushville in Ohio and New York, too, but I’ve been unable to discover if either of them ever had a movie theater. If either did, I’m hoping it was called the Princess.
The July 2, 1938, issue of The Film Daily had this item about the modernization of the Essaness Theatre:
“Rushville Publisher-Exhib. Will Modernize Theater
“Denver — William Barnes, who also publishes the newspaper at Rushville, Neb., has bought the Essaness Theater there, and as a part of his remodeling job has ordered from the National Theater Supply Co. two new Simplex Acme sound projectors, a Walker White sound screen, new carpet and padding as well as new Ezy rug mats.”
Another item in the same issue noted the name change to Plains Theatre:
“The Esseness Theater at Rush-
ville, Neb., has been changed to the Plains, and has been taken over by William Barnes from John C. Gates.”
I’m a bit puzzled by this item from the July 16, 1926, issue of The Film Daily:
“Martinez House Opens Martinez, Cal — The Martinez, a West Coast Theaters, Inc., house, has opened.”
Was this the State? I know that West Coast took over the original Turner & Dahnken circuit sometime in the 1920s, and that the later T&D Jr. circuit later took over a number of West Coast houses in northern and central California, but I’ve never found the exact dates of these events.
The “Theater Changes” column of the October 4, 1937, issue of The Film Daily reported the change of name of the movie theater at Rushville, Illinois, from Princess to Lloyd.
The contents of the building, including the theater’s old seats and other equipment, were auctioned off by the Masons on September 21. The lodge sold the building to the City of Rushville in August. The city plans to put a new roof on the building and perform other maintenance immediately, but the long term plan includes the restoration of the theater as a multi-use venue. Grants are bing sought for the project, according to this article in the the August 25, 2014, issue of the Rushville Republican.
Now if we could get Rushville, Nebraska, to renamed the Plains Theatre, then all four Rushvilles listed at Cinema Treasures could have Princess Theatres.
The September 2, 1927, issue of The Escanaba Daily Press said that the Community Theatre in Gladstone had been purchased by Fischer-Paramount Theatres of Milwaukee, the company that had been operating it under a lease. The house would be renamed the Rialto Theatre, and extensive improvements were planned, including the installation of a Barton Organ.
The building had been built several years earlier by the Northwestern Cooperage and Lumber Company as a community center for its workers.
July 14, 1929, issue of the paper featured several pages of ads placed by various businesses offering congratulations to the Rialto Theatre on its opening.
The May 8, 1938 issue of the Daily Illini reported that Alger Brothers, operators of the Princess and Park Theatres, and the A. J. Balaban Co., would remodel and expand a building at 614-616 Green Street, Champaign, for a movie theater to be called the Co-Ed. The project was designed by the architectural firm of Monberg & Wagner, who the article referred to as “Chicago theater specialists.”
The September 12, 1972, issue of The Escanaba Daily Press carried an ad placed by the Network Cinema Corporation soliciting an investor/operator for the new Jerry Lewis Cinema then nearing completion in Escanaba. $17,500 dollars would get you into the theater business with this 350-seat house (additional working capital required.)
The February 22, 1972, issue of The Escanaba Daily Press said that plans to build a new, 408-seat indoor movie theater in Manistique had been announced. Construction was to begin in April, and the operators hoped to have the house open by September. The town had been without an indoor theater since the closing of the Oak Theatre in November, 1970.
I now know that the Orpheus Theatre was not the house built for the American-Irish Players Company in 1918. In fact, that project might never have been carried out. Articles in various Marin County newspapers from the 1920s through the 1960s indicate that the Orpheus was built by the Tunstead estate in 1919 and leased to Max Blumenfeld and Sam Gordon before it was completed. An item in the May 3, 1919, issue of The Moving Picture World had these lines:
The opening of the Orpehus Theatre on January 21, 1920, was recorded in this article from the following day’s edition of the Marin JournalSeveral sources say that the 1938 rebuilding of the Orpheus as the Rafael Theatre was designed by S. Charles Lee. That could be the case, but the Rafael dates from the period when a number of northern California theaters were designed by the unlicensed William B. David and his plans were signed by other architects, including Lee in some cases, so there is some possibility that the Rafael was one of David’s designs. He designed several projects for Blumenfeld over the years.
The October 16, 1915, issue of the Sausalito News listed the upcoming movies at the Princess Theatre:
An ad for the Orpheus Theatre in the February 5, 1920, issue of The Marin Journal specifies that the house had a Seeburg-Smith organ.
In 1916, the February 12 issue of The Moving Picture World mentioned both the Grand and Colonial Theatres in Green Bay in one paragraph. They were apparently under the same management, as the item said: “The Triangle program was switched to the Colonial in Green Bay, Wis., while ‘The Birth of a Nation’ was at the Grand.”
If the two houses were owned by the same company it’s possible that both theater names would have appeared on the company letterhead, in which case the organ might have been installed in either house. The Colonial was an older house, in operation by 1913, and slightly smaller at 650 seats, but I haven’t found an address for it, nor do I know its fate.
There are a couple of references to an Edward Benjli who was the organist at the Colonial in the early 1920s (he later became manager of both the Colonial and the Grand) so the Colonial definitely had an organ. Both the Grand and Colonial were Fox Midwesco houses by the late 1920s.
Despite a slight address discrepancy, the Hippodrome was probably the project noted in the August 7, 1915, issue of The Music Trade Review: “A new moving picture theater will be erected at 2509 Peach street, Erie, for D. A. Billig.” A Mr. D. E. “Billie” (Billig was apparently the correct name, as it appears in several other sources) was noted as operator of the Hippodrome Theatre at Erie in the February 26, 1916, issue of The Moving Picture World. The house must have opened in late 1915 or early 1916.
The Gem Theatre at 552 W. Fourth Street, Erie, Pennsylvania, opened in 1915, according to an announcement in the October 9 issue of The Music Trade Review.
The Folly Theatre is on a 1918 list of Erie’s theaters that can be found on this page at Old Time Erie, though the address is given as 648 W. 26th Street. The May 22, 1915, issue of The Music Trade Reviewnoted that the Folly Theatre in Erie had just opened. It, too, gives the old address of 648 26th Street.
This web page has a biographical sketch of B. G. Neyland, published in 1925. It says that he founded the Folly Theatre at 654 W. 26th Street in 1915, so the address was changed sometime between 1915 and 1925.
The East Avenue Theatre, at 801 East Avenue, is on a 1918 list of Erie’s theaters that can be found on this page at Old Time Erie.
The American Picture Playhouse, 510 w. 18th St., is on a 1918 list that can be found on this page of Old Time Erie.
A Twentieth Century History of Erie County, Pennsylvania, by John Miller, didn’t cover much of the twentieth century, as it was published in 1909, but it was able to note the origin of the Colonial Theatre, which opened that year:
Although it was mentioned in The Moving Picture World at least as early as July 31, 1915, the Colonial sometimes offered two-a-day vaudeville shows for many years. Variety of September 20, 1918, reported:There were listings in Variety for vaudeville shows at the Colonial at least as late as 1923.This post at Old Time Erie says that Shea’s was also known as the Perry Theatre. The December 3, 1921, issue of Exhibitors Trade Review had an announcement that Rowland & Clark had recently opened their Perry Theatre in Erie. I haven’t yet discovered when it became Shea’s.
I’ve been doing a Google image search for theaters designed by J. B. McElfatrick to see if there are others resembling the Majestic, but I’ve found none that are very close. It’s remarkable how varied his designs were.
The Columbia Theatre opened in 1909 as the Alpha House (a 1910 issue of Variety calls it the Alpha Theatre) at 812 State Street, according to a 1962 book, Erie, a History, by Herbert Reynolds Spencer, which also said that the entrance was moved to the 8th Street side of the building when the house was renamed.
The 1913-1914 Cahn guide lists the Columbia Theatre in Erie as a ground-floor house with 1,354 seats. It was being operated by Colonial Enterprises Co., also operating the smaller Colonial Theatre in Erie. The Columbia was playing Gus Sun vaudeville. By 1917, the Columbia was a movie house, and was mentioned a few times in the trade publications.
The August, 1918, issue of Safety Engineering reported that a fire on May 18 had severely damaged the Columbia Theatre. The fire was of electrical origin and started in the basement under the organ. The building and contents were valued at $75,000, and property loss was $30,000. The theater was described as being “…back from street, and surrounded by other buildings,” so it sounds as though the auditorium had been shoehorned into the middle of a block of existing structures.
I haven’t found anything about the rebuilding of the Columbia after the fire, but the house was mentioned fairly often in the trade publications from 1919 on, and in the 1940s the house hosted a number of live music acts, mentioned in various issues of The Billboard.
A twentieth century history of Erie County, Pennsylvania, by J. Miller, says that the Majestic Theatre was dedicated on January 28, 1904. It was designed by architect J. B. McElfatrick.
In 1907 the house was sold to Moses Reis, who continued the original policy of legitimate stage productions. By 1912, the theater had been transferred to the Shuberts.
The earliest mention of movies at the Majestic I’ve found is from the September 16, 1916, issue of The Moving Picture World, which said the house had been reopened by O. A. Potter with a policy of vaudeville and moving pictures.
DesR: to add a photo to Cinema Treasures click on the “Photos” button (between “Overview” and “Comments”) above; on the photo page, scroll down and click the “Add New Photo” button; on the next page, click the “choose” button and select from the menu that appears the file of your photo wherever you have it stored on your computer. The file’s name should automatically appear in the adjacent box when you click on it. Adding a title and description are optional. Then click the “Upload Photo” button. License will default to “Creative Commons (Attribution)” but if you want a different one select it from the drop-down menu.
I just stumbled across a very interesting map prepared by Fox Midwest Theatres in 1950. It shows all the theaters in the greater Kansas City area, and the legend lists all the theaters by their clearance zones. It can be seen online at this link.
There are towns called Rushville in Ohio and New York, too, but I’ve been unable to discover if either of them ever had a movie theater. If either did, I’m hoping it was called the Princess.
The July 2, 1938, issue of The Film Daily had this item about the modernization of the Essaness Theatre:
Another item in the same issue noted the name change to Plains Theatre:I’m a bit puzzled by this item from the July 16, 1926, issue of The Film Daily:
Was this the State? I know that West Coast took over the original Turner & Dahnken circuit sometime in the 1920s, and that the later T&D Jr. circuit later took over a number of West Coast houses in northern and central California, but I’ve never found the exact dates of these events.The “Theater Changes” column of the October 4, 1937, issue of The Film Daily reported the change of name of the movie theater at Rushville, Illinois, from Princess to Lloyd.
The contents of the building, including the theater’s old seats and other equipment, were auctioned off by the Masons on September 21. The lodge sold the building to the City of Rushville in August. The city plans to put a new roof on the building and perform other maintenance immediately, but the long term plan includes the restoration of the theater as a multi-use venue. Grants are bing sought for the project, according to this article in the the August 25, 2014, issue of the Rushville Republican.
How odd that three small towns called Rushville all have or had movie theaters called the Princess:
Rushville, Illinois
Rushville, Indiana
Now if we could get Rushville, Nebraska, to renamed the Plains Theatre, then all four Rushvilles listed at Cinema Treasures could have Princess Theatres.
The September 2, 1927, issue of The Escanaba Daily Press said that the Community Theatre in Gladstone had been purchased by Fischer-Paramount Theatres of Milwaukee, the company that had been operating it under a lease. The house would be renamed the Rialto Theatre, and extensive improvements were planned, including the installation of a Barton Organ.
The building had been built several years earlier by the Northwestern Cooperage and Lumber Company as a community center for its workers.
July 14, 1929, issue of the paper featured several pages of ads placed by various businesses offering congratulations to the Rialto Theatre on its opening.
The May 8, 1938 issue of the Daily Illini reported that Alger Brothers, operators of the Princess and Park Theatres, and the A. J. Balaban Co., would remodel and expand a building at 614-616 Green Street, Champaign, for a movie theater to be called the Co-Ed. The project was designed by the architectural firm of Monberg & Wagner, who the article referred to as “Chicago theater specialists.”
The September 12, 1972, issue of The Escanaba Daily Press carried an ad placed by the Network Cinema Corporation soliciting an investor/operator for the new Jerry Lewis Cinema then nearing completion in Escanaba. $17,500 dollars would get you into the theater business with this 350-seat house (additional working capital required.)
The February 22, 1972, issue of The Escanaba Daily Press said that plans to build a new, 408-seat indoor movie theater in Manistique had been announced. Construction was to begin in April, and the operators hoped to have the house open by September. The town had been without an indoor theater since the closing of the Oak Theatre in November, 1970.